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stonesnow
If I'm playing a few sides of Cream, this one always fits nicely as an opener. Clapton revealed in a 2006 Cream documentary while being interviewed by Chris Welch that Jack Bruce also played quite extensively during these sessions, if not on the actual recording, then he was certainly sitting in and jamming with the band at the time.
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Green Lady
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ash
"Anybody of you remember Peter Green ?"
well no coz i was 2 when he left Fleetwood Mac!
Having discovered his music too late in the day to see him in person i think he might just be the best guitarist to emerge from the UK music scene.
The emotional quality to his work is comparable to Brian Wilson's efforts such as Til I Die and I Just Wasn't Made For These Times.
Jumping At Shadows from the 1970 Boston Tea Party tapes is unbelievable and the knowledge of what was to happen to him makes the overall impact more devastating.
Sad but true that his finest work is to be found on the 60 or so concert/radio tapes "floating around" from his time with Mayall and the Mac. Almost every show from 1969 to 70 features him in stunning form alongside Danny Kirwan, himself a sadly lost but once immensely talented writer/singer/guitarist who was apparently once considered for The Stones. Shame these tapes can't be made available legitimately. I guess Fleetwood Mac will always mean Stevie Nicks to most people. No slight intended on Stevie but....
What happened to Peter and Danny was obviously worse than dreadful for them on a personal level but also a tremendous loss to music and music fans in general.
If you've not heard them find the April 9th 1970 bbc radio "in concert" performance. i think the boot title is London Underway. Amazing stuff.
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DaveG
I taught myself how to play the blues harp in the late '60's and thought I was pretty good. THen I went to see Mayall during the "Turning Point" tour. He at first discouraged me, as he was so much better than I thought I could ever be. But, in the long run, I was inspired to improve. I used to play the 33 1/3 LPs at half speed in order to learn the licks and to study breath patterns. Same notes, just slower. As a flute player also, I was inspired by Johnny Almond's playing on that LP. Not great, but some good licks.
Regarding Fleetwood Mac, I will always think of the Peter Green/Jeremy Spencer version the best incarnation. I saw them in '69 and it was all blues, great stuff. Early 1970, they had a gig in Hollywood (maybe the Whiskey) and Jeremy Spencer got into a discussion with the cult group The Children of God on the Sunset strip, and went off with them, leaving the band, without warning. He just kind of disappeared. I think in recent years he has resurfaced in some musical capacity.
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The SicilianQuote
DaveG
I taught myself how to play the blues harp in the late '60's and thought I was pretty good. THen I went to see Mayall during the "Turning Point" tour. He at first discouraged me, as he was so much better than I thought I could ever be. But, in the long run, I was inspired to improve. I used to play the 33 1/3 LPs at half speed in order to learn the licks and to study breath patterns. Same notes, just slower. As a flute player also, I was inspired by Johnny Almond's playing on that LP. Not great, but some good licks.
Regarding Fleetwood Mac, I will always think of the Peter Green/Jeremy Spencer version the best incarnation. I saw them in '69 and it was all blues, great stuff. Early 1970, they had a gig in Hollywood (maybe the Whiskey) and Jeremy Spencer got into a discussion with the cult group The Children of God on the Sunset strip, and went off with them, leaving the band, without warning. He just kind of disappeared. I think in recent years he has resurfaced in some musical capacity.
I always enjoy your stories Dave, you are truly one of the best posters on this board with a fantastic music perspective especially from the 60's and west coast.
Now if we can get some of It's A Beautiful Day and "White Bird" stories...