Re: OT: The Official 2008 WHO Tour Thread
Date: October 22, 2008 15:37
The Palace of Auburn Hills normally has a seating capacity of around 21,000, but no seats were sold behind the stage, and the upper level seats at the far end of the arena were also closed off and not for sale, so for this show, the seating capacity was probably around 15,000. It was not a sell out.
Pete, as usual, told the story about the Who playing to a crowd of 250 people, the smallest-ever US show, at a club in Ann Arbor in 1967. He also mentioned the legendary Southfield High School Gymnasium show from that same year, a show that EVERY Michigan Who fan of a certain age now claims to have attended. He continued to kiss considerable Motown ass by mentioning that important role Detroit played in early Who history, as the first city in America where Who records sold in large amounts and where they received their first heavy radio airplay. "Anyway", he said, "That's why we're here". He also had praise for a Detroit-made 1956 Lincoln Continental which he said was the best car he's ever owned.
Technical difficulties ruined the first three songs. I couldn't tell if the problem was just with Roger's mike or with the entire PA, but at least a dozen times the sound cut out for a split second. They made no mention of this, much less apologize for it. Pete turned up his amp during Getting In Tune, as if trying to overpower the PA gremlins with sheer volume. The sound cut out one more time during Fragments, and after that, it only happened one more time, at the end of Sister Disco, yet during Who Are You, Pete was having some other problem, as he completely stopped playing for about 15 seconds and was instead frantically waving his arms at soundman Bobby Pridden.
It took a long time for me to really get into the music. I think the first time I even applauded was at the end of Baba O'Riley. Relay was where it all came together, one of the few times, along with the jam at the end of Amazing Journey, where they resembled the heavy rock band they once were. Nice and loud. I could feel my drink vibrating in my hand.
Pete played well, but this was the least energetic I have ever seen him. He apologized for his relatively lackluster performance, blaming it on jet lag and lack of sleep. Sitting up high, where I could get a good look at him, I spent most of the night watching Zak. Visually far more interesting than the geriatric, slow-motion movements of Pete and Roger, who looked just like a couple of old guys doing tai chi in the park.
Roger's voice always tends to sound better "in the room", than it does when you go back later on and listen to the soundboard, and he sounded okay for most of the show last night, but by the time he sang See Me, Feel Me his voice was like a death rattle, and I really wondered how he could possibly get through tonight's show in Ontario, much less the rest of the tour.
When he sang Tea And Theatre, in a voice that produced the most grotesquely offensive sounds I've ever heard come out of a concert PA, it made the lyrics seem all the more poignant.
So great are the Who, that even this, the worst Who concert I've ever attended, was still a somewhat enjoyable and ultimately, worthwhile experience.
After the show, I called the on-air DJ at the local classic rock station and talked about the Who for a while. He was doing a "Who concert replay", playing all of the songs the Who played in the order they played them. He needed my help. He asked me which album Tatoo was on. I told him it was on The Who Sell Out. This answer seemed to confuse him. He skipped over Tatoo.
Edited 1 time(s). Last edit at 2008-10-22 15:43 by tatters.