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highanddryQuote
drewmaster
The reality is that remastering (when done properly) just means bringing the sound quality up to modern standards, which are constantly evolving.
Wow, this is a naive and uninformed viewpoint.
Candidly, anyone who follows the Steve Hoffman Music Forum understands that "modern standards" for sonic quality have generally been dumbed down, not raised, over the last decade.
For instance, we have mp3-based iPods delivering poor sonic quality as the most popular music medium.
The overwhelming majority of recordings, both remasters and new releases, are issued sonically harsh, highly limited and compressed, with brutal use of noise reduction. Modern techniques result in recordings that are very loud, and are virtually unlistenable, they are so "brickwalled" sonically.
The studio equipment available today for remastering might be more sophisticated than that which existed 15 years ago or 30 years ago, but it doesn't mean the end result is superior.
I don't know what these latest reissues might contain sonically, but we actually ought to be grateful, in some respects, if Universal didn't do anything new, and left them alone. There are countless examples of other artists getting "remastered", and the new remasters are dramatically poorer quality than the original issues.
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jlowe
Thanks Deltics.
Presumably , the post 1971 material is 100% owned by The Stones -and they can just negotiate who distributes - and for how long?
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highanddry
Candidly, anyone who follows the Steve Hoffman Music Forum understands that "modern standards" for sonic quality have generally been dumbed down, not raised, over the last decade.
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highanddry
For instance, we have mp3-based iPods delivering poor sonic quality as the most popular music medium.
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highanddry
The overwhelming majority of recordings, both remasters and new releases, are issued sonically harsh, highly limited and compressed, with brutal use of noise reduction. Modern techniques result in recordings that are very loud, and are virtually unlistenable, they are so "brickwalled" sonically.
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highanddry
The studio equipment available today for remastering might be more sophisticated than that which existed 15 years ago or 30 years ago, but it doesn't mean the end result is superior.
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highanddry
There are countless examples of other artists getting "remastered", and the new remasters are dramatically poorer quality than the original issues.
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drewmaster
My iPod sounds great.
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Jack Knife
Nobody will buy any any of these. Maybe a few of 'Sticky Fingers,''Exile On Main St,' 'Some Girls,' and 'Tattoo You.' The rest will end up in the remainder bin where they have been at my local shop for years. Still don't sell there either.
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highanddry
Wow, this is a naive and uninformed viewpoint.
Candidly, anyone who follows the Steve Hoffman Music Forum understands that "modern standards" for sonic quality have generally been dumbed down, not raised, over the last decade.
For instance, we have mp3-based iPods delivering poor sonic quality as the most popular music medium.
The overwhelming majority of recordings, both remasters and new releases, are issued sonically harsh, highly limited and compressed, with brutal use of noise reduction. Modern techniques result in recordings that are very loud, and are virtually unlistenable, they are so "brickwalled" sonically.
The studio equipment available today for remastering might be more sophisticated than that which existed 15 years ago or 30 years ago, but it doesn't mean the end result is superior.
I don't know what these latest reissues might contain sonically, but we actually ought to be grateful, in some respects, if Universal didn't do anything new, and left them alone. There are countless examples of other artists getting "remastered", and the new remasters are dramatically poorer quality than the original issues.
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TornandfrayedQuote
highanddry
Wow, this is a naive and uninformed viewpoint.
Candidly, anyone who follows the Steve Hoffman Music Forum understands that "modern standards" for sonic quality have generally been dumbed down, not raised, over the last decade.
For instance, we have mp3-based iPods delivering poor sonic quality as the most popular music medium.
The overwhelming majority of recordings, both remasters and new releases, are issued sonically harsh, highly limited and compressed, with brutal use of noise reduction. Modern techniques result in recordings that are very loud, and are virtually unlistenable, they are so "brickwalled" sonically.
The studio equipment available today for remastering might be more sophisticated than that which existed 15 years ago or 30 years ago, but it doesn't mean the end result is superior.
I don't know what these latest reissues might contain sonically, but we actually ought to be grateful, in some respects, if Universal didn't do anything new, and left them alone. There are countless examples of other artists getting "remastered", and the new remasters are dramatically poorer quality than the original issues.
Finally, a well-informed and qualified post on the sound quality issue. I agree with everything you say.
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tatters
I agree with him, too, but don't understand why he had to be such an ass when someone (Drew) disagreed with him. The Rolling Stones have never really been what you would call an audiophile's band. Besides, I'm sure there are plenty of classical music forums for audiophile snobs to hurl insults at one another's hearing and stereo components.
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squando
Start adding half arsed ideas and roughly recorded outakes to Exile, Sticky and so on and you may as well paint a moustache on the Mona Lisa.
/quote]
No, an expanded Sticky or Exile would be like having the Mona Lisa PLUS an early, unfinished rough sketch of the Mona Lisa. Most expanded or deluxe releases include the original album, "retaining the essence of the original track listing" with the bonus material kept separate. One exception to this, which I didn't care for, was the expanded LIVE AT LEEDS, where the bonus tracks were interspersed among the tracks that had been on the original album, so the original album was, in effect, "lost". I think Lou's ROCK AND ROLL ANIMAL is like that, too. I guess they wanted to present the tracks in the same order in which they were performed in concert, but I would rather if they had preserved "the essence" of the original album and kept the extra tracks separate.
Edited 1 time(s). Last edit at 2009-04-11 16:43 by tatters.
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drewmasterQuote
tatters
I agree with him, too, but don't understand why he had to be such an ass when someone (Drew) disagreed with him. The Rolling Stones have never really been what you would call an audiophile's band. Besides, I'm sure there are plenty of classical music forums for audiophile snobs to hurl insults at one another's hearing and stereo components.
Tatters--
Thank you! You hit the nail on the head.
Drew