Quotechild-of-the-moon 11 shows in Germany? – they really know where the money is…
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QuoteBlueTurns2Grey RIP Franz. It was such a pleasure to watch you play football. We have lost one of the greats, as a person and as a footballer. Beckenbauer was surely a great footballer but rather a Dummschwätzer (German for a person who talks without thinking) than a great person - even when he talked about football. Si tacuisset, philosophum maneret PS: I once met him in person. Must
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Quotehockenheim95 Hello, I just saw (and ordered) some Japanese SHM CDs from Amazon Germany for 7,99€ each. Don't miss this deal if you're interested! just in case that anyone wondered why amazon.de lowered their price so much. They did so to match Saturn's offer. But the best news: all the CDs that are already gone at amazon are still available at Saturn.de btw: which
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QuoteTopi I got none. haha – you know what I was referring to…
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QuoteTopi Bob Dylan mentioned! I have to meet expectations (what did you expect? rain?)
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new album(s) – yes by the Stones – no, at least not in 2024 (as far as I remember bv pointed out that the Stones will be concentrating on promoting HD for the next 18 months). the rumors about a new Bob Dylan album to be released in spring (or even earlier) sound more promising and much more realistic.
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Quotestonesman87 I've been researching this topic. The main problem seems to be that it's not easy to remove hardcoded subtitles. I haven't found a succesful method or online site so far. Does anybody know how to, or are hardcoded subs truly embedded in the video? attach a small piece of paper onto your monitor…
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Quotefrankotero Okay, I'm going out on a limb here. My good German AC/DC friend/fan gave me this info about next year about a week ago. Surprised nobody yet has talked about it. Here's what he said. 2x München 2x Hannover 2x Dresden Hockenheim Nürnberg Stuttgart 2x Wien Bratislava Dublin Believe me when I say he's the first guy not to believe it. I hope there&
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btw: today's the last chance to protect copyrights for stuff recorded in 1973 and not officially released yet.
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Quoteschwonek Seller seems legit but it also seems expensive. 120 Euros This one on discogs is 35 Euros record: multiple hairlines and one deepe scratch / cover: cut corners,taped with sticker I'm no expert but this one on discogs seems to be surprisingly (too?) cheap.
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QuoteIrix QuoteBroesel2404 31dez2023 German TV 3Sat 21:30-23:30 Grrr Live! It's already online in the Mediathek - HD-Video - geoblocked DE/AT/CH. Bob Dylan's Shadow Kingdom is also show on 3sat on Dec 31. – at 6:15 a.m.(!) But it also available in 3st Mediathek
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Quoteartedm coachella Weekend 1 is Friday, April 12–Sunday, April 14 Weekend 2 is Friday, April 19–Sunday, April 21 the lineup repeats both weekends the 2023 lineup was announced January 10th the stones promoter does coachella and also jazz fest coachella does have surprise unannounced guests that generate buzz Although appearances at Coacella would fit nicely into the Stones'
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Quoteretired_dog Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commerci
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Quoteds1984 Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful f
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Quoteds1984 Quoteslewan Quoteds1984 You mean an UNlawful fixation can become lawful? of course not. but once the copyright has expired the question of lawfully recorded or not has become irrelevant. The logic behind this is: Once the copyright has expired, you can no longer infringe it I would say if such a case happened, doing commercial exploitation of unlawful fixed work after 50 years
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Quoteds1984 Quoteslewan Quoteds1984 Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an
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Quoteds1984 Quoteslewan Note that it doesn't matter – (only) for the question of copyright expiration – whether the recording was/is made legally or illegally. Well in case of unlawful fixation the artist has the moral right to prevent the tape to be published. Unlawful fixation is not the point of the law about "copyright duration" By definition an unlawful fixation can&#
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Quoteretired_dog QuoteIrix Quoteretired_dog the cited law has absolutely nothing to do with unreleased recordings! The German copyright law has in § 85 (3) a text passage: "If the phonogram has not been published within this period or has been used for authorised communication to the public, the right shall expire 50 years after the production of the phonogram." This could apply
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Quoteretired_dog QuoteIrix Quoteds1984 You mention 3 cases I only see 2 a) lawfully published b) not lawfully published BUT lawfully communicated to the public There could be a 3rd case c): 'not lawfully published and not lawfully communicated to the public' - because a recording was made, but never used (tape was archived until now). Indeed, there could be a 3rd case as me
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QuoteMAF QuoteStonesSmeth99 QuoteTopi Hey slewan, what's the weather like in Munich in June? Happy holidays, gang! Stay cool. Is that a hint? Olympic Stadium is closed for renovation so any Munich show would be Allianz Arena I don't rememmber any kind of show in the Allianz Arena, just soccer. The flat ground of "Messe München" is a venue for big open airs (up to abou
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Quoteds1984 Quoteslewan Quoteds1984 Quoteslewan Quoteds1984 By making additionnal research I see that in my last post I may not have understood the 2011 EU directive in it's full extend - I was wrong about "public domain", this is not the right matter. That put light in the case of the Rolling Stone NOT publishing their own archive post 1970, they don't do it because the
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QuoteGazza Quotejohnnythunders The fifty years rule only applies to broadcast material, which is why we can issue previously-unreleased radio and TV broadcasts but not studio outtakes Nope. Most of the Dylan copyright releases were NOT broadcasts, and included studio outtakes and live performances (both soundboard and audience recordings) The Stones ABKCO recordings from 1969 were audien
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Quotejohnnythunders The fifty years rule only applies to broadcast material, which is why we can issue previously-unreleased radio and TV broadcasts but not studio outtakes this is simply wrong! The 50 years rule applies to all kinds of recordings. The fact that there are more live recordings on the market is simply because they are easier to access than (unreleased/not leaked) studio recor
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Quoteds1984 Quoteslewan Quoteds1984 By making additionnal research I see that in my last post I may not have understood the 2011 EU directive in it's full extend - I was wrong about "public domain", this is not the right matter. That put light in the case of the Rolling Stone NOT publishing their own archive post 1970, they don't do it because they don't need to do
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QuoteIrix Quotebuffalo7478 The cost to administer and protect the copyright under multiple country/regional laws may be more than the potential revenues to earn from some copyrights. Must be worth it since Pink Floyd temporary released 1972 & 1973 recordings in 2022 & 2023 worldwide via streaming services - , . "Bob Dylan’s team [...] simply pressed 300 or so CDs and sen
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Quoteds1984 By making additionnal research I see that in my last post I may not have understood the 2011 EU directive in it's full extend - I was wrong about "public domain", this is not the right matter. That put light in the case of the Rolling Stone NOT publishing their own archive post 1970, they don't do it because they don't need to do it. The 2011 EU d
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QuoteIrix Quoteslewan Anyhow – it makes much more sense to release those deluxe editions you're talking about (or at least some copyright protection release) before the copyright expires to protect the very copyright. Yes: either one time an expensive super deluxe edition (copyright lost after that) - or a low quality release for copyright extension to protect it for 70 years. no –
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QuoteIrix Quoteslewan In contrast, by not releasing uncirculating recordings within time they become public domain (although nobody has access to them) and therefore economically worthless. They're economically not worthless - you could release them once, e.g. as part of an expensive super deluxe edition. But after that, everyone could use it (e.g. for copies, repackaging, remixes/rema
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Quoteretired_dog QuoteIrix Quoteds1984 So all the unaired recorded show up to 1973 are entering the public domain. I'm not entirely sure about that - at least there might be an expiration after 50 years, but I'm no lawyer. Sony Music seems to be aware of this 50-year rule - but other record companies apparently not. Besides the 27 EU member states, there're ~168 further
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QuoteGazza Quoteslewan QuoteGazza It's only a European copyright issue I'm not 100% sure why the Stones haven't gone for the copyright protection thing. However the only Stones copyright issues related to the ABKCO era. The last tour to get a release was, I think, 1969. Presumably there's something in their contracts since they left ABKCO which has meant that the copyrig
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