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The guitars are not only louder but also panned strongly left/right. The overall stereo scene is wider but simultaneously there is no depth due to extra compression. Although, they were trying to compensate this with echoQuote
StonedRambler
Amazing how the always manage to let the re-release sound worse than the Original. You would think they would learn from it one day but every time a new release comes up it's the same.
At least the guitars are louder to name something positive...
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Justin
I can't recall anyone figuring it out but I've always noticed on this show a very strange, twinkly, chimes that pops up randomly throughout the show. It's definitely still here in this new mix.
At the start of the "Don't Stop", left channel and before anyone says its' Chuck--it's present before the band starts playing. Plus, Chuck is on the B3 on this tune and the sound is much more brittle and thinner. Like chimes. I've no idea who or what that is and why it only appeared on this show.
Anyone cared to notice?
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TheGreek
I bet they make money off these releases , or else why bother going thru the effort ? I just seen the Licked Live in NYC on the EMAIL from RS.com . I checked my usual big box (Walmart ) and it is not on there site yet , which EL Mo is . That's who I use for all my media releases , as they are fast and reliable .
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exilestones
Rolling Stones Four Flicks Best Buy Promo DVD
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RaiseTheKnife
How convenient the Four Flicks version is still up on their youtube channel for easy comparsion:
Four Flicks:
Licked Live:
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GasLightStreetQuote
RaiseTheKnife
How convenient the Four Flicks version is still up on their youtube channel for easy comparsion:
Four Flicks:
Licked Live:
Holy crap what a difference in sound yet alone camera shots. The original is supreme.
Now that you told me I will never be able to unhear it. Never noticed it on the original DVD but in the new video it's quite clear to hearQuote
GasLightStreetQuote
Justin
I can't recall anyone figuring it out but I've always noticed on this show a very strange, twinkly, chimes that pops up randomly throughout the show. It's definitely still here in this new mix.
At the start of the "Don't Stop", left channel and before anyone says its' Chuck--it's present before the band starts playing. Plus, Chuck is on the B3 on this tune and the sound is much more brittle and thinner. Like chimes. I've no idea who or what that is and why it only appeared on this show.
Anyone cared to notice?
I always thought it was Mick's phone going off.
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StonedRamblerNow that you told me I will never be able to unhear it. Never noticed it on the original DVD but in the new video it's quite clear to hearQuote
GasLightStreetQuote
Justin
I can't recall anyone figuring it out but I've always noticed on this show a very strange, twinkly, chimes that pops up randomly throughout the show. It's definitely still here in this new mix.
At the start of the "Don't Stop", left channel and before anyone says its' Chuck--it's present before the band starts playing. Plus, Chuck is on the B3 on this tune and the sound is much more brittle and thinner. Like chimes. I've no idea who or what that is and why it only appeared on this show.
Anyone cared to notice?
I always thought it was Mick's phone going off.
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StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
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Hairball
Don't Stop = lightweight, artificial, saccharine, sappy, lacking, inferior, poor...
But it was nice to have a new tune live, and Ronnie's guitar camera gimmick was the most interesting thing about it.
Because people are not open to newer songs at all and only want to hear the hits. Same with Living in a ghost town these days. Has nothing to do with the quality of the songs. Same with the 1-2 rare songs they play per show. People start talking, move around, all phones go down. They are aware that mostly the hits are wanted, so they can only play one newer song per show and then they chose the newest (this tour LIAGT). And maybe YGMR since for this one they get the crowd reaction.Quote
Bjorn
Yes, Don´t Stop is sooo goood...that they never played it live again after 2003, and never will...Thank God!
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StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
It is a great example of a modern-day Stones classic. One of my all-time faves of theirs, and never understood the hate it gets.
Yeah, bass and bass drum are quite hard to hear. And the snare has also no punch at all. Compare the sound of the snare drum between the two videos above.Quote
caoutchouc
The new mix is horrible like Copacabana, where are the bass? The sound is skeletal and confused, what a massacre. Sam the sound butcher!
Try to listen to it on laptop speakers or in cheap headphones. In that case the new mix will sound as you expect from laptop speakers (i.e. crappy from audiophile point of view). On the contrary the old mix will be distorted on bass. Surely, for any sound system that is better than laptop speakers the new master will sound really thin.Quote
StonedRamblerYeah, bass and bass drum are quite hard to hear. And the snare has also no punch at all. Compare the sound of the snare drum between the two videos above.Quote
caoutchouc
The new mix is horrible like Copacabana, where are the bass? The sound is skeletal and confused, what a massacre. Sam the sound butcher!
But I think it's better than Copacabana, at least the treble is not completely cut off like on Copacabana.
I get your point but it's not like the target group of this release is gonna listen to it on laptop speakers. And even on cheap earbuds young people might use to listen to it on Spotify the old mix sounds better.Quote
ironbellyTry to listen to it on laptop speakers or in cheap headphones. In that case the new mix will sound as you expect from laptop speakers (i.e. crappy from audiophile point of view). On the contrary the old mix will be distorted on bass. Surely, for any sound system that is better than laptop speakers the new master will sound really thin.Quote
StonedRamblerYeah, bass and bass drum are quite hard to hear. And the snare has also no punch at all. Compare the sound of the snare drum between the two videos above.Quote
caoutchouc
The new mix is horrible like Copacabana, where are the bass? The sound is skeletal and confused, what a massacre. Sam the sound butcher!
But I think it's better than Copacabana, at least the treble is not completely cut off like on Copacabana.
In any case we should not judge harshly from youtube video. Let us wait until the release and then we can moan.
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VoodooLounge13Quote
StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
It is a great example of a modern-day Stones classic. One of my all-time faves of theirs, and never understood the hate it gets.
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mick64
the cd edition is jewel or digipack
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JustinQuote
VoodooLounge13Quote
StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
It is a great example of a modern-day Stones classic. One of my all-time faves of theirs, and never understood the hate it gets.
I thought it was usually a miss on stage but the studio track is tasty and for me still works great. The riffage, the classic Ronnie solos and that outro--great stuff. Never gets less than 3 repeats when it comes up; great for the car.
Same with "One More Shot"..on stage it felt disjointed and just didn't gel as well as that studio track.
That said, I like the camera work better on the new cut. You can see more of what each Stone is doing. To bad the sound has been hollowed out. Lost it's groove.
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VoodooLounge13Quote
JustinQuote
VoodooLounge13Quote
StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
It is a great example of a modern-day Stones classic. One of my all-time faves of theirs, and never understood the hate it gets.
I thought it was usually a miss on stage but the studio track is tasty and for me still works great. The riffage, the classic Ronnie solos and that outro--great stuff. Never gets less than 3 repeats when it comes up; great for the car.
Same with "One More Shot"..on stage it felt disjointed and just didn't gel as well as that studio track.
That said, I like the camera work better on the new cut. You can see more of what each Stone is doing. To bad the sound has been hollowed out. Lost it's groove.
I feel like we have similar tastes in their songs - Love Don't Stop, and always preferred OMS to D&G.
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VoodooLounge13Quote
JustinQuote
VoodooLounge13Quote
StonedRambler
I have to say though that I am suprised after not hearing it for a long time what a good song Don't Stop actually is. Surely if they had released it in the 70s it would be much higher valued among fans. The lyrics is nonsense of course but a lot of the 70s songs' lyrics are nonsense too. But this is a really catchy tune. Imagine this on Black and Blue or Tattoo You. Would fit amazingly good
It is a great example of a modern-day Stones classic. One of my all-time faves of theirs, and never understood the hate it gets.
I thought it was usually a miss on stage but the studio track is tasty and for me still works great. The riffage, the classic Ronnie solos and that outro--great stuff. Never gets less than 3 repeats when it comes up; great for the car.
Same with "One More Shot"..on stage it felt disjointed and just didn't gel as well as that studio track.
That said, I like the camera work better on the new cut. You can see more of what each Stone is doing. To bad the sound has been hollowed out. Lost it's groove.
I feel like we have similar tastes in their songs - Love Don't Stop, and always preferred OMS to D&G.