Pre-chorus of DOY is Keys to Your Love - but way better.
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As Get Close is revving up, I hear the faintest little flicker of “Nothing on Me.” Both off these tracks have gone a long way alleviating my anxiety.
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Quotegotdablouse Quotepowerage78 QuoteStonedRambler Credits for "Angry": Producer, Associated Performer, Background Vocalist, Percussion: Andrew Watt Studio Personnel, Mixer: Serban Ghenea Associated Performer, Piano: Matt Clifford Associated Performer, Background Vocalist, Guitar: Ronnie Wood Associated Performer, Drums: Steve Jordan Associated Performer, Background Vocalist, B
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Quotekid killowatt QuoteMelBelli Definitely not Keith. It’s Mick through what sounds like store-bought pedals. A BOSS overdrive pedal... Quite possibly BOSS. Guitar Center tone.
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Definitely not Keith. It’s Mick through what sounds like store-bought pedals.
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It’s a Mick riff for sure. Meh.
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Quoteukcal Song lyrics If you really wanna be my friend if you dont know Dont ANGER me again dont forsake me again ??? ChatGPT?
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Quotespunky According to Shazam it is The Cars - Magic LOL, I think that’s right.
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QuoteRocky Dijon QuoteMelBelli So there’s no way for an artist to conceal track titles until they’re ready for them to go public? When Taylor Swift or Kendrick Lamar announce new albums, their fans already have an idea of which songs are going to be on them? I am not being sarcastic; I’m genuinely curious. It probably depends how close to the release date the paperwork is filed. In the past the
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Quotebitusa2012 Quotecyclist So many of those rumored song titles are clichés... Like Wild Horses, Beast of Burden, Under my Thumb etc? I’d say there’s one cliche on that batch of newly registered titles — “Live by the Sword.” The rest are just … I don’t know what. Nullities.
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QuoteRocky Dijon QuoteHairball There's also the possibility they recorded a cover tune or two... In December 2015, they certainly did and not just the tracks that ended up on BLUE AND LONESOME. The song titles registered are real enough. There should be a few more registered in coming weeks. Let's hope the album has a couple cover versions and really isn't just 11 tracks.
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QuoteRocky Dijon If the album comes out in October, they didn't register working titles in late August. The theory, per Irix, is that they are not working titles so much as placeholder dummies. There must be some way for artists to keep track lists under embargo until they are ready to announce them.
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Quoteamg077 Is this song new? they call it hackney diamond. or is it just an oldie? It’s some clickbait garbage.
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QuoteTopi Maybe they'll change Driving Me Too Hard back to Drive Me Too Hard! There you go. A small but telling discrepancy — one that just so happens to coincide with a track title that had accidentally slipped out through a photograph years ago. Patience, people.
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QuoteIrix QuoteTopi I don't think they would register fake song titles. Why not? And on the album release day they send ASCAP, SACEM and GEMA just an update. The unique and true ISWC-Code (and the other data) remain, except the updated track title. That is a plausible theory.
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QuoteChristiaan QuoteMelBelli I have registered song titles at ASCAP. It’s free. I am not discounting the titles. Personally, I think they’re pretty bad. But that means nothing. Have you checked BMI? MMMMMM let us hear, not see, what great songs did you made?? Good grief. Not the point I was making. At all.
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QuoteTopi I don't think they would register fake song titles. I don’t think they would, either, and I never suggested they did. Maybe they’re for this album. Maybe they’re for a future reissue. I don’t know. That’s all I’m saying. I don’t think we know everything just yet.
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QuoteRocky Dijon Isn't ASCAP for UME and BMI for Polydor? That could be. I honestly don’t know. BMI is strictly for the US, but content is mutually recognized by other companies like the French and German ones mentioned above. All I’m saying is this: it’s going to take more than a partial list of titles registered recently on ASCAP for me to believe that the first Rolling Stones record
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QuoteRocky Dijon Have you registered them as Promopub? Pretty sure that means something. Of course it means something. I’m not discounting them. All I’ve said is that I found the forty-something songs that resulted from that search to be a very odd lot (deluxe reissues — All the Rage, Scarlett, etc.) The titles themselves, at first glance, strike me as something more akin to working titles.
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I have registered song titles at ASCAP. It’s free. I am not discounting the titles. Personally, I think they’re pretty bad. But that means nothing. Have you checked BMI?
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For all we know, they were registered by someone based on the chatter that originated here.
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What I was referring to was Scarlett, Criss Cross Mind, Brute Force, Mark on Me, etc. It is not the entire Stones catalog. I don’t know what that list is, and neither does anyone else. When the Stones requested that Donald Trump stop playing their music at campaign events, they partnered with BMI, which licenses their music.
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The linked ASCAP list of songs was odd. Forty or so songs, many of them from recent deluxe reissues. Far from comprehensive. We don’t know anything definitively. Just wait and see.
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One of the reasons we should be cautious about the ASCAP list is that, at least as recently as 2020, the Stones used BMI to license their music.
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QuoteDandelionPowderman QuoteEddieByword Has there been any official statement about the track names? - I'm wondering if "Morning Joe cues" could be "Morning Joe blues"........... Cue sheets in a tv-show, I thought. But what do I know Rocky D noted above that ASCAP also has a song written by Keith Richards and Paul Schaefer called “Friday Night Video Cues.” It’s prob
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QuoteRocky Dijon Quotemkbbcmr "Morning Joe Cues" must be about the insanity of current American politics , "Morning Joe" being the daily news show on MSNBC. ASCAP also lists Keith and Paul Shaffer as composers of "Friday Night Videos Cues." It's possible this is just from MSNBC's show coming in and out of commercials and not an actual album track. Good
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QuoteBashlets Paul playing bass and Elton tickling some ivories doesn’t phase me. Andrew Watt as a co-writer on 3 tracks out of 12 is making me scratch my head a bit. I am hoping for a great stones album with an edge to it. I feel like we could be getting Dust brothers part 2. Someone posted on Shidoobee Watt always has a co-writing credit on the opening track so based on the ad it looks like
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Quoteharlem shuffle It,s very understandable that Jagger doesent want to hear Richards.Everything he is playing is totally wrong.He isn,t able to play that simple riff anymore. “Totally wrong” overstates things just a tad. But he is erratic. We all know that and hear it. And it’s not hard to imagine a singer being thrown off or just plain irritated.
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QuoteRocky Dijon Hearing that Mick doesn't want to hear Keith in his monitor mix isn't a shock. He's been tuned to Chuck for decades. It's also what I dislike about several of the From the Archives mixes. Keith seems mixed down to the point where it can only be deliberate. The workaround that Bull contrived is kind of ingenious. When it’s necessary for Mick to cue off of Kei
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The YouTube algo is going to feed this to everyone anyway, but in case you miss it, here’s a revealing clip about what it’s like to mix a show for the Stones: Apparently, Mick will look at audience clips on YouTube, and he doesn’t always like what he heard. There’s more. Worth a watch.
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