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skipstone
It's still amazing to me that they left off Waiting On A Friend (had they finished it, of course), Tops (same), Save Me and Through The Lonely Nights. Any others that anyone knows were finished?
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stones77
Richards is absent from most of the album, and then the album shows Taylor is too light-weight to carry an entire album.
- - I have to disagree there. Taylor's playing is great on this record, in fact in many spots it carries it. His bass playing on 'Coming Down Again' is fantastic.
That one song is worth the price of the record alone. It's perfect. In my opinion it's Keith's best vocal ever by a country mile. And that right there makes the album great. You can actually feel the pain.
GHS is a perfect timepiece; the Stones had hit the top, now they were 'coming down.' Somebody said it's a lousy follow up to Exile, but I disagree - it's the PERFECT follow up. It's the crash after the bash and the paradox to the previous 4 records.
This record should have been called Coming Down Again, because that reflects the mood and time, and also because Goat's Head Soup is a stupid title for anything.
The album reeks of sorrow and regret. There's real artistry here.
100 Years ago has stellar Mick Taylor wah-wah guitar throught and he carries it to the end, and I love Jagger's lyrics, plus it's a micrcosm of the entire record; at parts wistful and at others raucous.
Hide Your Love is s cool piano tune, and has more cool Taylor guitar throughout.
But it has songs I can't stand - Dancing With Mr D is an embarrassment that wouldn't scare a 2 year old, (although on Brussels it comes to life, and I do like it there) and Can You Hear The Music is just dumb. Silver Train is sort of a All Down The Line re-write but not near as good, but Keith's bass is great and so is Taylor's slide.
Winter is to me one of the Stones best songs, meloncholy as hell, has a a sparkling Tayolor solo and a great Jagger vocal, and a real Van Morrison's vibe, his stuff like Listen To The Lion.
Heartbreaker - is rather generic to me but Taylor's wah-wah riffs and short but effective solo make the song work, for me.
I love the guitar run through the Leslie effect which circulates throughout the record.
I don't like the track order and a couple of the songs absolutely suck, but hey, it's not Exile or Sticky Fingers, but who cares? It's not supposed to be.
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Doxa
"Mr D" has written all over it: now we make a hit song from safe, sure and tested materials.
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Doxa
"Mr D" has written all over it: now we make a hit song from safe, sure and tested materials.
couldn't the same be said about "Rocks Off"?
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skipstone
It's still amazing to me that they left off Waiting On A Friend (had they finished it, of course), Tops (same), Save Me and Through The Lonely Nights. Any others that anyone knows were finished?
I'm glad they left off Waiting OAF, Tops and Safe Me. Those songs wouldn't have fit on GHS. Through TLN would have. Mr D (not a rocker!) is a great opening track for this album. You have to feel it (and those who want to hear 'more' in a track easily can in this one if they give it a try, because it fits in the overall mood of GHS). For me it's without any doubt the big 5, always have been. If Ya Ya's is included it's even the big 6. GHS is the Stones album I've grabbed the most during all those years. Always been my fav Stones album.
PS: I have no problems with the mix at all. It's simply an outstanding album to me.
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Doxa
I can share the points of Edward and Kleermaker of "Mr. D" sharing the qualities of the album, of what makes its identity and strength. But the problem is: as a song and as an individual performance I find it just so weak. I really hope they could have had a stronger introduction to the mood and nature of the album. It is reasons like this that can not quite rate it to the level of its forerunners.
I don't find the comparisons to SOME GIRLS very helpful here because the band is playing by different rules and agendas by then. I think the band manages to fill those criteria and goals better with SOME GIRLS - sounds more convincing - but it is the case of liking that kind of rules or agendas or not. As a "mood albums" GHS and SG are almost as far from each as any other Stones albums. I guess if I need to go to desert island by my own I would choose GHS - but if I had company (and booze), I rather choose SG...
- Doxa
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TeddyB1018
The enervation of Goat's Head is the emotional center of the album, the reason its supporters like it and its dettractors don't. I like the record, but agree with those who cite the opening track as a problem. I think the song is slightly misunderstood. In the context of the album title and recording in Jamaica, I think the Stones were playing around with voodoo imagery. "Mr. D", which comes off lame as either Death or Devil, I think is mant to be a Baron Samedi-style figure. With Jagger's campy delivery however, a lot of people felt this is where the Stones jumped the shark (years before the term came into vogue). A shame as there are several nice songs on the record. It is a little Jagger-dominated (though he comes through), but Keith gets his licks in (literally) with Angie, Coming Down Again and @#$%&. Taylor's playing is tasteful and Nicky Hopkins shines per usual. I think that Billy Preston's starting to come to the fore is not what Stones aficianados preferred. And Can You Hear the Music was impetetrable on release. I can enjoy it more now. In between those two tracks, a good record and whatever the cavils about the mix, a Jimmy Miller sounding one. Played it to death when it came out and still like it.
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Edward Twining
I believe over the longterm Some Girls may not shine so brightly
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72stones
Here's a question for all of you to ponder. Please keep in mind that I'm a fan of "Angie" as both a song and as the first single off of the album. Would our perception of Goats Head Soup as an album be different had "Angie" not been released as the first single off of the album?
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Edward Twining
I believe over the longterm Some Girls may not shine so brightly
over the longterm? it's been 32 years! just how long do we have to wait for the final verdict? i'm busy picking out a gravesite already....
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Edward Twining
I believe over the longterm Some Girls may not shine so brightly
over the longterm? it's been 32 years! just how long do we have to wait for the final verdict? i'm busy picking out a gravesite already....
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StonesTodQuote
Edward Twining
I believe over the longterm Some Girls may not shine so brightly
over the longterm? it's been 32 years! just how long do we have to wait for the final verdict? i'm busy picking out a gravesite already....
You know you're old when Some Girls still sounds like 'new stones material' to the ears.
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Rip This
and maybe their most underated song ever in 100 Years Ago
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likarollinstoneQuote
Rip This
and maybe their most underated song ever in 100 Years Ago
1:35-2:00 and 2:35-until the end - blows my socks off. The drums are great too. Loud and raw.
Heatbreaker is the shit. Angie, Mister D...
has a very distinct early 70's soul/funk feel, not just because of Billy Preston.i think its a part of the concept.