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NiklasQuote
Harm
I would have missed quite a few concerts
Would you be better off them or did you enjoy them?
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liddas
To start, I would have a considerable amount of money in my bank.
C
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Big Al
If The Rolling Stones had decided to call it a day in the wake of Exile on Main Street, then I genuinely believe that they would now be held in much higher esteem by the musical historians and critics. They’d be mentioned in the same breath as Dylan and The Beatles – which they aren’t.
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NedKelly
I've been on this board for a while, and there's a lot of talk about the "really bad", "way below standard", crappy albums The Stones have made since Exile. Except for the usually mentioned Some Girls.
SO here's a question or two:
1. Would you be better off without Goats head soup, It's only rock'n roll, Black and blue, Undercover, Emotional resque, Tatto you, Dirty work, Voodoo lounge, Bridges to Babylon, A bigger bang? Not to mention the live albums Love your live, Still life, Flashpoint, Stripped, No security, Live licks, Shine a light? Or the dvd's they have released from 72 and onwards?
It's quite unbelievable that all that music, all those albums get hazzled as much as they do here. There's so much good music on those albums, that I would have been more than happy to just have them and nothing else. Of course Sticky, Bleed, Exile, Beggars, Aftermath, Out of our heads and so on are good too, but to hazzle everything past 72 is beond me. I have had som much fun, so many great occations with these albums I could fill hundreds of pages describing them.
The Stones cataloge is simply amazing all the way from 1962 right up till current day. I'm looking forward to a new album soon. Keep'em coming Keith!
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Ringo
Well said, NedKelly! If you've been to Mount Everest (or made Exile), there's no way up, only down. But there are lots of other high mountains you can go to!
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NedKelly
I've been on this board for a while, and there's a lot of talk about the "really bad", "way below standard", crappy albums The Stones have made since Exile. Except for the usually mentioned Some Girls.
SO here's a question or two:
1. Would you be better off without Goats head soup, It's only rock'n roll, Black and blue, Undercover, Emotional resque, Tatto you, Dirty work, Voodoo lounge, Bridges to Babylon, A bigger bang? Not to mention the live albums Love your live, Still life, Flashpoint, Stripped, No security, Live licks, Shine a light? Or the dvd's they have released from 72 and onwards?
It's quite unbelievable that all that music, all those albums get hazzled as much as they do here. There's so much good music on those albums, that I would have been more than happy to just have them and nothing else. Of course Sticky, Bleed, Exile, Beggars, Aftermath, Out of our heads and so on are good too, but to hazzle everything past 72 is beond me. I have had som much fun, so many great occations with these albums I could fill hundreds of pages describing them.
The Stones cataloge is simply amazing all the way from 1962 right up till current day. I'm looking forward to a new album soon. Keep'em coming Keith!
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mailexile67
The real answer should be:What if they had quit in 1983...
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saulsurvivor
Longevity is a key component to any artists legacy
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swissQuote
mailexile67
The real answer should be:What if they had quit in 1983...
agreed
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kleermakerQuote
swissQuote
mailexile67
The real answer should be:What if they had quit in 1983...
agreed
Then I would have said: Ten Years After (too late).
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saulsurvivor
Nonsense. The Stones are as highly regarded as anyone by many "historians". At that level of accomplishment, it's all a matter of taste. The Stones have been, arguably, the most influential band of all time. And they are certainly the greatest. Dylan and The Beatles are brilliant, but I'd put Dylan far ahead of the Beatles when it comes to influence and accomplishment. In my book, calling it quits after a decade just doesn't compare with peers who kept at it for another 40 years. Longevity is a key component to any artists legacy, and I fail to see how the unassailed brilliance of the first decade is in any way negatively effected by the less consistent brilliance of the next four.
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pmk251
If the band had quit in in '72 its place in popular musical history would have been secure. The reasons do not need to be explained. The band's impact (musical and otherwise) and charisma was considerable. But to me very little after '72 enhanced the band's legacy. Perhaps it is a matter of age and expectations. The band extended its popularity (re-invented itself) to a younger audience whose experience of the band was new and exciting. But to me time has not been kind to the band. By '72 the band had reached the extent of its muse. What came after was simply not interesting. There came a point in my life where I no longer connected with a mature band performing "She Was Hot" or She's So Cold" (or a decade later "Sparks Will Fly"). The sad truth is that this legendary band had very little to say. It pursued broad popularity and all the rewards therefrom by living off its Peter Pan image and producing an impersonal and forgettable body of work designed to be momentarily effective in a stadium. It was musical Darwinism. You got what worked (in a financial sense).
When the band hit the peak in '72 it had nowhere else to go. It had neither the talent nor the courage to pursue a personal vision. Most don't. Some (Lennon, Van, Neil Young) did. It takes courage to step back from the limelight and pursue what is important to you and not let the numbers define your success. That was never an issue with the Stones. The band pursued the numbers with relish.
I have said the '69 tour is my favorite. It has something to do with the vibe of that tour, of the band having something to prove, of the band not playing to the audience, but requiring the audience to come to the band. The legacy after that era is give them what they want. To many it was exciting, to many it was fun. But to me it was arrogant, pompous and shallow, only honest in the most disheartening way.