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Gazza
well they could have said on the cover that it was Paris and London (76) and Toronto (77).
The only issues were (maybe someone can clarify the finer details) that their previous record company (Atlantic I think) owned the rights to their performances up to 1975, so the performances on the album from the 1975 Los Angeles (Sympathy) and Toronto shows (Fingerprint File & IORR) were deliberately miscredited.
Yes this is a result of their infamous divorce from ABKO.
There was a clause preventing them to publish live rerecording made until 1975 of material originally recorded for Decca. But radio and TV broadcasting of live event was not covered by this clause.
By 2011 this clause was obviously revised (newly negotiated or expired?) as Brussels Affair was published, and in 2015 the 1971 Marquee TV show.
Are you shure it was revised? Because Brussels Affair (although the "other" show) and Marquee Club were both Broadcasts and they didn't release anything else from that Period. That would explain a lot
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Stoneage
I understand that ABKO had the rights to much material. But why didn't ABKO release more live recordings then? Seems to me no one was a winner on this deal.
Certainly not the audience. Nothing (live) released between 1969 and 1977. Their best live period. And on top of that only one LP of live material during the whole 80s.
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Doxa
Yes, we fans are the losers (and I don't see winners at all)
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jbwelda
yeah that was cut in from somewhere else, and of course you had the collage introduction by Sam Cutler. GYYYO was pretty much manufactured on a base of original recording. Love that record.
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Mathijs
Well, she does mentions something specific that you would only know if you listened to the audience bootleg or when you were there: the shouting is indeed BEFORE the show, during the intro, and very close to the stage, as the shouting is picked up by the audience microfone on the stage (which is also the source for the audience tape).