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berlinjive
Hiza,
Anyone know if Keith's forward toggle position was neck, or neck and middle pickups? Read LPCs in general were standard forward/neck... but some weren't.
i know Keith had 4 of them.
thanks,
Berlinjive
More BS from you is typical. Both pickups would have to be wired out of phase and that wasn't the case. No need to reply dude. i was waiting to see what kind of garbage you would write and i was right.Quote
MathijsQuote
berlinjive
Hiza,
Anyone know if Keith's forward toggle position was neck, or neck and middle pickups? Read LPCs in general were standard forward/neck... but some weren't.
i know Keith had 4 of them.
thanks,
Berlinjive
Down (towards pickups): bridge
Middle: bridge and middle, out of phase
Up: neck pickup
Keith would use the neck pickup most often.
Mathijs
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berlinjive
ya i see the toggle position Up in almost all the pics i see from the old days. Were all of his LPCs wired the the same though? in 60s & early70s?
Mathijs, do you still think a LPC was used on Rambler? From yr post a long time ago concerning that you said "phasing"... did you mean tape manipulated in the recording or, maybe some sort of cancelling from the middle pickups mag being physically so close... and affecting the neck pup even if middle one wasn't engaged?
Or, that if he had a LPC with up position of toggle: neck/middle. Anyone else know if LPCs came from factory ever this way in 50s-60s? I did read references to it on-line but yes, only hearsay.
As people have said previously, sometimes there's confusion between a hollow tone just due to physical combination of 2 pups (like 2 and 4 position of strat) rather than mags flipped. Especially if being variably blended with volume pots as LP Standards are.
Dunno if Keith bothered to work the middle position volumes much back then... anyone know?