It had to be something very special indeed to keep me away from a Bruce Springsteen gig on the same night, but I wasn't going to pass up the opportunity of seeing Leonard Cohen in my home city, even for the Boss; and after witnessing an unbelievably breath-taking performance from the ageing Canadian crooner, it left me with no doubts whatsoever that I had definitely made the correct decision.
Cohen was utterly brilliant.
OK, so I’d heard the recent live album and watched the DVD countless times, and yes, I’d even seen him on two other separate occasions over the years, but this still caught me off guard.
It was at the time of the release of his fourth album, “New Skins For Old Ceremonies”, that I first saw Leonard Cohen - in Liverpool - back in the spring of 1974, when he delivered a stunning show, comprising acoustic performances of his older classics, interspersed with newer material that had been given heavier arrangements thanks to some wonderful sax and clarinet. It is such a pity however, that the production of that album came nowhere near the sound that he had managed to acheive in his concert performances at that time, and to this end, tracks such as ”Lover Lover Lover” and “I’d Like To Take You” bear scarce resemblance to those amazing live renditions.
I saw him again, a decade later, with a much softer sound, in front of a far-from-full audience at Manchester's Apollo Theatre, when by then, he had softened the sound of his arrangements by introducing more strings and backing singers. My opinion at the time, was that he had began to over-elaborate his older material, and had become unsure as to which direction the band’s overall sound and feel was heading towards. Yes, he was still writing brilliant songs, but his increasingly MOR-sounding arrangements were failing to do justice to them.
Well, the other night he made me eat my words with a career-spanning three-hour performance that was as close to perfection as I ever heard from any live act. Not a single second was wasted during the entire show.
The extent to which he captivated the 15,000 audience was born out by their complete and utter silence during his rendition of “If It Be Your Will”, during which, you could have heard a pin drop to the floor; and let's face it, anyone who can keep 15,000 scousers silent has to be a bloody genius!
When something is THIS good, it becomes almost impossible to select highlights, but for me personally, "Famous Blue Raincoat" and "The Partisan" were well and truly out of this world.
Memorable beyond words.
Edited 1 time(s). Last edit at 2009-07-16 22:08 by LOGIE.