Re: How Good a Guitarist is Keef?
Date: November 18, 2006 10:05
I need to say that this is one of the questions I have many times asked for myself (and others): how great Keith is as a guitarist? The problem seems to that one can not distinguish Keith the guitarist from Keith the composer/inventor or Keith the performer (with the looks and all). That 'technical' point of view is the tricky one. Mostly Keith does not deliver much 'wonders' in that sense. He is not any Eric Clapton or Stevie Ray Vaughan, etc. And not even that: sometimes his playing is SO sloppy and mediocre that one really can wonder how on earth this guy is treated as a 'guitar god' (horrible expression, by the way), when almost every third guy in a local joint can deliver more sophisticated and complex stuff than him.
Because we all know that Keith truely IS wonderful, perhaps we should set the question slight differently: what is the thing that makes Keith great guitarist, and distingishues him from the others? Why does he make the difference? I think the thing that makes Keith a genious, and an artist is that he has set his own rules as a player - and don't give damn what the others think. With Keith the instrument is literally an instrument, not any value of its own: it is used solely to express the things - the music, the songs - the things the man wants to express. There is no bullshitting at all in the sense of showing some extraordinary skills, solos, riffs, etc. that do not somehow serve the purpose - VERY rare feature of a rock guitarist. He seems to have a sensitive ear for 'wholeness' of song or a performance. That is his talk about "silence being musicians' best friend". He really means that; he totally seem to understand the dynamics and dramatics of music. In this sense I have think him as a guitarist in analogy to Bob Dylan as a singer; their instruments are just the visonable thing of much bigger cake. With (seemingly) minimal efforts both of them deliver huge goods. They bloody hell express something that is essential in creativity and originality; in both cases one can not distinguish the means from the aims, the singers from the songs, the products from the inventors. When Keith plays the guitar, he plays the licks and riffs he has invented, wit a style he has invented. I could add that also the songs he has written, but that is not necessary: he can make ANY song of his own by playing his own way, with his own trademark licks. All of that is something - with Dylan and with Keef - that no one can teach you. ANYONE can teach you play like the guy in the local bar, or even any lick Keith has ever played, but NO ONE to be an artist like Dylan or Keith.
I suppose it is the inner power of visionary, determinacy, and passion - something that can not clearly analyzed by technical terms - that makes people Keith or Dylan so effective and extra-ordinary. I have always enjoyed reading other people's (musicians, producers, etc) impressions of playing with Keith or working with him - for example, of Tom Waits recalling their Rain Dogs sessions (usually these are very praising; forget some sissy and jealous Ry Cooder). There is not cake-icing with - straight to the essentials, no bullshitting. Keith seems to be very strong character, who seems trust in his instincts (I love the story of him throwing Slash out of the studio). I suppose Keith must be a nightmare to most 'ordinary', skillfull studio musicians, who could outshine Keith technically any day (and I think they might day-dream that). But in most cases these people are smart enough to not rise any childish criticism, nor more than some 'pro' back up singers are about to make about Dylan's voice. There are bloody much technicians around, but not too many geniouses.
- Doxa
Edited 1 time(s). Last edit at 2006-11-18 10:09 by Doxa.