Here you go: [we.tl]

Thank you. This is a strange thing with the howling guy. Wonder, how he did this. Must be the one, that took the recording and made it public...

Thank you!

Thank you for sharing.
I noticed I miss 3 audience recordings for this date, anyone can help me?


Source#2
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [mrsaureus]
DPA-4060 +PCM-M10
Lineage: Stealth recorded and minimally produced by mrsaureus, sitting in Section 10, Row 14, Seat 15, which means about halfway back from the lip of the stage to the back wall of the floor, and about half way up the first bank of seats off the floor, on the right side of the stage. Good sightlines and good sound. Core-Sound High End Binaurals (DPA-4060 capsules) to Sony PCM-M10 (48 kHZ, 24 bit), WavePad Sound Editor to provide modest global amplification, cut into songs and SoundForge to convert to 24 bit/ 48 kHz FLACs. If people want it, I can share a 16/44.1 version. This is an audience recording that aims to document the experience of being in the crowd at the show, and features occasionally loud but appropriate crowd noise. This is the first time this recording is being shared.

Source#3
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [seaweed]
AT943+H2n

Taper: Seaweed1010
Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48)
Transfer: WaveLab>r8b>cdwav>TLH(8)>flac
Location: Sec 231, Row 8. The Nosebleeds.

Source#4
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [tunezz]
SP-CMC-19+Tascam DR-07
Taped from floor, middle, about 2/3 back
SP-CMC-19 w/ battery box > Tascam DR-07 at 24/48k > USB > CD Wave to trim track > Audacity to label tracks, normalize audio channels independently and export to FLAC at 16/44k > TLH to fix SBEs, create MD5 and torrent

Thank you wiredallnight!

Quote
deardoctor
Thank you. This is a strange thing with the howling guy. Wonder, how he did this. Must be the one, that took the recording and made it public...

The broadcast of the show was with 5.1 surround sound. The howling guy was in the rear (surround) channels. Most releases are a stereo mixdown of all (front + rear) channels, so the howling remains there. This one is only the front channels, so the howling is not there. BTW, there is not much else in the rear channels, except some audience noises, so you miss nothing!

Quote
Andrea82
Thank you for sharing.
I noticed I miss 3 audience recordings for this date, anyone can help me?


Source#2
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [mrsaureus]
DPA-4060 +PCM-M10
Lineage: Stealth recorded and minimally produced by mrsaureus, sitting in Section 10, Row 14, Seat 15, which means about halfway back from the lip of the stage to the back wall of the floor, and about half way up the first bank of seats off the floor, on the right side of the stage. Good sightlines and good sound. Core-Sound High End Binaurals (DPA-4060 capsules) to Sony PCM-M10 (48 kHZ, 24 bit), WavePad Sound Editor to provide modest global amplification, cut into songs and SoundForge to convert to 24 bit/ 48 kHz FLACs. If people want it, I can share a 16/44.1 version. This is an audience recording that aims to document the experience of being in the crowd at the show, and features occasionally loud but appropriate crowd noise. This is the first time this recording is being shared.

Source#3
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [seaweed]
AT943+H2n

Taper: Seaweed1010
Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48)
Transfer: WaveLab>r8b>cdwav>TLH(8)>flac
Location: Sec 231, Row 8. The Nosebleeds.

Source#4
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [tunezz]
SP-CMC-19+Tascam DR-07
Taped from floor, middle, about 2/3 back
SP-CMC-19 w/ battery box > Tascam DR-07 at 24/48k > USB > CD Wave to trim track > Audacity to label tracks, normalize audio channels independently and export to FLAC at 16/44k > TLH to fix SBEs, create MD5 and torrent

I only have one audience recording, no idea which one of these it is. Here it is: [we.tl]

Quote
Andrea82
Thank you for sharing.
I noticed I miss 3 audience recordings for this date, anyone can help me?


Source#2
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [mrsaureus]
DPA-4060 +PCM-M10
Lineage: Stealth recorded and minimally produced by mrsaureus, sitting in Section 10, Row 14, Seat 15, which means about halfway back from the lip of the stage to the back wall of the floor, and about half way up the first bank of seats off the floor, on the right side of the stage. Good sightlines and good sound. Core-Sound High End Binaurals (DPA-4060 capsules) to Sony PCM-M10 (48 kHZ, 24 bit), WavePad Sound Editor to provide modest global amplification, cut into songs and SoundForge to convert to 24 bit/ 48 kHz FLACs. If people want it, I can share a 16/44.1 version. This is an audience recording that aims to document the experience of being in the crowd at the show, and features occasionally loud but appropriate crowd noise. This is the first time this recording is being shared.

Source#3
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [seaweed]
AT943+H2n

Taper: Seaweed1010
Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48)
Transfer: WaveLab>r8b>cdwav>TLH(8)>flac
Location: Sec 231, Row 8. The Nosebleeds.

Source#4
2012-12-15 Rolling Stones Prudential Center Newark, NJ AUD [tunezz]
SP-CMC-19+Tascam DR-07
Taped from floor, middle, about 2/3 back
SP-CMC-19 w/ battery box > Tascam DR-07 at 24/48k > USB > CD Wave to trim track > Audacity to label tracks, normalize audio channels independently and export to FLAC at 16/44k > TLH to fix SBEs, create MD5 and torrent

Hi!
I've got this one:
the Rolling Stones 2012 12 15 Prudential Center Newark NJ mrsaureus FLAC 24 bit 48 kHz
I'll be uploading as soon as possible.
Cheers
Hervé

the Rolling Stones 2012 12 15 Prudential Center Newark NJ mrsaureus FLAC 24 bit 48 kHz

[we.tl]

Cheers
Hervé

Many thanks Hervé!

Quote
Andrea82
Many thanks Hervé!

My pleasure!
You share a lot, so it's a way to say Grazzie!
Cheers
Hervé

FYI (I'd forgotten about this, it's pretty funny)

Captain Acid's version (used on MfG-068) did NOT have the howling guy.
DAC-131 did have the howling guy.

The howling guy was on all the video broadcasts I have - I suppose that is not very helpful because I suppose all versions were from a broadcast, but I do not know the source for the non-howling guy version. Maybe falo remembers?

I have explained it above - the howling guy comes from the rear channels. If you want to hear him alone, please: [we.tl]

Quote
wiredallnight

Quote
deardoctor
Thank you. This is a strange thing with the howling guy. Wonder, how he did this. Must be the one, that took the recording and made it public...

The broadcast of the show was with 5.1 surround sound. The howling guy was in the rear (surround) channels. Most releases are a stereo mixdown of all (front + rear) channels, so the howling remains there. This one is only the front channels, so the howling is not there. BTW, there is not much else in the rear channels, except some audience noises, so you miss nothing!

Ah, okay, good to know.
Thank you very much again!

Thank you for sharing the 2 versions

Quote
hj3009
the Rolling Stones 2012 12 15 Prudential Center Newark NJ mrsaureus FLAC 24 bit 48 kHz

[we.tl]

Cheers
Hervé

This is the same source as the one I posted 2 posts above yours.

The 2 versions are exactly the same source?
Uau great job.Well done.
Congrats

I am preparing #3

2012.12.15 Prudential Center Newark, NJ [seaweed]

[www.filefactory.com]
also here [we.tl]



Edited 1 time(s). Last edit at 2020-04-28 22:09 by stonesmuziekfan.

Quote
stonesmuziekfan
I am preparing #3

2012.12.15 Prudential Center Newark, NJ [seaweed]

[www.filefactory.com]
also here [we.tl]

Many thanks!

Quote
stonesmuziekfan
I am preparing #3

2012.12.15 Prudential Center Newark, NJ [seaweed]

[www.filefactory.com]
also here [we.tl]

Merci beaucoup ! Thanks a lot!
Hervé

Thanks.

Quote
blakeeik
FYI (I'd forgotten about this, it's pretty funny)

Captain Acid's version (used on MfG-068) did NOT have the howling guy.
DAC-131 did have the howling guy.

The howling guy was on all the video broadcasts I have - I suppose that is not very helpful because I suppose all versions were from a broadcast, but I do not know the source for the non-howling guy version. Maybe falo remembers?

Yes, I stripped the back channels from the audio and used it for MfG68 and Acid used this version for his remaster.