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Rolling HansieQuote
Elmo Lewis
I think it's pretty cool
... and nothing else matters
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Elmo Lewis
I think it's pretty cool, but almost campy.
BTW, other than "Let's Work", Primitive Cool ain't that bad.
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24FPS
Unlike the Beatles, the Stones are almost universally crap solo artists. Well, Charlie isn't recording rock and roll. I don't known what that proves. Mick's songs just sort of float out there without getting pinned down. Keith solo work sounds like lower grade Stones. Think of all the hit records the solo Beatles made, including Ringo! Not to mention all the memorable tracks that are unique to each Beatle. You can cite Beatle solo tracks that are as memorable and important as what they did in the group. But you can't say that for the Stones. What's Mick's biggest hit? 'Just Another Night'? And Keith's is 'Take It So Hard'? Pretty slim pickings. No wonder they love and hate their own group.
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matsumoto33Quote
24FPS
Unlike the Beatles, the Stones are almost universally crap solo artists. Well, Charlie isn't recording rock and roll. I don't known what that proves. Mick's songs just sort of float out there without getting pinned down. Keith solo work sounds like lower grade Stones. Think of all the hit records the solo Beatles made, including Ringo! Not to mention all the memorable tracks that are unique to each Beatle. You can cite Beatle solo tracks that are as memorable and important as what they did in the group. But you can't say that for the Stones. What's Mick's biggest hit? 'Just Another Night'? And Keith's is 'Take It So Hard'? Pretty slim pickings. No wonder they love and hate their own group.
Hardly a fair comparison. The Beatles were pretty much still at their peak when they disbanded and the four members started pursuing their solo careers. by the time Mick and Keith began their solo projects the Stones had burned themselves out creatively. A solo Stones record from the early 70s (not Bill's obviously) might have included Brown Sugar (written mostly by Mick) or Gimme Shelter (ditto keith). At that time. either could have produced something comparable to the best Beatles solo work IMO.
The Stones real achievement is not their solo work, it's the fact they stayed together so long to do their best work as a group.
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punkfloyd
Grated cheese.
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Lynd8Quote
Elmo Lewis
I think it's pretty cool, but almost campy.
BTW, other than "Let's Work", Primitive Cool ain't that bad.
Same opinion here - both counts. Let's work was easily worst thing ever and somehow he thought it should be the single LOL
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jamesfdouglasQuote
matsumoto33Quote
24FPS
The Stones real achievement is not their solo work, it's the fact they stayed together so long to do their best work as a group.
By the time Mick and Keith did solo work, the stuff that the Stones were doing as a band was just as lame.
But by that time, the solo efforts of the surviving Beatles were pretty poor too. The point is that all artists run out of steam eventually; the members of the Beatles were no exception, they just ran out of steam after they left the band rather than when they were still in it.
I don't necessarily disagree with your comments about the relative talents of Jagger / Richards vs Lennon / McCartney btw, but comparing their solo careers is comparing apples and oranges...
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Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
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Lynd8Quote
Elmo Lewis
I think it's pretty cool, but almost campy.
BTW, other than "Let's Work", Primitive Cool ain't that bad.
Same opinion here - both counts. Let's work was easily worst thing ever and somehow he thought it should be the single LOL
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GazzaQuote
proudmary
Good country tune with a great harmonica at the end.
Even Richards who never likes to give credit to Mick said in a recent interview that Jagger is one of the best country songwriters.
Btw, Keith. Gazza said this song is about him- but why? I think it's about Jerry Hall
-You used to be my party doll
-But now you want to live in clover
-You used to be my number one
-But now those salad days are over
At face value, it looks like a love song to a woman, but read the lyrics in the context of Mick and Keith's disintegrating relationship at the time it was written (he was still very much with Jerry Hall at the time).
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
'Party Doll' is a bittersweet farewell to his friendship with Keith, from what I can see.
Especially with the references to 'the honky tonking's over' , the 'whisky haze' and 'facing the music'...
You used to be my party doll
But now you say the party's over
You used to love to honky tonk
But now the honky tonking's over
Times change but fascination stays
Love wins but the passion just fades
I'll drink to the dancing days
I'll drink to your crazy ways
Through the whiskey haze
Face the music, face the truth
Chase that fleet sweet bird of youth
Grow up sweetly, grow up strong
Hear the heartbeat, in my song
'Kow Tow' and 'Shoot off your mouth' were the ones which the press focussed on at the time as being a potshot at Keith but they were simply more obvious. This one is a bit more affectionate (you could even make an argument for 'Throwaway' as being partly inspired by Keith too)
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Doxa
While we are in it, is this great or cheesy...:
More serious note: this is a key track to wittness the arrival of 'new' trained Jagger voice - that is so familiar nowadays - with that nasal-based colour in it, over-prononcation, reaching technically alright but a bit artificailly or unnaturally the melody lines. Some call it "struggled cat". Jagger very much attributed it to Dave Stewart who forced Mick to work his voice harder in this particular track in PRIMITIVE COOL..
- Doxa
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Doxa
That 'cheese' element, or flirting with it openly, was one of the accepted tools in the 80's main stream musical scene. Especially it was very much pointed out and emphasizied in the videos representing the songs... And it was not the trendy-spotter Jagger doing it. Just look at the video of Dylan's "Emotionally Yours", or the following one by our heroes:
I think "Almost Hear You Sigh" includes probaly teh most cheesiest musical bit in the recorded Rolling Stones history: that 'romantic' acoustic guitar topping the altogether 'AOR' music track.
- Doxa
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DandelionPowderman
Whoa, leave Almost Hear You Sigh out of this discussion, please!
Comparing the "flutes" and the synths with Keith's hauntingly beautiful classical guitar is a sin
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Doxa
But Jagger's worst artistic move ever, and career wise fatal choice, was to release "Let's Work" as a leading single with that terrible video. That ruined the album and his solo career. Even the toughest fans of his were out of reasonable arguments to justify it...
- Doxa
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elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
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GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
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GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
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DoxaQuote
GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
Have they ever 'revealed' these kind of matters? That they make songs of each other? I can only think of "You Don't Move Me" Keith admitting that to be the case (and to a part "Beast of Burden", "All About You" and "Mixed Emotions"). But I pretty much admire their artistic choice to not start explaining or explicate the 'meanings' of their songs. Let the listeners to do that. When they - especially Mick who is responsible of most of the lyrics - do that it is mostly done tongue-in-cheek and is more or less obscure or something very general that says nothing. I think Jagger, as a good writer, knows that it is better to leave some of the mystery there.
- Doxa
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DoxaQuote
GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
Have they ever 'revealed' these kind of matters? That they make songs of each other? I can only think of "You Don't Move Me" Keith admitting that to be the case (and to a part "Beast of Burden", "All About You" and "Mixed Emotions"). But I pretty much admire their artistic choice to not start explaining or explicate the 'meanings' of their songs. Let the listeners to do that. When they - especially Mick who is responsible of most of the lyrics - do that it is mostly done tongue-in-cheek and is more or less obscure or something very general that says nothing. I think Jagger, as a good writer, knows that it is better to leave some of the mystery there.
- Doxa
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GazzaQuote
DoxaQuote
GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
Have they ever 'revealed' these kind of matters? That they make songs of each other? I can only think of "You Don't Move Me" Keith admitting that to be the case (and to a part "Beast of Burden", "All About You" and "Mixed Emotions"). But I pretty much admire their artistic choice to not start explaining or explicate the 'meanings' of their songs. Let the listeners to do that. When they - especially Mick who is responsible of most of the lyrics - do that it is mostly done tongue-in-cheek and is more or less obscure or something very general that says nothing. I think Jagger, as a good writer, knows that it is better to leave some of the mystery there.
- Doxa
Keith - yes.
Mick - no.
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DoxaQuote
GazzaQuote
DoxaQuote
GazzaQuote
elunsiQuote
Gazza
Mick very rarely writes openly about his domestic life. It's usually hidden in opaque references. Mick and Keith writing songs about their relationship and dressing up as a song about a woman isnt that uncommon (All About You, Worried about You, Sweethearts Together etc)
I remember an interview where Mick was asked if Sweethearts Together was about Keith and him, Mick laughed a little and then said no.
of course he would. You'd expect him to say yes?
Have they ever 'revealed' these kind of matters? That they make songs of each other? I can only think of "You Don't Move Me" Keith admitting that to be the case (and to a part "Beast of Burden", "All About You" and "Mixed Emotions"). But I pretty much admire their artistic choice to not start explaining or explicate the 'meanings' of their songs. Let the listeners to do that. When they - especially Mick who is responsible of most of the lyrics - do that it is mostly done tongue-in-cheek and is more or less obscure or something very general that says nothing. I think Jagger, as a good writer, knows that it is better to leave some of the mystery there.
- Doxa
Keith - yes.
Mick - no.
Exactly. I made the same observation when I quite randomly checked the "TrackTalk" in timeisonourside.com - in fact, it started to look like Keith had especially during the 80's an obsession to write about Mick or the feelings considering Mick... Anyway, I came across one recent (2011) intersting comment by Jagger considering "Beast of Burden":
No, (it's not about Keith's heroin situation). I think that's just made up (laughs). I think that's rubbish. But you know, it's so long ago. People, they like to make up stories and whatever, what you believe happened at the time. I could tell you, I could make up all sorts of stuff about how Far Away Eyes was written - it wouldn't be correct, I'm sure, but it might sound good (laughs).
I wonder if that "people" who "make up stories and whatever what you believe happened at the time" but what "wouldn't be correct", but "might sound good" is a brief critisism to Keith direction...
- Doxa
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Doxa
No, (it's not about Keith's heroin situation). I think that's just made up (laughs). I think that's rubbish. But you know, it's so long ago. People, they like to make up stories and whatever, what you believe happened at the time. I could tell you, I could make up all sorts of stuff about how Far Away Eyes was written - it wouldn't be correct, I'm sure, but it might sound good (laughs).
I wonder if that "people" who "make up stories and whatever what you believe happened at the time" but what "wouldn't be correct", but "might sound good" is a brief critisism to Keith direction...
- Doxa
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Doxa
While we are in it, is this great or cheesy...:
More serious note: this is a key track to wittness the arrival of 'new' trained Jagger voice - that is so familiar nowadays - with that nasal-based colour in it, over-prononcation, reaching technically alright but a bit artificailly or unnaturally the melody lines. Some call it "struggled cat". Jagger very much attributed it to Dave Stewart who forced Mick to work his voice harder in this particular track in PRIMITIVE COOL..
- Doxa