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GasLightStreet
The leaked album... nothing anywhere.
Doesn't matter. It will be out soon anyway.
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dcbaQuote
GasLightStreet
The leaked album... nothing anywhere.
Doesn't matter. It will be out soon anyway.
P2p sites might be of help... (whistling).
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GasLightStreet
LOL I have not looked at anything like that since Morpheus and Kazaa!
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GasLightStreet
The leaked album... nothing anywhere.
Doesn't matter. It will be out soon anyway.
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andy jsQuote
GasLightStreet
The leaked album... nothing anywhere.
Doesn't matter. It will be out soon anyway.
If i can find it by just typing AC/DC PWR/UP leak into Google i'm sure you can
There's a HUGE use of backing vocals on this album and in all honesty that's my only real criticism so far. It's a bit 'over' produced for my liking
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dcbaQuote
GasLightStreet
LOL I have not looked at anything like that since Morpheus and Kazaa!
Speed of tranfert has improved quite a bit, Grandpa!![]()
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KRiffhard
Many Thanks...but i understand only "AC/DC - Power Up" and Daniel Bohm!!!!!
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IrixQuote
KRiffhard
Many Thanks...but i understand only "AC/DC - Power Up" and Daniel Bohm!!!!!
Here's a translation, done with [www.OnlineOCR.net] and [www.DeepL.com] :
"It is somewhat reassuring to see that chatterbox Dee Snider is not omniscient after all and AC/DC is still the well-functioning secret society of old: Older recordings by Malcolm Young are not to be heard on 'Power Up'. Instead, singer Brian Johnson, bassist Cliff Williams and drummer Phil Rudd - and thus three other characters of enormous importance for AC/DC, whose participation seemed as questionable as any other work of the biggest hard rock band on the planet for very different reasons. That this could possibly be their very last one is not to be believed: A harder, more conclusive AC/DC album, driven by a captivating groove and buxom gang choruses, without disturbing fire, was last released in the early nineties; because even if traces of 'Rock Or Bust' and 'Black Ice' are hard to deny, it is the boundaries between 'The Razors Edge' (1990) and the gnarled 'Ballbreaker' (1994) that tend to blur on 'Power Up'. And that is getting harder. And by no means just in the choruses. 'Realize', whose vibe is comparable to 'Down On The Borderline', is a real hit: Guitar salvos like slaps in the face, the bass pumps tight as well as loud, and underneath all this Phil Rudd puts his God-given drum coolness, with which he kicks the band in front of him. This is how AC/DC goes. Rudd-Swing also has the single 'Shot In The Dark'. If you're looking for something special, you'll find parallels to 'Stiff Upper Lip' in the cackle riff at the beginning, then you wire up with 'Shot Down In Flames' and slow down the tempo and temperament. It's been decades since AC/DC's background vocals sounded fuller and above all more casual, but this is a great quality of 'Power Up'. 'Through The Mists Of Time' feigns one of those Jimmy Barnes numbers that caused discomfort on the last two records, but is then kept on the floor by a certain melancholy. Splendid, with what uplifting effect the simple choirs harmonise with the guitar theme, swell and give the song an incredible power at the finale, when it is actually long gone. Unusually rhythmic is the catchy tune 'Kick You When You're Down' with its ringing riffs, 'Witch's Spell' and 'Wild Reputation' are melted core melts of 'Ballbreaker' and 'The Razors Edge'. In 'Demon Fire' Johnson's deep 'Boogie Man' voice (the parallel to Airbourne's later recorded 'Blood In The Water' has to be explained by Joel O'Keeffe) before the song starts in a manner reminiscent of 'Safe In New York City'. Only with more song, with more desire and much more sound. In the last quarter they really get going again: 'No Man's Land' will go down in history as the pearl of late AC/DC with its latent Southern Blues vibe - again it's Rudd and those dazzling, carefree backing choruses that really do it to you. 'Money Shot'? Classic AC/DC-stuff with a sharpness that hasn't been heard for a long time. Once again someone should claim that all AC/DC records sound the same: such an album was really not to be expected. - Daniel Böhm"