ROCKMAN

“Main Street.”

There was a radio ad a long time ago for “Exile on Main Street,”
the Stones album, with a different version of this song. I heard
the radio ad, and I taped it, always wanted to do it. The one they did
in the radio ad was real raw, great. “Exile on Main Street Blues.”


Chuck E. Weiss -- Red Beans and Weiss - Anti 87340-1



ROCKMAN



Edited 1 time(s). Last edit at 2014-04-12 15:37 by Rockman.

[www.smh.com.au]

Interview with Alexandra Richards - never remixes stones tracks and always saw herself as a daddy's girl.

ROCKMAN

ROCKMAN

Great news for the Aussies!

ROCKMAN

Anyone here ever heard of Julian Hardiman before? I certainly have not.

--
Captain Corella
60 Years a Fan

Quote
CaptainCorella
Anyone here ever heard of Julian Hardiman before? I certainly have not.

I have Been communicating with him on UK Pressings for a number of years. He has been working on his project for a long time.

Jan Richards

[www.stonesondecca.com]

ROCKMAN

.

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ColonialstoneNZ
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Edited 1 time(s). Last edit at 2016-02-09 21:15 by colonial.

THE AUSTRALIAN --- 25 April 2014



ROCKMAN

Thanks for sharing ROCKMAN, Mick Jagger plays the Ovation acoustic guitar during the song Let It Bleed in the posted picture.
In 1982 I visited two of the three sold out Stones concerts at the Feyenoord Stadium in The Netherlands, fond memories of those great concerts.
The Ovation acoustic guitar was as well used during the track "Wainting on a Friend" US Tour 81.



Edited 2 time(s). Last edit at 2014-04-25 21:34 by runaway.

ROCKMAN

LIVING BLUES - Issue 230 ---- April 2014



ROCKMAN

Quote
Rockman


THE AUSTRALIAN --- 25 April 2014

That's a perfectly held F maj7 by Mick

Quote
DandelionPowderman
That's a perfectly held F maj7 by Mick

I feel so proud :E

Thank you for all this brilliant stuff, Rock Man! The Howlin Wolf photo & article is perfectly amazing

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DandelionPowderman

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Rockman


THE AUSTRALIAN --- 25 April 2014

That's a perfectly held F maj7 by Mick

Looks more like a straight C maj to me, especially if Let it Bleed is the tune. peace

Nice to see your posts again Naturalust,

Mick J playing the acoustic Ovation guitar, I went through all the setlistclips on the net and the only track acoustic guitar was "Let It Bleed".
Check the Hampton 81 and Seattle 81 clips...peace

UNCUT #205 -- June 2014



ROCKMAN

RECORD COLLECTOR 427 - May 2014



ROCKMAN

Al Feldstein, the Soul of Mad Magazine, dies at 88



Al Feldstein, who took over a fledgling humor magazine called Mad in 1956 and made it a popular, profitable and enduring wellspring of American satire, died on Tuesday at his ranch in Paradise Valley, Mont. He was 88.

His wife, the former Michelle Key, confirmed the death. In recent years, he was a wildlife and landscape painter in Montana, outside Livingston.

Mr. Feldstein had been a writer and illustrator of comic books when he became editor of Mad four years into its life and just a year after it had graduated from comic-book form to a full-fledged magazine.

The founding editor, Harvey Kurtzman, established its well-informed irreverence, but Mr. Feldstein gave Mad its identity as a smart-alecky, sniggering and indisputably clever spitball-shooter of a publication with a scattershot look, dominated by gifted cartoonists of wildly differing styles.

Sources disagree about Mad’s circulation when Mr. Feldstein took over; estimates range from 325,000 to 750,000. But by the early 1960s, he increased it to over a million, and a decade later it had doubled.




Full story:

[www.nytimes.com]

Quote
runaway
Nice to see your posts again Naturalust,

Mick J playing the acoustic Ovation guitar, I went through all the setlistclips on the net and the only track acoustic guitar was "Let It Bleed".
Check the Hampton 81 and Seattle 81 clips...peace

Thanks runaway, nice to be seen again. Hard to get the Stones out of your system for any length of time, they are such a part of us all it seems. I'll definately check out those clips! peace

RECORD COLLECTOR 427 - May 2014



ROCKMAN

Herald Sun ---- 4 May 2014



ROCKMAN

Just Like a Woman -- Alan Rinzler, in his book Bob Dylan: The Illustrated Record, describes the song as "a devastating character assassination...the most sardonic, nastiest of all Dylan's putdowns of former lovers."

In 1971, New York Times writer Marion Meade wrote that "there's no more complete catalogue of sexist slurs," and went on to note that in the song Dylan "defines women's natural traits as greed, hypocrisy, whining and hysteria."

Dylan biographer Robert Shelton noted that "the title is a male platitude that justifiably angers women"

ROCKMAN

RECORD COLLECTOR 427 - May 2014



ROCKMAN

ROCKMAN