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IrixQuote
dedospegajosos
What did he say?? I would love to read tha interview
14-Dec-1995 - "Mick Jagger Remembers: Jann S. Wenner Interviews Stones Frontman" - [www.RollingStone.com] .
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gotdablouse
That's right the promising "English Rose" could be used for B&B since we know for a fact it was played back at De Doelen in Rotterdam in early 1975. "Man Eating Woman" as well. I don't think there's any solid information as to when/where these songs were first recorded though. I see Nico has them in 1972 indeed and not as "unverified" but I'm not sure what source that's based on.
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georgelicks
It looks like there will be another deluxe re-edition this year, the album is not known yet but Mick has been working on several outtakes in the past months.
40x5 has been handling the same information for weeks and already published it on their Instagram account several weeks ago.
We can only wait for more information.
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VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
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retired_dogQuote
VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
Easy answer: Different working methods! Looks like a lot of Stones outtakes have just tentative guide vocals with "fantasy lyrics", created "on the spot" by Mick to find a melody or melodic structure. Happens when the band starts to jam, something interesting happens and Mick joins in to see what he can do with it or if he can do anything at all with it. No wonder Mick does not want these outtakes with "fantasy lyrics" that actually mean nothing officially released because these vocals are just for "internal use" and not meant for the public ear!
Whereas Dylan, Young or The Beatles seemingly did not create songs and lyrics in the studio, but beforehand and just check out different arrangements and/or record multiple takes in the studio that could be released "as is".
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Rocky Dijon
The Beatles also added current vocals to ancient tracks for Anthology and even this past Autumn.
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treaclefingersQuote
retired_dogQuote
VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
Easy answer: Different working methods! Looks like a lot of Stones outtakes have just tentative guide vocals with "fantasy lyrics", created "on the spot" by Mick to find a melody or melodic structure. Happens when the band starts to jam, something interesting happens and Mick joins in to see what he can do with it or if he can do anything at all with it. No wonder Mick does not want these outtakes with "fantasy lyrics" that actually mean nothing officially released because these vocals are just for "internal use" and not meant for the public ear!
Whereas Dylan, Young or The Beatles seemingly did not create songs and lyrics in the studio, but beforehand and just check out different arrangements and/or record multiple takes in the studio that could be released "as is".
Yes, and I actually liked some of the new vocals on old tracks. Plundered My Soul and No Spare Parts come to mind as outstanding and wasn't All The Rage new vocals, or am I having an aneurysm?
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VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
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VoodooLounge13Quote
treaclefingersQuote
retired_dogQuote
VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
Easy answer: Different working methods! Looks like a lot of Stones outtakes have just tentative guide vocals with "fantasy lyrics", created "on the spot" by Mick to find a melody or melodic structure. Happens when the band starts to jam, something interesting happens and Mick joins in to see what he can do with it or if he can do anything at all with it. No wonder Mick does not want these outtakes with "fantasy lyrics" that actually mean nothing officially released because these vocals are just for "internal use" and not meant for the public ear!
Whereas Dylan, Young or The Beatles seemingly did not create songs and lyrics in the studio, but beforehand and just check out different arrangements and/or record multiple takes in the studio that could be released "as is".
Yes, and I actually liked some of the new vocals on old tracks. Plundered My Soul and No Spare Parts come to mind as outstanding and wasn't All The Rage new vocals, or am I having an aneurysm?
Following The River is sublime for me, but never dug PMS. NSP isn't bad.
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GazzaQuote
VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
The Stones dont record like those artists though. Those acts generally use minimal overdubs (if they use any at all). For the Beatles, only their later work required them ('Let it Be' was an exception for the most part, as the original concept for what was meant to be the 'Get Back' album was that it would be cut 'live' in the studio). Neil Young and Bob Dylan are notorious for preferring to leave their studio work untouched (even to the extent where you can hear quite obvious fluffed lines and bum notes)
When the Stones make a record, the lyrics and vocals are usually only finished pretty late in the day, usually when they have a good idea of what songs they are actually going to release
As a result, out of all the hours and hours of studio outtakes of the Stones that are in circulation, there are very few original compositions which sound finished. Most of the completed takes that are out there are covers.
Therefore, whilst a lot of the Stones leftovers are interesting as bootlegs, they're pretty much commercially unreleasable and arent something that as artists they'd want to put their name to.
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dcba
ER would sound too close to a SG reissue (plus is there material worth releasing from that era left?
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GazzaQuote
VoodooLounge13
I don't really understand the need to add current vocals to ancient tracks. I find it disjointed at best. Not sure why they didn't go The Beatles route and just release some collections of outtakes. Those were great at the time they were released. The Beatles, Neil Young, and Dylan have really been doing great things with their vaults for decades - well maybe not The Beatles, but they were the pioneers of this whole concept!
The Stones dont record like those artists though. Those acts generally use minimal overdubs (if they use any at all). For the Beatles, only their later work required them ('Let it Be' was an exception for the most part, as the original concept for what was meant to be the 'Get Back' album was that it would be cut 'live' in the studio). Neil Young and Bob Dylan are notorious for preferring to leave their studio work untouched (even to the extent where you can hear quite obvious fluffed lines and bum notes)
When the Stones make a record, the lyrics and vocals are usually only finished pretty late in the day, usually when they have a good idea of what songs they are actually going to release
As a result, out of all the hours and hours of studio outtakes of the Stones that are in circulation, there are very few original compositions which sound finished. Most of the completed takes that are out there are covers.
Therefore, whilst a lot of the Stones leftovers are interesting as bootlegs, they're pretty much commercially unreleasable and arent something that as artists they'd want to put their name to.
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Mathijs
What about this:
Black & Blue Remastered
Bonus Disc:
• Built That Way
• Slave – 12-minute version with Ron Wood on lead guitar
• US Fresh
• Munich Reggae
• English Rose
• Man-Eating Woman
• Cellophane Trousers
• Chuck Berry No
• Find Yourself
• I'm Gonna Move (Bill Wyman)
• Let's Do It Right
• Paint Your Body (Skank Your Pussy)
• Too Late Now
Deluxe version: ‘Cherry Bombs in New York’: Madison Square Garden, June 27, 1975
Ultra Deluxe: ‘Live at the Cow Palace’, July 16, 1975.
Mathijs
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Mathijs
What about this:
Black & Blue Remastered
Bonus Disc:
• Built That Way
• Slave – 12-minute version with Ron Wood on lead guitar
• US Fresh
• Munich Reggae
• English Rose
• Man-Eating Woman
• Cellophane Trousers
• Chuck Berry No
• Find Yourself
• I'm Gonna Move (Bill Wyman)
• Let's Do It Right
• Paint Your Body (Skank Your Pussy)
• Too Late Now
Deluxe version: ‘Cherry Bombs in New York’: Madison Square Garden, June 27, 1975
Ultra Deluxe: ‘Live at the Cow Palace’, July 16, 1975.
Mathijs
I agree. Time for some really hot performance that actually give justice to their legacy. Surprise me!Quote
Taylor1
A1972 live deluxe .L&G enhanced sound, and compendium of the best performances of the tour,from Philadelphia, New Yorkand Charlotte.Or maybe a concert in their vaults with great sound which has never been bootlegged
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Mathijs
What about this:
Black & Blue Remastered
Bonus Disc:
• Built That Way
• Slave – 12-minute version with Ron Wood on lead guitar
• US Fresh
• Munich Reggae
• English Rose
• Man-Eating Woman
• Cellophane Trousers
• Chuck Berry No
• Find Yourself
• I'm Gonna Move (Bill Wyman)
• Let's Do It Right
• Paint Your Body (Skank Your Pussy)
• Too Late Now
Deluxe version: ‘Cherry Bombs in New York’: Madison Square Garden, June 27, 1975
Ultra Deluxe: ‘Live at the Cow Palace’, July 16, 1975.
Mathijs
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Mathijs
What about this:
Black & Blue Remastered
Bonus Disc:
• Built That Way
• Slave – 12-minute version with Ron Wood on lead guitar
• US Fresh
• Munich Reggae
• English Rose
• Man-Eating Woman
• Cellophane Trousers
• Chuck Berry No
• Find Yourself
• I'm Gonna Move (Bill Wyman)
• Let's Do It Right
• Paint Your Body (Skank Your Pussy)
• Too Late Now
Deluxe version: ‘Cherry Bombs in New York’: Madison Square Garden, June 27, 1975
Ultra Deluxe: ‘Live at the Cow Palace’, July 16, 1975.
Mathijs
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MadMetaphoricalMax
I've always loved the long instrumental Munich Hilton, but it appears it's from later sessions than B&B....
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MadMetaphoricalMax
I've always loved the long instrumental Munich Hilton, but it appears it's from later sessions than B&B....
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MathijsQuote
MadMetaphoricalMax
I've always loved the long instrumental Munich Hilton, but it appears it's from later sessions than B&B....
The best-known version is from Paris 1977, but they did takes from 1975 to 1983, with parts of Dancing Girls added to it.
Mathijs