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Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
Quote
Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
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theimposterQuote
Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
I thought you once said that on here that on 'Beast of Burden' Keith played a Les Paul using the MXR phase at a low setting. Or am I imagining that?
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71Tele
It's funny that Keith claims in his new book that he never used pedals except for "Satisfaction". Must have forgotten all about Some Girls.
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71Tele
It's funny that Keith claims in his new book that he never used pedals except for "Satisfaction". Must have forgotten all about Some Girls.
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Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
Quote
theimposterQuote
Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
I thought you once said that on here that on 'Beast of Burden' Keith played a Les Paul using the MXR phase at a low setting. Or am I imagining that?
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DandelionPowdermanQuote
Mathijs
The sound of Some Girls is that of Fender's through Boogie MK 1 amps recorded by Chris Kimsey, That's basically all. Keith attributes the MXR Analogue Delay as being key to his sound for Some Girls, but he is mistaken as the delay didn't turn up until Emotional Resque (She's So Cold, Where the Boys Go, Hang Fire). He must mean the script logo MXR Phase 100, heard on Imagination and Shattered.
Mathijs
And on the title track, if I'm not mistaken.