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windmelody
Cliff Richard is not my cup of tea either, but I never understood why so many people developed such a hysterical aggression against him.
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ash
Cliff generally totally sucks...however..if we classify the 60s stuff we listen to (stones,beatles,kinks.who,yardbirds etc.) as beat groups then Cliff and The Shadows (named The Drifters on early records) are the start of it all. You need to listen to the original recordings of Move It,High Class Baby,Dynamite,Choppin and Changin, Cliffs first LP and you'll be surprised. Problem is both Cliff and The Shads were told - you wanna stay in this business, dump the rock and move to the centre ground. No-one had been where they were, there was no precedent so they did hence Living Doll (yuck), Summer Holiday (hell yuck), bachelor boy (oh dear god make it stop).
Cliff gave us the first young british guitar hero - Hank Marvin. Many of Cliff's early numbers were written by the Shads or ex-Drifters (Ian Samwell) and i think the 1960 Me and My Shadows lp contains all original numbers by the group. People often claim the fabs were first to do this but Cliff and The Shads did many things first. Each was known by the public by their first names (Hank,Bruce,Jet,Tony)and they were all excellent musicians and younger than the Beatles and Stones when they made it. Drummer Tony Meehan was 15 !
It was seeing the path that Cliff took that persuaded The Beatles and others that that wasn't the way to go ...i could go on. Do yourselves a favour and listen to Cliffs singles,b sides up to 1960 (skip Living Doll) and first lp and Me and My Shadows and also the original 1963 issue of The Shadows Greatest Hits. They were brilliant.
If you only want to listen to one track - Move It from the first lp Cliff which was recorded live in front of screaming kids at Abbey Road . Cliff has laryngitis and was refused permission to reschedule. He and the band rock. No shit.
No Cliff,no Shadows, no Shadows,no Beatles, no Beatles, no Stones.
and while you're at it check out Johnny Kidd and The Pirates. Awesome.
and The Sound Of Fury by Billy Fury. if you've heard those then you're probably justified in not listening to much else from the UK pre-Beatles era. It's critical stuff.
NME friday 12th december 1958Quote
desertblues68
Not my cup of tea, although he makes his fans very happy. Too smooth and no sex appeal at all. Sure he had some work done to maintain his youthfulness.
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ashNME friday 12th december 1958Quote
desertblues68
Not my cup of tea, although he makes his fans very happy. Too smooth and no sex appeal at all. Sure he had some work done to maintain his youthfulness.
and i quote..
"THIS columnist has always high praise for the "Oh Boy!" TV series. But producer Jack Good must be held responsible for permitting the most crude exhibitionism ever seen on British TV - by Cliff Richard last Saturday.
His violent hip-swinging during an obvious attempt to copy Elvis Presley was revolting - hardly the kind of performance any parent could wish their children to witness.
Remember, Tommy Steele became Britain's teenage idol without resorting to this form of indecency.
If we are expected to Believe Cliff Richard was acting "naturally," then consideration for medical treatment before it's too late may be advisable."
Go listen to that one suggested track Move It from the 1st album "Cliff".
Avoid everything post-1960.
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Silver DaggerQuote
ash
Cliff generally totally sucks...however..if we classify the 60s stuff we listen to (stones,beatles,kinks.who,yardbirds etc.) as beat groups then Cliff and The Shadows (named The Drifters on early records) are the start of it all. You need to listen to the original recordings of Move It,High Class Baby,Dynamite,Choppin and Changin, Cliffs first LP and you'll be surprised. Problem is both Cliff and The Shads were told - you wanna stay in this business, dump the rock and move to the centre ground. No-one had been where they were, there was no precedent so they did hence Living Doll (yuck), Summer Holiday (hell yuck), bachelor boy (oh dear god make it stop).
Cliff gave us the first young british guitar hero - Hank Marvin. Many of Cliff's early numbers were written by the Shads or ex-Drifters (Ian Samwell) and i think the 1960 Me and My Shadows lp contains all original numbers by the group. People often claim the fabs were first to do this but Cliff and The Shads did many things first. Each was known by the public by their first names (Hank,Bruce,Jet,Tony)and they were all excellent musicians and younger than the Beatles and Stones when they made it. Drummer Tony Meehan was 15 !
It was seeing the path that Cliff took that persuaded The Beatles and others that that wasn't the way to go ...i could go on. Do yourselves a favour and listen to Cliffs singles,b sides up to 1960 (skip Living Doll) and first lp and Me and My Shadows and also the original 1963 issue of The Shadows Greatest Hits. They were brilliant.
If you only want to listen to one track - Move It from the first lp Cliff which was recorded live in front of screaming kids at Abbey Road . Cliff has laryngitis and was refused permission to reschedule. He and the band rock. No shit.
No Cliff,no Shadows, no Shadows,no Beatles, no Beatles, no Stones.
and while you're at it check out Johnny Kidd and The Pirates. Awesome.
and The Sound Of Fury by Billy Fury. if you've heard those then you're probably justified in not listening to much else from the UK pre-Beatles era. It's critical stuff.
Great post Ash.
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Big Al
I think that many forget – or don’t even realise, perhaps – that Cliff Richard & The Shadows were pretty darn important to the British Rock N’ Roll Boom of the late 1950’s. He also deserves great credit for managing the onslaught of the Beatles by changing direction and continuing to have top-10 releases throughout his career. He’s one of those who didn’t ‘crack’ America, but he’s an institution in the U.K. I’m not a fan – only own a few downloads of his rock n’ roll numbers – but I respect and understand his importance and longevity.
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Big Al
I think that many forget – or don’t even realise, perhaps – that Cliff Richard & The Shadows were pretty darn important to the British Rock N’ Roll Boom of the late 1950’s. He also deserves great credit for managing the onslaught of the Beatles by changing direction and continuing to have top-10 releases throughout his career. He’s one of those who didn’t ‘crack’ America, but he’s an institution in the U.K. I’m not a fan – only own a few downloads of his rock n’ roll numbers – but I respect and understand his importance and longevity.