For information about how to use this forum please check out forum help and policies.
Quote
t2
I've always loved the lesser known album tracks like this, no use in crying, all about you, melody, must be hell, too tight, etc. Call them fillers or whatever, but it's the stones being the stones to me.
For me the guitar work on Baby Brake It Down epitomizes the "Ancient Art of Weaving" that Keith & Ronnie have (or had) perfected. You just can't tell who's playing what on this unless you listen really, really carefully. I think that "Ancient Art" was lost on A Bigger Bang.
Great track.
Quote
Barn Owl
In this respect, Voodoo Lounge (like Exile) is an album where the the sum of the parts far outweighs the whole, and one which they were more than happy to show off in large chunks on the subsequent tours.
I repeat; it's a classic.
So stop theorising and take a listen.
Wrexham for the cup!!!
Quote
Beelyboy
i really love this track; i thought a lot of their voodoo period showed a fresh and newly awakened approach with lots of colors and grooves...it is a beautiful song
i love the groove and percussion ambiance that moves this one gently but distinctly on down the line. this one cuts to the heart for me
Quote
Barn OwlQuote
Four Stone Walls
Cringeworthily weak. Guitar parts are totally transparent and predictable, base on a riff pattern recycled fro Main Offender (twice) and also to be found on LIS.
I concur with T&A: "the consummate filler track competing for filler attention on a filler-filled album...."
Ans a Barn owl wrote:
"In keeping with the rest of the Voodoo Lounge album, the track's production is beautifully understated, giving the guitars a more isolated and distinctive sound, and interacting superbly with Jagger's magnificent vocal performance.
A superb track from a truly great album."
You jest, surely. Yes, you jest.
That album is full of jagger's and Richard's solo-album cast-offs, all repackaged with dire production into a formatted ,,,,,,,, I really can't be bothered to go on. It's the antithesis of their once instinctive and natural approach. On a par with 'Bang' - planned and contrived.
What difference does it make whether something is a "cast-off" or not?
It didn't do Tattoo You any harm.
Ditto with many other artists. Some of Springsteen's best ever work (the Tracks compilation as an example) are songs that never made it originally on to record, while Dylan has numerous Bootleg Series releases stuffed with classics that were never intended for public consumption (Dignity, Blind Willie McTell etc).
...and what's up with an album that is "planned and contrived?". In fact when did the Stones EVER make an album that wasn't "planned and contrived"? Isn't that what artists are supposed to do? In fact, isn't that the real reason why some tracks are released and others are not?
In this respect, Voodoo Lounge (like Exile) is an album where the the sum of the parts far outweighs the whole, and one which they were more than happy to show off in large chunks on the subsequent tours.
I repeat; it's a classic.
So stop theorising and take a listen.
Wrexham for the cup!!!
Quote
Harlem Shuffler
It stinks.
Who cares if it's well played or not? Well-played crap is still crap.