QuoteDandelionPowderman QuoteTaylor1 QuoteTravelinMan There is also a lead guitar absolutely buried in the outroDoes sound like Taylor, similarity placed to his solo on the outro onRocks Off.I think he also plays the solo on the break, that doesn’t sound like Keithand it’s an overdub.It sounds a little like his solo on Dead Flowers album version It's not Taylor who did the solo. The ending
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There is also a lead guitar absolutely buried in the outro
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QuoteDandelionPowderman QuoteTravelinMan QuoteMathijs QuoteTravelinMan QuoteTravelinMan I listened to this the other day and I was admiring Keith Richards super clean Chuck Berry fills. Really a nice touch with the reverb on those. Some of his best IMO. I think this song absolutely fits on this album as the closer. It’s a hell of a way to end the album. I think they should have completed All T
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QuoteMathijs QuoteTravelinMan QuoteTravelinMan I listened to this the other day and I was admiring Keith Richards super clean Chuck Berry fills. Really a nice touch with the reverb on those. Some of his best IMO. I think this song absolutely fits on this album as the closer. It’s a hell of a way to end the album. I think they should have completed All The Rage back then and had it open the sec
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QuoteTravelinMan I listened to this the other day and I was admiring Keith Richards super clean Chuck Berry fills. Really a nice touch with the reverb on those. Some of his best IMO. I think this song absolutely fits on this album as the closer. It’s a hell of a way to end the album. I think they should have completed All The Rage back then and had it open the second side. Then put Silver Trai
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Anybody know what the "rock n roll jam" actually is? I was thinking maybe a Jimmy Reed number
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Great song, I just heard it and I still hear Mick Taylor on the bridge lol Sounds like he's playing through a wah/leslie combo. Unless maybe it was Stills "crashing the Exile overdub sessions"!
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I listened to this the other day and I was admiring Keith Richards super clean Chuck Berry fills. Really a nice touch with the reverb on those. Some of his best IMO. I think this song absolutely fits on this album as the closer. It’s a hell of a way to end the album. I think they should have completed All The Rage back then and had it open the second side. Then put Silver Train as a B-side. I
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Quoteretired_dog QuoteTravelinMan Quotegotdablouse Quoteretired_dog Certainly no fireworks and other extravaganza... But the question at stake is why a guitar player of his magnitude who's right up there with the other british blues legends released only 2 studio albums in more than 40 years and used to play the tiniest shitholes while someone like Joe Bonamassa can play the Royal Albert Hal
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Quotegotdablouse Quoteretired_dog Certainly no fireworks and other extravaganza... But the question at stake is why a guitar player of his magnitude who's right up there with the other british blues legends released only 2 studio albums in more than 40 years and used to play the tiniest shitholes while someone like Joe Bonamassa can play the Royal Albert Hall? Just a better management or doe
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QuoteCooltoplady QuoteTravelinMan QuoteMathijs QuoteGasLightStreet QuoteTravelinMan QuoteDandelionPowderman QuoteTravelinMan Is that video with the sailor suits and bubbles the same backing track as the album but with different Jagger vocals? + new Keith guitar. Strange that they made a separate version for a music video. Why do you say that? They'd started that back in 1973 and it end
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QuoteDandelionPowderman He probably means that they had different versions (mostly redone vocals) on their music videos between 1973 and 1978. She Was Hot was merely a different edit than the studio version, though. I see. What’s the point of that? They’ve also had videos with the original backing track.
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QuoteMathijs QuoteGasLightStreet QuoteTravelinMan QuoteDandelionPowderman QuoteTravelinMan Is that video with the sailor suits and bubbles the same backing track as the album but with different Jagger vocals? + new Keith guitar. Strange that they made a separate version for a music video. Why do you say that? They'd started that back in 1973 and it ended in 1978. Or 1983, with She Wa
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Quoteretired_dog QuoteTravelinMan Quoteretired_dog Quotebitman Mick's longtime girlfriend said on facebook that he has nothing to do with the livestream and that "sway" album. Someone just using his name. Again the same old bullshit from Taylor and/or his so-called "management"! Years ago, when asked by an interviewer about his "Stranger In This Town"-album, h
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Quoteretired_dog Quotebitman Mick's longtime girlfriend said on facebook that he has nothing to do with the livestream and that "sway" album. Someone just using his name. Again the same old bullshit from Taylor and/or his so-called "management"! Years ago, when asked by an interviewer about his "Stranger In This Town"-album, he replied: "It's a bootl
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QuoteDandelionPowderman QuoteTravelinMan Is that video with the sailor suits and bubbles the same backing track as the album but with different Jagger vocals? + new Keith guitar. Strange that they made a separate version for a music video.
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He said he had another album in the can when Stone's Throw was released. Hell, I'll mix and master it for free and they can release it on streaming platforms. There is so little cost in getting your music out there these days.
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QuoteMathijs QuoteTravelinMan They weren’t supposed to be recording (including overdubs) so I believe Stu was keeping it confidential. They obviously did overdubs, but there were no band sessions laying down new songs from scratch. They were supposed to be recording, they booked the small studio B for 6 weeks to record vocals and do overdubs, and booked many musicians for the sessions which y
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Is that video with the sailor suits and bubbles the same backing track as the album but with different Jagger vocals?
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QuoteCooltoplady QuoteTravelinMan I don’t trust this guy’s memory. Also, a second engineer shouldn’t be saying shit to Ian Stewart lol You weren’t there. You don’t know him you don’t know Stewart. I believe him He’s a stand up guy not like some members in the band. I’m laughing at the idea of a second engineer telling Ian Stewart he won’t be recording if …. I’m sorry, but that’s some majo
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Let’s go!!!
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I don’t trust this guy’s memory. Also, a second engineer shouldn’t be saying shit to Ian Stewart lol
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They weren’t supposed to be recording (including overdubs) so I believe Stu was keeping it confidential. They obviously did overdubs, but there were no band sessions laying down new songs from scratch. They did however start new songs and overdub in LA after coming back from Hawaii (after Jamaica) for Goats Head Soup. I believe Silver Train was re-recorded there from scratch, among others.
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“Give Us A Break” was probably the working title for Short & Curlies. I’m not sure why I didn’t think of that two years ago!
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QuoteTaylor1 Who plays the guitars on this song I think they're all Richards on the bootleg versions, including the Fully Finished Outtakes. It would be interesting to hear the one mentioned being done in Miami, which I believe has never been leaked. On the released version Ron Wood managed to dub a less-exciting solo and lead guitar. I question the liner notes as well, which is obvi
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QuoteMathijs QuoteMathijs QuoteFP I am intrigued by this info to find out when Loving Cup was recorded then? I thought it was one of the Exile tracks completely recorded in LA rather than started in Nellcôte and finished at Sunset Sound (despite earlier alternate versions floating about). However everyone's info seems to suggest Charlie and Bill may have only been there briefly and possibly
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The info says it’s the only time you’ll be able to see him live this year. I hope it’s true!
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QuoteTheflyingDutchman QuoteTravelinMan QuoteTheflyingDutchman QuoteTravelinMan As a guitarist of many years, I do not find the Ron Wood era particularly interesting. I do not find it hard at all to copy Ron Wood and I don't really enjoy his lead guitar tones. Perhaps if I didn't play guitar, I would be more enamored by his playing. All I can add is that after working for 25+ years
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QuoteTheflyingDutchman QuoteTravelinMan As a guitarist of many years, I do not find the Ron Wood era particularly interesting. I do not find it hard at all to copy Ron Wood and I don't really enjoy his lead guitar tones. Perhaps if I didn't play guitar, I would be more enamored by his playing. All I can add is that after working for 25+ years as a professional guitar teacher, me an
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QuoteTaylor1 QuoteCooltoplady QuoteTaylor1 Didn’t Exile Deluxe sell well.They could have celebrated the 50th anniversary of Exile with a great sounding live album and a video of 1972 performances.That would sell okay.That was their mythical tour L and D has been out for a long time. 73 Brussels can’t be beat. Exile deluxe is over with. Pay attention.I pay attention to the shit sound of the L&a
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