Were the Beatles overrated?
Date: February 13, 2007 10:25
Just read this, I thought it made interesting reading, good debating material.
by James Hurley, MSN Music Editor
When Mick Jagger and Keith Richards of The Rolling Stones were arrested in February 1967 for drug possession following a tip-off by The News Of The World, the tabloid rumour mill went into overdrive.
Salacious stories abounded, one of which, involving Marianne Faithfull and a Mars bar, endures to this day despite being nothing more than the product of some unscrupulous hack's dirty mind.
One detail which went unreported at the time and which took many years to emerge was that the police waited patiently for George Harrison and his then wife Pattie Boyd to leave the premises before embarking on the raid.
Why the special treatment? Well, George was a Beatle, wasn't he? Then, as now, The Beatles enjoyed untouchable status, a sort of diplomatic immunity not afforded to any other entertainer and certainly no other pop group.
It's my belief that this rose-tinted view of the Fab Four has coloured judgement of their music as well as their behaviour for the best part of 45 years. Don't get me wrong. I couldn't make a case for them being bad even if I wanted to.
The quality of their work and enduring legacy is undeniable. However, I do take issue with the conventional wisdom which states that their output is beyond criticism and their influence without peer.
Rather than the unsurpassed geniuses of legend, I would suggest they were songwriters of above average talent whose gift for incorporating disparate styles into their work combined with some outrageous good luck; principally in chancing upon George Martin as producer but also in terms of their timing.
As the highest profile band in an era of rapid musical evolution, they rode the crest of the wave, and in so doing gave the illusion of leading rather than following it, which, more often than not, they were.
As Lloyd Grossman might say, let's look at the evidence. As is well documented, The Beatles started out as a rock and roll covers band with fledgling songwriting ambitions. Much is made of the fact that they supposedly made authorship of original songs the norm but this isn't true.
With the notable exception of Elvis Presley, many of their major influences, from Buddy Holly to Chuck Berry to Jerry Lee Lewis, wrote their own material. And just as The Beatles were tinkering with their earliest compositions, a young man named Bob Dylan was doing the same thing in New York.
The difference was that while The Fabs were rhyming "Love, love me do" with "you know I love you", Dylan was ripping up the lyrical rulebook and embarking on an odyssey of inventive wordplay, surreal imagery, and biting social commentary. This approach was the first of many influences The Beatles absorbed after their first flush of success.
That they did so with such skill isn't a criticism. The lyrical sophistication of a song like 1965's Norwegian Wood marks a seismic leap from the relative banality of what they were doing just two years previously and is testament to their ability to identify and appropriate new ideas but not, crucially, their originality.
They repeated the trick many times. American bands like The Doors, The Grateful Dead, and The Jefferson Airplane, along with their English counterparts such as Pink Floyd, were laying the template for psychedelia before John, Paul, George, and Ringo turned their collective hand to it.
Similarly, The Band (formerly Dylan's backing group) and The Rolling Stones, habitually cast as following The Beatles' lead throughout the 1960s, had paved the way for the stripped-down, back to basics, post-psychedelic era a good year before the Fab Four recorded the self-explanatory Get Back in 1969 (it wasn't released until 1970).
In fact, The Beatles weren't always successful at this. Jimi Hendrix's explosion on the scene in 1966/67 was arguably the biggest single shot in the arm popular music has ever received. He turned the game on its head, marking the line between pop and rock which remains unchanged to this day, yet The Beatles stab at a response, Helter Skelter from The White Album, counts as one of their rare failures.
To reiterate what I said at the beginning, I don't for a minute think The Beatles are unworthy of considerable acclaim. That they were responsible for some of the greatest moments in the history of popular music is beyond question. Furthermore, as figureheads of that singularly potent decade, the 1960s, they thoroughly deserve their place in history.
I'm not saying they should be condemned. I'm just saying that, like George Harrison 40 years ago, they shouldn't be exempt from questioning either.
Do YOU think The Beatles are overrated?
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