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HonestmanQuote
Gazza
Theres an audience recording (maybe two as you say, I dont know) of the entire Paris show (a great gig, with Bob & Hugues Aufray doing a great English/French duet of The Times They Are A Changin/Les Temps Changent) and a 70 minute soundboard with just over half the show (about 13 songs).
Great show, although I agree with whats said above about Barcelona being the best of the tour. Some of the first few shows on the tour (which had 27 concerts) were a bit rough and ready but the last couple of weeks of it were superb.
True, Hugues AUFRAY who was scared before the show,did it well with Bob.
I also remember how fascinated was the crowd, when Bob in front of 80000 or 100000 people, played some songs alone with his harp and guitar.
It's one of the few guy who can do that !
The Mick T performance was very good and i own "Les temps changent", but what's the name of the soundboard, didn't heard about it????
Thanks in advance
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71Tele
Wasn't it in one of the Stones books that MT locked himself in his dressing room crying because he was in charge of the band but couldn't get it together? Always wondered if that was true.
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SmokeyQuote
bluesinc.
so much talk about mick t. dylan did´nt like these lenghty solos, so they did split
They "split" because it was a "Europe only" tour. As for follow up, Dylan later complained to Richards and Woods that Taylor didn't return his calls.
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tomk
before the first gig, Dylan had them run through an Ink Spots song.
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Justin
But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I' Surprised by his comments in bold.
I think I agree with Justin. If Kurt Loder thought I & I was a reggae groove he should listen to some reggae - I played the exact same thing that Sly Dunbar played on the album. Four on the floor plus a backbeat. There is nothing on the original album track that is typically reggae. As far as Highway & Tombstone are concerned nothing was ever discussed - we just played. It's only rock 'n' roll after all. I think most audiences enjoyed those songs. No intellectualizing needed.
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dcbaQuote
tomk
before the first gig, Dylan had them run through an Ink Spots song.
"We Three". Dylan's been obsessed with this tune for most of the 80's. He covered it several times during the NET.
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Drummerboy
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Justin
But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I' Surprised by his comments in bold.
I think I agree with Justin. If Kurt Loder thought I & I was a reggae groove he should listen to some reggae - I played the exact same thing that Sly Dunbar played on the album. Four on the floor plus a backbeat. There is nothing on the original album track that is typically reggae. As far as Highway & Tombstone are concerned nothing was ever discussed - we just played. It's only rock 'n' roll after all. I think most audiences enjoyed those songs. No intellectualizing needed.
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DrummerboyQuote
Justin
But 'Highway 61 Revisited' and 'Tombstone Blues' suffer from formless arrangements, and the band simply can't replicate the reggae groove called for on 'I and I' Surprised by his comments in bold.
I think I agree with Justin. If Kurt Loder thought I & I was a reggae groove he should listen to some reggae - I played the exact same thing that Sly Dunbar played on the album. Four on the floor plus a backbeat. There is nothing on the original album track that is typically reggae. As far as Highway & Tombstone are concerned nothing was ever discussed - we just played. It's only rock 'n' roll after all. I think most audiences enjoyed those songs. No intellectualizing needed.
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Justin
I always felt that the treatment on these tunes on this live album was very Stonsey--and that's just because Taylor and McClagan were in the band.
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Nico's website
840526A 26th May: Los Angeles, California, Beverly Theater. Tour-rehearsals.
Jam-session (mostly Rolling Stones-songs; all unverified).
Line-up: MT (gtr)/Carlos Santana (gtr)/Greg Sutton (bass)/Ian McLagan (keyb)/
Colin Allen (dr)