Altin Gün (2016) - Anatolian funk band from the Netherlands Men I Trust (2014) - Dream pop and Dance from Canada Nu Genea (2015) - Disco and Dance music from Napoli Khruangbin (2010) - Thai-Funk from the US The newest one and one that I would recommend to all of you, including the R&B and Rock purists: Sault (2019) - fantastic mix of classic Soul-sounds, with great basslines and a g
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You guys are making way too big a thing out of this story. He was just on the wrong fret, happens to everyone from time to time. Maybe he was really loud in the monitors and as already said above didn‘t notice the key center. Maybe, and I think this was more what was happening, his ego just didn‘t allow him to acknowledge the hickup and that‘s why he didn‘t adapt...Either way no big deal
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For anyone ordering in Switzerland: Really looking forward to this and of course to visiting the archive! Congrats Matt!
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we did a little concert in our garden - hope you guys like it!
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I know they don‘t play solo tunes but I was somehow hoping that Keith would play Make No Mistake to remember Sarah Dash, escecially with Steve on drums... Seems to have been a fantastic concert anyway...I love the little licks Steve throws in to pay homage to Charlie: The dotted quarter notes at the beginning of the second verse in IORR or not playing the hi hat on the twos and fours in some (or
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I don‘t think that they should change their name. That they continue without Charlie is clearly a sign that they want to continue to play music and it seems that they see the band more from a musical perspective than from a nostalgic view that defines the identity of the band by its members. As that seems to be the case I think it would be great if the three of them incorporated the other band
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I remember St. Paul and the Broken Bones' Call Me being played ahead of the No Filter Shows in Europe. Listening to these songs brings back memories...
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I mean as Voodoo Lounge lies only two albums of originals back I would be fine with them using some of the great outtakes to make a new album or to finish the one they're so reluctant to release. Would make a modern day Tattoo You...
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I think Baltimore by Nina Simone would be done very interestingly and with much style by the Stones. They're great at reggae grooves and building up a daunting atmosphere and it suits an age-related slower playing style. In the same vein groove-wise but with a very different vibe is I Get Wild / Wild Gravity by Talking Heads. Being a massive fan of Feel On Baby I guess they would do this fa
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I hope that there will be a remastered version of Ashby's film included in this release.
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QuoteDandelionPowderman Loved both the rocking garage-sounds of Distillery and the excellently recorded Dreams Thanks very much, Dandelion. Glad you liked it There‘s some VERY cool music to be heard in this thread!
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Here's my band doing Dreams by Fleetwood Mac. Hope you enjoy it! Check out our version of Bright Lights, Big City too, if you like :-)
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Quote24FPS Music is less and less irrelevant to a mass audience. It's more segregated than ever. Most old folks don't want to hear new music. The idea of actual people performing their songs on actual instruments, without autotune, seems passe. Sorry, but that is ignorant and an insult to all the musicians that are still making relevant music. There‘s more music around than ever and j
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Send It To Me is one too, I guess. Edit: Sorry, just saw it in the first post.
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Words of Wonder Love Overdue Living In A Ghost Town
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The Harder They Come
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Just listened to Us and Them from Waters‘ Amsterdam concert. Then I put on the Little Bang EP. From excellence in sound to thinking my system‘s broken. Don‘t they care just a little bit?!!
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QuoteTaylor1 What exactly is a person of color? Hispanics from the Americas are genetically white.Black tribe’s enslaved other blacks in Africa .Many were sold to Arab and Europeans .The history of man is the history of atrocities by all races.Whites have done a lot of that to sub Saharan Africans.The Europeans enslaved and committed crimes and exploited Africans because they were militarily st
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Slave - Bootsy Collins and George Clinton Melody - Sly Stone Heaven - Sade
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Mind you Mick Jagger. If you release music that mixes blues and rock with contemporary elements you will be called a wanna-be pop star, who apparently follows every step of the Biebers and Swifts. "That's not creative, that's pop shit! I hate Disco, only dubious people listen to Disco! Too much synth! Stick to your Roots!" Then you decide to release just a basic straight-fo
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Talking Heads - for general inspiration Marvin Gaye or Bill Withers - for the soul Curtis Mayfield or Fela Kuti - for putting everything into perspective Funkadelic & Parliament - for the fun
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One really has to differentiate between song message and artist these days - otherwise I couldn't take the lyrics to Satisfaction seriously anymore.
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Congratulations to the Chairman of the Senate Budget Committee! His movement is what gives me hope.
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I'm also 20. And have visited this great site since 2014. Let's get this average down a bit
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An Alien and Rolling Stones series? Good that they don‘t plan on covering the later years because H.R. Giger would certainly be needed to do the makeup for Keith...
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Great choices Bastion! I especially love Nicolas Jaar's and Thundercat's new ones. My only concert this year was Nicolas Jaar at the Tones on the Stones festival where he played a beautiful piece together with a cellist. One of my favorite albums this year would also have to be Gorillaz' Song Machine.
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Audio for Reasons To Quit: Audio for Sing Me Back Home:
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Yeah there's many interesting ones, All About You or Sleep Tonight... Sweet Virginia is weird too, because that B7 resolves so flawlessly to the A. But I guess that's a country thing and can be explained by looking at the B7 as a secondary dominant which would lead to an E chord which would than lead back to A, but in Sweet Virginia the E chord is just omitted in that part. I guess
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Waiting On A Friend Hampton 1981 and Miss You Studio Now the worst: For me it's the released version of Think I'm Going Mad. Wayyy over the top kitsch. That fast minor pentatonic run somewhere in the middle...horrible. I much prefer the subtle sax that's playing the riff on the bootleg version with Keith's vocals.
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QuoteMelBelli Hey MonkeyMan2000, Here’s a look (not by me) of the Andalusian Cadence. Context is Paul Simon’s “50 Ways to Leave Your Lover.” Of course, all I can hear now is “Struggle”! That is great! I love that channel. I think the great thing with Struggle is that the cadence is used so sparsely, that makes it even more spicy. If you like that kind of stuff you might like Paco Ce
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