ghostryder13 Wrote: ------------------------------------------------------- > i belive that sometimes the stereo mix is better > but with some recordings the mono mix is the best > . perfect example is satisfaction . i feel the > stereo version takes away the power *or muscle you > could say* of the song yes I agree about the satisfaction remark, actually feel that way a
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which date is this show, I'd love to hear it!
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i know a couple of collectors that are so maniacal about their hobby that its my humble opinion if they dont have these tapes-they either dont exist or the taper has NEVER let them out. just as an example I thought Bob Newbury who I've traded with had a large collection but these guys made him look like a novice. and that aint putting down Newbury. I've looked for Dallas 75 for years. b
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really enjoyed that!!!!!!!!!!!
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yes, pray bestow upon us your answer.
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never heard anyone else say it. But if they didnt say it around me then I guess I wouldnt know!!
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I found that Williamsburg,Va. was at least scheduled for Aug. 5,1975 according to one source I found. The Rolling Stones Album(thirty years of music and memorabilia) by Geoffrey Giuloano pub. 1993 Viking Studio Books pp.160. However there is no evidence of the show being played, is there? But then, I know from attending there was a dallas 75 show played but no recording that I've found(and b
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yes I agree the "Walk On Water" rmst. is a must for stereo (along with mickboys "Only When Its Frozen" disc 2 to fill out unavailable songs). And when you get tired of wide stereo mixes it's fun to listen to Mono mixes and compare. thats why I recently ordered a "Let It Bleed" mono mix cd off ebay. Cant wait to give a listen!!!
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bill wyman doesnt list it as being played in his "Rolling With The Stones" book.
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Guess I'm a little slow today!!!!
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thanks-always wondered bout those guitars cause in the early 70s they seemed unique to Ron. Also saw the plexi Dan Armstrong. Wonder if this is the same one he used on Stay w/Me in SOUNDS FOR SAT. 72 (had to go dig it out!) Remember when Keith used one like this on 69 tour and he said later it was a prototype and got stolen. He said all the replacements they sent him were never as good.
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Cafaro Wrote: ------------------------------------------------------- > Thanks Argentino! > > Common knowledge is certainly in the eyes of the > beholder. > > Just like it's common knowledge that a 1970 340 > or a 440 cubic inch Mopar engine is more road > worthy than a 1970 Hemi. > > See what I mean? > > > > By the way....has
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is Terzetto the same mfg. of those cool guitars Ron was playing as far back as the Faces first appearances?
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with sssoul Wrote: ------------------------------------------------------- > >> other than route 66 through 99 << > > which isn't a Berry number, so they didn't need > his cooperation/good will/whatever's been missing > in order to include it in sets ... and yeah, the > Uncut disk is recommendable - > smile: i reckon that's why Keith
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nanker phelge Wrote: ------------------------------------------------------- > Is this available? I haven't listened to my copy of this show in a while so cant remember the quality-I'll have to give it another listen. But if you want a copy Email me.
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got to agree LAF (surprised?) but always did think the stones were doing LRR in a different key with Ron. One examole is LA 89 where they do it w/Clapton. What key are they in?
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hey worse things have been known to happen! Life is a box of chocolates!
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yeah other than route 66 through 99 and by the way have you heard Berry's version of that? lot more jazzy than the Stones so I guess Keith was really improvising! Other than Down The Road.. occasionally in 81 there were no Berry numbers live until Little Queenie in 97? unless you count the Club 100 gig for Stu which was rumoured to have a lot of their old nos. sssoul, wouldnt you recommend t
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Duane in Houston Wrote: ------------------------------------------------------- > I'm not sure from your post what happened to you. > Maybe you could calm down and be a little more > specific. > > However, I do agree with you on the "freedom" > thing. If things get any more unbearable here in > the States with all of this leftist, politically > cor
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ever notice on the earliest known stones recording of this(How Britain Got The Blues) Mick and Keith are trying to do a pretty straight forward Berry version of the song. By the time it shows up on NOW and 64-65 live versions its faster and swingin'. I always wondered about this until I listened to Keiths "The Devils Music-Uncut" mag. disc. Seems the later arrangement owed more to
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thanks guys, I'll hold on to my money!!!
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I've seen in reviews that Sodds "Hyde Park 69" claims to be from new source and their "Live At Leeds" claim to be all stereo. Does anyone know if either is true?
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you referred to capitalists and socialists? I guess I'm stupid but I dont get it.
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If I have to rate one over the other it would have to FF on the strength of "Stray Cat Blues" alone!
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Gazza Wrote: ------------------------------------------------------- > Not really. The Stones were onstage the whole > show. yes, I can see your point.
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anyone who hasnt heard this yet I very highly recommend it. Gram is at his "slightly buzzed" best and you can clearly hear the effect he and Keith were having and would have on each other. just a great example of the tortured soul of the original cosmic cowboy. Any opinions? recording:gram and burritos san fran avalon 4-4-69 and 4-6-69 opening for Grateful Dead. amoebarecords.com
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147 min 37 sec. on disc. 29 songs( 30 if you consider If You Can't Rock Me-Get Off My Cloud as two) Of course two of the songs they were playing back up for Billy Preston. I know there may be some Babylon Shows close to it but alot of that intro music and introductions. Wouldnt the Atlantic city 89 kinda be with an asterick since there were all those guests over and over?
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I always thought the r n r circus "No Expectations" was played in a different key than the album,too. Just thought it was me but Jagger seems to be singing in a very uncomfortable pitch for him.
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I've always heard that the longest Stones concert (at least verified by bootleg recording) is Knebworth Open Air Festival aug. 21,1976. Anyone else heard this?
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Thanks,sssoul-loved the site and everywhere it takes me! And what an influence Keith had(nudge nudge say no more!!)
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