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mitchtaylorormick
Sorry, but Woody sucks big fat elephant dick. 1975 and 1978 were the live musical low lights of the Stones career. 1981 was good because Keef stopped using herion.* I hate Woody.
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HEILOOBAASQuote
mitchtaylorormick
Sorry, but Woody sucks big fat elephant dick. 1975 and 1978 were the live musical low lights of the Stones career. 1981 was good because Keef stopped using herion.* I hate Woody.
*Do you mean heroin? Viz. your sweeping statement about 75 and 76, there were shows that were pretty good, Seattle being among them. If you haven't listened to it, I suggest you do. The crowd's energy hit them like an asbestos glove and things ramped up at the very beginning of the show and continued to get better.
I knew I was at a very good show.
And I maintain that far too much mental masturbation has been tossed toward the "they were on drugs back then so that means they sounded like crap." Rubbish. If they wanted to get stinko paralytico they waited until after a tour. Keep in mind they witnessed Brian's downward spiral at close range. Brian was a mess when he was interviewed in Charlie is My Darling.
Secondly, large, very large sums of money was needed to under write the tour. That money came from venture capitalists and large corporations, who, believe me you, were keeping an eagle eye for any behaviour that could endanger the expected return on their investment.
If you ask me, (wh. you certainly didn't. But I will state your opinion about 75 and 76 is neither sought nor is it welcome) 1981 & 82 were the nadir of Keith and Ronnie's playing and Mick's vocalisation. I saw them in 75 and 81. 75 was far more exciting.
You may leave the room now. But do not turn your back to me as you do, as I'm older and much, much wiser than you. Tar-ra.
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DandelionPowdermanQuote
HEILOOBAASQuote
mitchtaylorormick
Sorry, but Woody sucks big fat elephant dick. 1975 and 1978 were the live musical low lights of the Stones career. 1981 was good because Keef stopped using herion.* I hate Woody.
*Do you mean heroin? Viz. your sweeping statement about 75 and 76, there were shows that were pretty good, Seattle being among them. If you haven't listened to it, I suggest you do. The crowd's energy hit them like an asbestos glove and things ramped up at the very beginning of the show and continued to get better.
I knew I was at a very good show.
And I maintain that far too much mental masturbation has been tossed toward the "they were on drugs back then so that means they sounded like crap." Rubbish. If they wanted to get stinko paralytico they waited until after a tour. Keep in mind they witnessed Brian's downward spiral at close range. Brian was a mess when he was interviewed in Charlie is My Darling.
Secondly, large, very large sums of money was needed to under write the tour. That money came from venture capitalists and large corporations, who, believe me you, were keeping an eagle eye for any behaviour that could endanger the expected return on their investment.
If you ask me, (wh. you certainly didn't. But I will state your opinion about 75 and 76 is neither sought nor is it welcome) 1981 & 82 were the nadir of Keith and Ronnie's playing and Mick's vocalisation. I saw them in 75 and 81. 75 was far more exciting.
You may leave the room now. But do not turn your back to me as you do, as I'm older and much, much wiser than you. Tar-ra.
You're talking to a guy that was banned more than ten years ago
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treaclefingersQuote
DandelionPowdermanQuote
HEILOOBAASQuote
mitchtaylorormick
Sorry, but Woody sucks big fat elephant dick. 1975 and 1978 were the live musical low lights of the Stones career. 1981 was good because Keef stopped using herion.* I hate Woody.
*Do you mean heroin? Viz. your sweeping statement about 75 and 76, there were shows that were pretty good, Seattle being among them. If you haven't listened to it, I suggest you do. The crowd's energy hit them like an asbestos glove and things ramped up at the very beginning of the show and continued to get better.
I knew I was at a very good show.
And I maintain that far too much mental masturbation has been tossed toward the "they were on drugs back then so that means they sounded like crap." Rubbish. If they wanted to get stinko paralytico they waited until after a tour. Keep in mind they witnessed Brian's downward spiral at close range. Brian was a mess when he was interviewed in Charlie is My Darling.
Secondly, large, very large sums of money was needed to under write the tour. That money came from venture capitalists and large corporations, who, believe me you, were keeping an eagle eye for any behaviour that could endanger the expected return on their investment.
If you ask me, (wh. you certainly didn't. But I will state your opinion about 75 and 76 is neither sought nor is it welcome) 1981 & 82 were the nadir of Keith and Ronnie's playing and Mick's vocalisation. I saw them in 75 and 81. 75 was far more exciting.
You may leave the room now. But do not turn your back to me as you do, as I'm older and much, much wiser than you. Tar-ra.
You're talking to a guy that was banned more than ten years ago
i'd say heiloobaas wins the argument in that case.
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TravelinMan
I just wish he would release an album of old blues cuts like Clapton or Greeny. Blows my mind why he hasn't over the last 40 years, hell, I have access to professional-level studios and would record him for free!
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TravelinMan
I just wish he would release an album of old blues cuts like Clapton or Greeny. Blows my mind why he hasn't over the last 40 years, hell, I have access to professional-level studios and would record him for free!
He hasnt done that because he cant afford recording sessions, I guess... Even recording him free of charge (he wouldnt agree anyway, he is too proud and haughty for that and doing that would make him a beggar actually) would be not very useful, the recorded music has to be manufactured, distributet, promoted, artwork has to be done and on and on - I think he hasnt the money for all that. He cant do it by himself and no record company wants to sign him...
Last not least, nobody would buy it. If boring EC does that kind of album, everybody´s buying it. EC - although he is oh so boring - has superstar-status, MT hasnt. EC sits on top of the mountain, MT dwells on the bottom.
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SuperC
It's called the Golden Era w/ Taylor for a reason.
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Tornandfrayed
This thread is so stupid it´s not even funny.
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HonkeyTonkFlashQuote
SuperC
It's called the Golden Era w/ Taylor for a reason.
The era was mainly golden because Mick and Keith were writing their best songs. Taylor was lucky enough to walk in on that era. True he added a special something to the live show but I suspect the era would have been golden anyway because of the strength of the songs...
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SuperCQuote
HonkeyTonkFlashQuote
SuperC
It's called the Golden Era w/ Taylor for a reason.
The era was mainly golden because Mick and Keith were writing their best songs. Taylor was lucky enough to walk in on that era. True he added a special something to the live show but I suspect the era would have been golden anyway because of the strength of the songs...
True - agree totally that MJ and KR were at their creative peak. Yet how much post Taylor Stones music do you listen? Me, just about zero. A little Black & Blue, Handsome Girls, a bit of LA Friday and that's it. More to the point, when they play Taylor era tunes at post MT shows, most renditions pale in comparison. Same MJ/KR songs written in their prime yet hardly in the same league to the ear. Sure, some exceptions but not many. Its it KR skills declining?, Woody?, Age? Certainly all factors. For me it's mostly the absence of Taylor, especially when it comes to live stuff. It's just not the same for numerous reasons but a big reason for me is a lack of Taylors varying influence that make every version of the Golden Era tunes worth multiple listens.