Keith & Mick about Ahmet Ertegun, and the Beacon accident.
Posted by:
mickijaggeroo
()
Date: January 12, 2007 17:58
KEITH RICHARDS
I was with Ahmet at the Beacon, ten minutes before he went to the john. He asked me how my head was, after the bang. I said, "Have a feel." Because I have a big dent on the left side, front lobe. He was rubbing it, and we were laughing our heads off. By the time I got offstage, I'd heard what happened. It's almost as if I cursed him. So nobody else can rub my head anymore.
I can't remember exactly when or where we first met. Ahmet sort of insidiously crept into our lives [laughs]. He was both diplomatic and down-home. He was very different from the people who run most record labels. I remember once Mick and I having a meeting with Ahmet. He sat at his desk with his walking cane, balancing it on the top of the desk. Mick and I are trying to have a serious conversation with him, but I looked at him and realized, "Forget it, we're getting nowhere with him today, baby."
He knew the meaning of drama. When he came to our sessions, it was usually with a bit of fanfare and some beautiful babe on his arm -- he had a bevy. He wouldn't say much about the music. You'd get little grunts: "Damn good. That's the shit." He wouldn't want to interfere. But he had his ear on everything.
With Ahmet, you weren't dealing with some hood or lawyer or shyster, which is quite often what you get in the record business. You were talking on level terms with Ahmet. He was intimately involved with what came out under his name.
Ahmet could also get excessive. He liked to hang. And I loved to hang with him, just to hear what came out of the side of his mouth. There would be these little asides: "Screw that @#$%&," things like that.
He was one of the Stones' father figures. I looked up to Ahmet the way I did Muddy Waters. Until the day he died, his whole thing was to be involved with musicians. His love of the music, his joy from it, stayed with him. Otherwise, he wouldn't have been backstage at the Beacon a couple of weeks ago. It was full circle. And that touches me.
MICK JAGGER
Ahmet had very good musical taste. But he also had very good business sense. It's rare that you get those two things combined. It's all very well to sign an act you like. But that's not going to get you very far if they don't sell.
We always liked the idea of signing to Atlantic. But Ahmet had to come up with the right deal. In the end, it was like a very long negotiation over a carpet -- a lot of wooing over dinner and drinks. We had a lot of fun negotiating. When Ahmet and I finally agreed on the deal, he was so drunk he fell over backward in his chair. That was the deal clincher.
Ahmet was very liberal in his thinking. But he was fantastically sensitive to the marketplace. We had this row over "@#$%&" -- he made us change the name of the song. It was a lengthy, insane drama. But he was socially sensitive. If there were any women's issues involved, he would be on it.
After we left Atlantic, I would go over to his house and play whatever we had, and he would give his comments. It was not the norm. But Ahmet was very expansive and caring. And he would always make me laugh. We had so many good times together, and I will miss him so much.
Vilhelm
Nordic Stones Vikings
Edited 1 time(s). Last edit at 2007-01-12 18:10 by mickijaggeroo.