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straycat58
As I already suggested in the past, but with no followers, I think that the easiest and faster solution is that we join altogether and send an offer.
Suppose that we are 50 names accepting to pay 10 Euros, we can offer 500 Euros for the tape. I think this is a reasonable offer and for us it's not a big sacrifice.
If we want to keep the tape only for the 50 people who paid the amount, we can make an arrangement between us and then seeding it with some spoken words missing or one track fading out.
Then, if some additional fan wants to receive the full version, he must buy it from one of the 50 original owners, which means some of us will receive partial or total reimboursement of the initial investment.
The only thing we must do is to find 50 fans interested; not difficult if we open a dedicated topic and create enough noise.
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Silver Dagger
Guys, as I posted before I recently got this recording off the web for free. Use your noddles. It's out there. Just type Rolling Stones - Champaigne 69 and see what comes up. You'll be amazed. Some othjer cool stuff from 69 too. Just go web surfing.
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Rank Stranger
Christmas time's a coming! Just one wish this year:
Please tell me that you succeeded in getting the complete show and that you will post it here soon!
Thanks in advance!
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Eleanor Rigby
Haha...
I also have the 2 auburn shows...
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Eleanor Rigby
Haha...
I also have the 2 auburn shows...
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Mathijs
I loathe these attention seekers. I hate that 'I have such and such show, but I am not releasing it in any way'.
Twenty years ago I could understand it. Bootlegs where rare and difficult to get, and an unknown, sought-after show actually had historical and commercial value. So if you had a good tape I could understand you wanted to keep it until you could release it in some form -either trade it for other tapes, or for money.
But now, with about 80% of all Stones shows being available on-line, the historical value and especially commercial value is none. In the early 90's one could earn roughly $3000 wih a good VGP release, now you are a happy man if you're able to sell ten copies for $10 each. The amount of shows only available through tape trade is virtually zero, as about each and every show (except some 81 shows) has seen the light of day trough a vinyl or CD release.
So why is anyone sitting on its copy? I guess it's just the same old kindergarden play: I have something you don't have, na na na. Sick.
Mathijs
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Lil' BrianQuote
Eleanor Rigby
Haha...
I also have the 2 auburn shows...
Ms. Rigby,
Hmmm. Are you questioning my honesty in regards to the existence of this particular recording? If so, I don't really appreciate that. Here's hoping you never get to listen to it. It's pretty damn good too! Merry Christmas.
LB
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Mathijs
I loathe these attention seekers. I hate that 'I have such and such show, but I am not releasing it in any way'.
Twenty years ago I could understand it. Bootlegs where rare and difficult to get, and an unknown, sought-after show actually had historical and commercial value. So if you had a good tape I could understand you wanted to keep it until you could release it in some form -either trade it for other tapes, or for money.
But now, with about 80% of all Stones shows being available on-line, the historical value and especially commercial value is none. In the early 90's one could earn roughly $3000 wih a good VGP release, now you are a happy man if you're able to sell ten copies for $10 each. The amount of shows only available through tape trade is virtually zero, as about each and every show (except some 81 shows) has seen the light of day trough a vinyl or CD release.
So why is anyone sitting on its copy? I guess it's just the same old kindergarden play: I have something you don't have, na na na. Sick.
Mathijs