Quote
Glam Descendant
>When they gathered together again in 1989, the band started to play the honest 12 bar blues in a way they had not done in some 25 years.
And yet they didn't include any blues songs on STEEL WHEELS, relegating "Fancy Man Blues" to b-side status -- is that a head-scratcher or were they trying to redefine at that point?
Edited to add: *all* 3 b-sides for that album were straight blues -- so why the decision to not include a single blues song on the album?
Following the same single policy like in 1963? >
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Seriously, most of their 'pure' blues songs are just b-sides for singles or album fillers (of course, say, "Little Red Rooster" or "Midight Rambler" are huge expections). They simply do not have the commercial appeal, or otherwise do not 'fit' in. I think all of those STEEL WHEELS and VOODOO LOUNGE blues numbers are like "warming up numbers", trying to find the right groove or feeling of the band. It's good that they decided to release them AT LEAST somewhere (for example, "Cook Cook Blues" was already finished track from UNDERCOVER sessions). But I personally think that "Fancy Man Blues" or "The Storm" are the songs of most lasting value from that period. Sometimes I get the feeling that the band plays blues numbers just to please themselves, and that's why they sound so natural, and not forced. They (Jagger?) do not think that they would please big masses. Perhaps they are right.
Other reason could be that the blues numbers are too 'easy' choices for them; those do not satisfy their creative ambitions, and they - as anyone can - play 12 bar blues half-sleep. Listening STRIPPED blues sessions (i.e. "Honest I Do, "Little Baby", etc.), I think even though the band sounds relaxed, some actual spark is missing to really make those recordings great (this can be heard very well when compared their huge past blues catalog.) It might be surprising to hear from my mouth but I am not a big fan of having a fresh pure blues album by the guys. Actually, they have released that sort of stuff to quite a large extent since 1989. I don't think there is much to express anymore. To be true, I find their take on blues nowadays quite limited - just listen my Volume 3 and you will know what I mean (for example, "Little Red Rooster" and "I Just Wanna Make Love To You" or "I Wish I'd Nver Met You" are almost like identical songs by their groove or tempo).
It is intersting to see that already in 1964 when the Stones recorded perhaps their best blues covers ever at Chess studios, they had difficulties to decide where to release them. Gems like Muddy's "I Can't Be Satisfied" or "Look What You've Done" seemed not to be very trendy numbers anymore.
- Doxa
Edited 1 time(s). Last edit at 2008-10-08 12:13 by Doxa.