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sealingwax
I seem to recall reading in one of Andrew Loog Oldhams "Stoned" books, his opinion that if Brian had been in the band still when they played Altamont, none of them would have got out alive!
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71TeleQuote
littlejim13
Ive seen it and believe me its not pretty, but I remember hearing that he wanted to go on tour with the stones in 1969 and fully intended to if he couldve gotten his work visa. I mean by all accounts he was fine months earlier playing at the 68 nme concert so, hypothetically if he knows hes going on a huge tour with the band I assume he couldve gotten himself at least somewhat ready for it.
There were reports of Brian playing music and in better shape before he died. But how much of that was because of the relief of finally being out of the Stones? And during this supposed period of improvement he, um, died. That's why these hypotheticals are so difficult.
I don't think that Brian hated Keith despite what had happend. Brian was hurt but he was still able to meet up with Keith and Nicky Hopkins in the studio during the sessions for Satanic Majesties and Keith let Brian and Suki stay at Redlands after Brian's second bust. I believe that they both wanted it to work but that Brian's depression, drug use and absense in the studio made that impossible in 68/69. That and Anita's presence I guess. She must have loved every second of it. Just watch One Plus One.Quote
Redhotcarpet
He must have hated Keith.
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Brue
He played pretty well on the Jumpin Jack Flash promo on the version where they miked them live.
No Expectations at R&R Circus was excellent.
But other than that, he was useless at that point. They didn't want him anyway.
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24FPS
Brian is still inscrutable. What the hell kind of music did he want to make? He supposedly loved Creedence Clearwater Revival and he liked Johnny Winter. Uh, these are the same styles of music the Stones were playing circa '68 & '69. Psychedelic music was over. Brian didn't 'agree with the sides we are cutting' or whatever face saving nonsense he put out after getting canned. Two of the best albums of the Stones career, Beggar's Banquet and Let It Bleed, and he wasn't satisfied. More than ever, the Stones were making high octane 'Brian' music, and he wasn't satisfied. He was always a bit of a noodge during the fast rockers. He never seemed that engaged with the Chuck Berry numbers.
Brian couldn't keep up. He wasn't engaged. He'd put himself into such a state where he couldn't/wouldn't contribute to the Stones. He turned the quintet into a quartet. Brian dropped from a full member to a sideman; a great sideman for a while until no one needed zithers/octaroons/kazoos/slide whistles, or any other exotica. The very thing that he, Brian Jones, practically created with his solo on 'I Wanna Be Your Man', fast, fluid, able slide guitar solos, is something he could no longer deliver. Enter Mick Taylor.
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alimenteQuote
24FPS
Brian is still inscrutable. What the hell kind of music did he want to make? He supposedly loved Creedence Clearwater Revival and he liked Johnny Winter. Uh, these are the same styles of music the Stones were playing circa '68 & '69. Psychedelic music was over. Brian didn't 'agree with the sides we are cutting' or whatever face saving nonsense he put out after getting canned. Two of the best albums of the Stones career, Beggar's Banquet and Let It Bleed, and he wasn't satisfied. More than ever, the Stones were making high octane 'Brian' music, and he wasn't satisfied. He was always a bit of a noodge during the fast rockers. He never seemed that engaged with the Chuck Berry numbers.
Brian couldn't keep up. He wasn't engaged. He'd put himself into such a state where he couldn't/wouldn't contribute to the Stones. He turned the quintet into a quartet. Brian dropped from a full member to a sideman; a great sideman for a while until no one needed zithers/octaroons/kazoos/slide whistles, or any other exotica. The very thing that he, Brian Jones, practically created with his solo on 'I Wanna Be Your Man', fast, fluid, able slide guitar solos, is something he could no longer deliver. Enter Mick Taylor.
E-X-A-C-T-L-Y my thoughts, too!
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24FPS
Brian is still inscrutable. What the hell kind of music did he want to make? He supposedly loved Creedence Clearwater Revival and he liked Johnny Winter. Uh, these are the same styles of music the Stones were playing circa '68 & '69. Psychedelic music was over. Brian didn't 'agree with the sides we are cutting' or whatever face saving nonsense he put out after getting canned. Two of the best albums of the Stones career, Beggar's Banquet and Let It Bleed, and he wasn't satisfied. More than ever, the Stones were making high octane 'Brian' music, and he wasn't satisfied. He was always a bit of a noodge during the fast rockers. He never seemed that engaged with the Chuck Berry numbers.
Brian couldn't keep up. He wasn't engaged. He'd put himself into such a state where he couldn't/wouldn't contribute to the Stones. He turned the quintet into a quartet. Brian dropped from a full member to a sideman; a great sideman for a while until no one needed zithers/octaroons/kazoos/slide whistles, or any other exotica. The very thing that he, Brian Jones, practically created with his solo on 'I Wanna Be Your Man', fast, fluid, able slide guitar solos, is something he could no longer deliver. Enter Mick Taylor.
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BrianJones1969
Did the Stones nearly hire Ronnie Wood (instead of Mick Taylor) the year Brian died? A missed phone call may suggest why.
Also ... if Brian were still alive and was still in good spirits with the rest of the group, maybe the Stones could've cut a prog-rock album during the 1970s ... I must think that "Might As Well Get Juiced" was a very old song and not recorded until 1997. That song could've been a great cut, musically speaking (remember those analog-sounding synthesizer sweeps that creep up on the song every now and then?) on a 1970s Stones record.
~Ben
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24FPS
It so hard to fathom that entities like the Stones and Beatles are really just a group of guys, some are friends, some just thrown together out of necessity. And that all their egos collide as each individual thinks, "Well, what does this do for me?" We think of the Beatles as magic, and yet Harrison said it was hell. He had to fight to get even a few of his songs on the Lennon-McCartney dominated albums. We think of Jagger/Richards songs as wonderful, and yet there's Brian resenting their very success, wishing it could be him getting the critical stroking from writing rock masterpieces. It seems the better the songs got, and the more attention, and money, that Keith and Mick got, the more resentful he became.
Yet, there's usually a reason for what happened. Brian supposedly couldn't write a song to save his life. Harrison's first efforts, 'Don't Bother Me', 'I Need You', 'You Like Me Too Much', aren't that special, when put up against John & Paul's abilities, with no indication they would get much, much better as time went on. Brian must have been impossible to deal with. Flashes of musical brilliance and purity and genius, followed by vanity and pettiness. I wonder what his financial situation was? Bill said he and Charlie had very little money by 1969, from lack of touring, but that Mick and Keith were well off from royalties. Brian was on par financially with Bill and Charlie, which probably ticked him off too. With all this moaning about no money, they suddenly have a big payout for Brian when they can him. I wonder if he had to sign over all his future mechanical royalties and all rights to the band?
It's not easy for one person alone to compete in song writing with "machines" like Lennon/McCartney and Jagger/Richards. They were amazingly talented but egotistical and protective of what they had. Some years after the Beatles split Lennon said that he and George should write a song together on to wich Harrison responded something like "there was never any interest in doing a Lennon/Harrison during the Beatles - why now?" ) I understand that since Harrison had to fight for his songs to be recorded and he has said that they never worked that hard on his numbers as they did on a Lennon/McCartney.Quote
24FPS
Yet, there's usually a reason for what happened. Brian supposedly couldn't write a song to save his life. Harrison's first efforts, 'Don't Bother Me', 'I Need You', 'You Like Me Too Much', aren't that special, when put up against John & Paul's abilities, with no indication they would get much, much better as time went on. Brian must have been impossible to deal with. Flashes of musical brilliance and purity and genius, followed by vanity and pettiness. I wonder what his financial situation was? Bill said he and Charlie had very little money by 1969, from lack of touring, but that Mick and Keith were well off from royalties. Brian was on par financially with Bill and Charlie, which probably ticked him off too. With all this moaning about no money, they suddenly have a big payout for Brian when they can him. I wonder if he had to sign over all his future mechanical royalties and all rights to the band?
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tonterapi
That said, as we know, Brian was promised money from the Stones and had tried to get them before he died to pay the workers at Cotchford but Klein, who was buggled by the idea to "pay that little shit" money denied him them by ignoring Brian's request from the fax machines and telephones.
I would 'blame' that on Cream, Hendrix and the like...Quote
Come On
Guitar-solos were beginning to be very important around 1969, both Live and on records (blame Led Zeppelin)...who should have play them -69-70 if not Mick T. Brian Jones? Keith Richards?
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ChrisMI would 'blame' that on Cream, Hendrix and the like...Quote
Come On
Guitar-solos were beginning to be very important around 1969, both Live and on records (blame Led Zeppelin)...who should have play them -69-70 if not Mick T. Brian Jones? Keith Richards?
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Sleepy City
Led Zeppelin? I blame Hendrix & Cream more. Lenthy guitar solos / jams had become the norm before LZ.
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71Tele
But with Brian, it got to be where that balance could not hold, because he needed so much attention, and yet most of the attention was falling where it naturally does, on the creative and showmanship part of the band. Brian could not tolerate that so he constantly set himself up for disappointment. Usually very insecure or paranoid people eventually actualize their own worst fear, which in his case was to be ostracized by the others.
Ok, let's say telegrams and phonecalls instead.Quote
loog droog
They had fax machines in 1969???
+1 I don't think it had much to do with the music either.Quote
neptune
I think the main reason Brian left the band was the Anita situation. Once she left for Keith, it was the beginning of the end. He felt betrayed by Keith. Brian was perhaps insecure and paranoid to a degree, but this was the same person who had the confidence and drive to form the Rolling Stones. Brian could no longer stand Mick and Keith, and that's the reason why he exited the band.
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Brue
He played pretty well on the Jumpin Jack Flash promo on the version where they miked them live.
No Expectations at R&R Circus was excellent.
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littlejim13
I Guess the only realistic gauge of his playing ability would be the 2 song set 68 NME Concert, unfortunately...
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neptune
I think the main reason Brian left the band was the Anita situation. Once she left for Keith, it was the beginning of the end. He felt betrayed by Keith. Brian was perhaps insecure and paranoid to a degree, but this was the same person who had the confidence and drive to form the Rolling Stones. Brian could no longer stand Mick and Keith, and that's the reason why he exited the band.
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littlejim13
I Guess the only realistic gauge of his playing ability would be the 2 song set 68 NME Concert, unfortunately...
Why is that? That was May of '68. The Rock and Roll Circus is December of '68. And if that is any indication of Brian's guitar playing ability, they may have been able to count on him for a side spot on 'Love In Vain', but that's about it.
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littlejim13
I Guess the only realistic gauge of his playing ability would be the 2 song set 68 NME Concert, unfortunately...
Why is that? That was May of '68. The Rock and Roll Circus is December of '68. And if that is any indication of Brian's guitar playing ability, they may have been able to count on him for a side spot on 'Love In Vain', but that's about it.
Nah. You dont suddenly not know how to play the guitar. He "lost interest" according to the lore. And broke his hand. Etc. I think he had a ego fight with Mick, Keith and ALO and it worked out fine in 1965/1966. He was in a haze in 1968 and the way I see it, more or less suicidal. I dont think its possible to say anything about his abilities in 1968 other than that. He was a ghost.