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custom55
....that extends into a 'jam'.
Thanks
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HMSQuote
custom55
....that extends into a 'jam'.
Thanks
In other words, MT didnt know how to stop noodling...
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Naturalust
HMS, your constant jabs at MT and his playing are getting a bit tiring. I think we all get that you don't care for his playing by now....
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HMSQuote
Naturalust
HMS, your constant jabs at MT and his playing are getting a bit tiring. I think we all get that you don't care for his playing by now....
You are right, but it was too tempting, could not resist
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LuxuryStones
Maybe Kleermaker can help us out, he does miracles in Taylor-land.
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kleermakerQuote
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Naturalust
HMS, your constant jabs at MT and his playing are getting a bit tiring. I think we all get that you don't care for his playing by now....
You are right, but it was too tempting, could not resist
Maybe a psychiatrist can help you out properly.
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alimenteQuote
kleermakerQuote
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Naturalust
HMS, your constant jabs at MT and his playing are getting a bit tiring. I think we all get that you don't care for his playing by now....
You are right, but it was too tempting, could not resist
Maybe a psychiatrist can help you out properly.
Let him, Kleerie...some are into music, others are into posing - to each his or her own, that's ok with me.
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kleermakerQuote
LuxuryStones
Maybe Kleermaker can help us out, he does miracles in Taylor-land.
There's only one other live version of 100 Years Ago. Played in Mannheim, 1973 Sept. 3. I couldn't find it on YT and the sound quality is comparable to the Vienna version.
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custom55
....that extends into a 'jam'.
Thanks
In other words, MT didnt know how to stop noodling...
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kleermaker
Here is 'number 5', the Mannheim live version from the European tour 1973 (the audio quality is ... remarkable):
Entitled to the opinion & the right to express, no matter how tiring.Quote
NaturalustQuote
HMSQuote
custom55
....that extends into a 'jam'.
Thanks
In other words, MT didnt know how to stop noodling...
HMS, your constant jabs at MT and his playing are getting a bit tiring. I think we all get that you don't care for his playing by now....
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Naturalust
Thanks for that kleerie. I imagine it must have sounded great front and center at that show. It seems the Stones always play these songs best live right after the release them.
I've always considered Mick's singing and harmony vocals on the original some of his all time best stuff. I really miss that vocal approach in modern Stones records.
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Naturalust
Thanks for that kleerie. I imagine it must have sounded great front and center at that show. It seems the Stones always play these songs best live right after the release them.
I've always considered Mick's singing and harmony vocals on the original some of his all time best stuff. I really miss that vocal approach in modern Stones records.
The reason my opinion is, he try to hard to sing at his best .......and she shouldn't do that........just sing as it comes Mick............
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LongBeachArena72
I have a pretty clear memory of running home from Licorice Pizza with GHS under my arm, ripping the cello off, and slapping Side 1 on my turntable.
"Dancing With Mr D" was sluggish but still obviously came from The Stones space-time continuum. (I should have been forewarned, though: The Stones last four albums had kicked off with SFTD, GS, BS, and RO; "Mr D" is several thousand light years from them.)
"100 Years Ago," though, I found completely bonkers. What was this clavinet bullshit? 'Lazybones'? Really? Taylor's outro solo was sizzling, so I had some hope for the next track ...
Which was beautiful and an incredible downer and the first Keith lead vocal on a RS record I didn't just want to skip over. Mick's harmony vox on CDA are ravishing. "Sky fall down again," indeed.
Then more clavinet, and then "Angie." It was the weirdest side 1 of a Stones record I'd ever heard. (Not sure I knew TSMR yet.)
My confusion all started with "100 Years Ago." Which today I kind of like for its "differentness" but on that day in 73 I heard it as the downfall of a great band.