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Chrissie
Well I downloaded it...
and listened to it on my car radio...
I don't feel like a thief because I downloaded it yesterday and 2 days ago I ordered
-) the Double CD Version from amazon.com
-) the Single CD Version from amazon.com
-) the USB Version from amazon.co.uk
-) the Japanese Version from cdjapan.co.jp
-) the 6track promo sampler from ebay
So please tell me I'm a thief because I downloaded something to hear in advance which I already ordered AND PREPAID days before LOL to you all out there !
my best !
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James Lynn
Charging $51 for 1 bonus track is unethical in my humble opinion. That is a travesty to hard core die hard fans. Who else is that aimed at? The general fan who is going to seek out a Japeneese import? Thats that crap that have pissed off die hards of the recent Cohl-Sir Mick conglomorate. Maybe I can offset the insulting ripoff "bend over" scam of a price by some other means. I wonder who thought up that little "lets screw the diehard once again" mentality by offering a "bonus track" on a Japeneese import. How about a CD single for few dollars? Fair is fair but I digress a bit. MEZ
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GreenbluesFor example: When David Bowie's albums were re-released for the first time around 1990, I bought them all because they were beautifully packaged and all carried bonus tracks. When David switched to EMI and the albums were re-released once again WITHOUT the bonus tracks but "24bit remastered", I didn't give a shit and just ignored them.[/quote
Ah but you shouldn't. The new Bowie remasters are way better than the old ones with bonus tracks. I've had many of those old ones, but I sold them all. The reason being that the new ones are far better and that bonus tracks at the end of the CD ruins the experience.
JumpingKentFlash
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Greenblues
Thanks for the info, Kent, I never compared them soundwise so really I didn't know. As for the bonus tracks. I know what you mean and there's some justice in the "pure album" approach. On the other hand one is always free to listen to the album portion only. And I think EMI's motives were different than yours. IMO they just wanted to recreate those "unreleased" tracks for future use. Anyway, I'd always keep my first-reissue-items, even if I'd buy some of the new ones. Each of them brings memories of the time I bought them, and perhaps someday they'll get very sought-after ;-) (OK I know, they sold tons of them, so this is only a small option).
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Greenblues
Artistically you're right. Hunky Dory is a "heavenly" nice experience. And the Berlin trilogy, well, just mysterious and cool, especially when you've lived in Berlin as me.
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with sssoul
but yeah, if you have an idea for a new approach to distribution that lets music lovers access music
and ensures that artists get fair compensation for what they do,
and that it's all set up to encourage new artists, and quality music and diversity,
and not just lowest-common-denominator junk, then by all means tell us how it'll work.
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ROPENI
Lets see:
$450.00 For A Ticket
$55.00 for a T SHIRT (Probably made in a sweatshop somewhere at a cost of $3.00 or less)
$25.00 for a lousy made hat
$100.00 for a "fan" club membership, that doesn't send you what they promised.
$20.00 for a show program
and on,and on.....
Illegaly? No .. Obscene and immoral.. HELL YES.
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with sssoul
>> The problem is that the money dont go the the artists. Is that my problem? <<
ah: if it doesn't affect you directly, why think about it?
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with sssoul
>> You make a good point Fair compensation <<
i'm glad you like it, but please note that i'm talking about fair compensation for the artists,
not the record companies (or bandwidth providers or whatever other middlemen).
as i keep saying: i will be very happy if someone would point out a way i can
rip off the big bad corporations without simultaneously ripping off the artists.
i still don't see how paying bandwidth providers for access to music is "free",
nor do i share maumau's faith that bandwidth providers will "automatically" be better to artists
(or to music, or to music lovers) than record companies traditionally have been.
and "it's not my problem" doesn't seem very thoughtful to me (possibly because - as i've noted -
whether artists are compensated or not has been a very immediate problem for me.)
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bv
I don't need to save my ass to have this policy. It is simply a matter of my own standards. I am a software developer and supplier by profession. Programming or developing or writing music is the same thing. You spend time making some sort of art, and then you make it available to the public, hoping they will pay you back so that you can get bread on your table. Most developers and most musicians are not rich. Some are. If you steal software, music or art in general then you have moved your moral standards, just like doing a hit and run. You have decided to put yourselv above the law and decided you are superior to others. That is my personal opinion, and that is why I don't want to see IORR being abused for distribution of links to illegal copies. By the way, there are plenty of ways to find out about all these things on the net, so no worries if copying legal stuff is your way of living. Thanks!
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bv
Everybody might make up their own rules. If I think beer is too expensive I might take some extra beer in my pockets at the shop. All the shop owners in my country are millionairs so that would be no problem for them.
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Silver Dagger
Yes Marco , but aren't we talking double standards here. There are plenty of links on IORR to sites where you download live and even studio recordings.
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vox12stringQuote
Silver Dagger
Yes Marco , but aren't we talking double standards here. There are plenty of links on IORR to sites where you download live and even studio recordings.
Such as?