Re: Most Underrated Stone?
Date: January 14, 2007 21:59
neptune Wrote:
> Out of Our Heads, NOW!, Between the Buttons, and
> Beggars Banquet are also great albums.
Brian is hardly on Beggars, and both "Now" and Buttons are nice albums, but have their weak points. They are good albums, but not classics.
> Little Red Rooster, No Expectations, I Can't Be
> Satisfied, What a Shame, The Last Time, and Get
> Off Of My Cloud are examples of Chuck Berry style
> rhythm guitar? Hello, is anybody home?!
No, but you don't need great skills to play them, it's all quite simple music. Little Red Rooster is a good song, but what sets this song apart from the rest is that the Stones dared to choose this song as a single, and I guess Brian was instrumental in that descision. The Last Time is a Staple Singers ripp-off, including the main riff, Get Off Of My Cloud is a great song because of the lyrics and the sneer in Jagger's voice combined with the long haired dandy Jones. It's the rebel image Jones injected in the Stones, not his talents as guitarist.
That's what I constantly try to say: musically Brian never was a talented writer as Keith, or a prodigy like Taylor, but Brian was ahead of his time when it comes to being a dandy, a rock and roll star, and sometimes even a rebel.
>
> So, the sitar on Paint It Black, the marimba on
> UMT, the slide solo on I Wanna Be Your Man, and
> the lead riff on The Last Time weren't
> groundbreaking? Mathjis, your head needs to be
> examined!
No, they were not groundbreaking. The songs itself were groundbreaking. The melody, the drive, the lyrics, the vengeance and energy of these songs is what makes it true Rolling Stones songs, not the fact that Brian plays the main melody of on a marimba. That's a nice find, nothing more. Also, musically speaking, with Paint it Black, the key ingredient is the pounding drums and the polka style bassline, THAT is what drives the song. The sitar is again a nice find, but nothing more.
> Brian also invented an entire guitar style by
> introducing the slide guitar to rock n' roll.
He never did. If anyone deserves that credit it would be people like John Mayall and Big Jim sullivan, whom already played slide in the late 50's. The fact that Bill Wyman states that Brian was the first slide player HE ever saw says more about Wyman than about Jones.
> I hate to burst your bubble, but Brian was as
> instrumental as Keith in making that song special.
> Without Brian, that song would have been nothing
> special. You want to lay all the credit with your
> hero Keith, but he needed the musical expertise
> and creative input of guys like Brian and MT.
Sorry, I don't belive this. Wyman, Watts, Glyn Johns and Jagger have stated that it was Keith's song. Keith also stated where he got the title and lyrics from. I don't belive Brian was instrumental in helping this song write. It's a nice idea to have a recorder play the main melody line, but that's it. The true genius is the melody and the sing-along chorus.
> Lastly,
> where do you get off saying Brian was a mediocre
> musician? The guy made some truly great
> contributions to Stones records and helped make
> the band a force to reckoned with. When it comes
> to Brian, I think you are very ignorant and
> spiteful.
I agrea that he made some really great contributions to the band. But of all the instruments he played, he only was really good at the harmonica. You see this more often. Any good guitarist will be able to pick up a bass, mandolin, banjo, ukelele or whatever, and within a couple of days practise you will able to get some tunes out of it, some maybe even good enough to record something with it. If you play piano, it's not really hard to play some melodies on a marimaba, a Wurlitzer, a Mellotron and what more. But you most likely will never become rea;ly good at it. Paul Mccartney plays something like 25 instruments on his latest album. He does a great job, but he's not a real good player on any instrument except for bass, guitar and piano.
I have the same opinion about Mick Taylor. He's a great guitarist, one of my favourite players ever, but he was not instrumental in -for example- the creation of Exile. He happened to be around at Nellcote, but it good have been any good big name guitarist, and Exile still would have been Exile.
Mathijs
Edited 1 time(s). Last edit at 2007-01-14 23:42 by Mathijs.