Here's a good autobiography by Prakash John, bassist on Rock And Roll Animal. [www.troianomusic.com
He talks about his time with Lou but the whole thing is worth a read.
"Wagner and Hunter - I remember this clearly - all these guys that came after Wagner and Hunter in '73, all these guys in that band Aerosmith, and a band called Boston, they'd have those dueling guitar things, you know... leads, harmonizing - they got that all from Wagner and Hunter. These guys use to come and follow us all over the place - New York, Boston, wherever we were playing with Lou Reed.
Next thing I know, I listen to their albums, and it sounds like Wagner and Hunter. And good for them, but people should acknowledge that Wagner and Hunter were the originators. They're the guys who made that sound. If you hear that live album, Rock N Roll Animal, play the intro to "Sweet Jane." I'm telling you, that will give you and idea of what the two Detroit guys - well, Hunter came from Decatur, Illinois - and Whitey and I from Toronto, with our R&B roots, hammering away on a Lou Reed song. It's unedited. The beauty of that is none of the mistakes are fixed. Nothing is fixed on that album. It's a true live album.
It was the third day I was in that band. I rehearsed one day, played in Toronto - of all places - the opening night, the next night was in New York and they recorded this album. When we were with Alice Cooper, people all over the world would always play that album, more than Welcome to My Nightmare, so that usually used to irritate Alice. That album got such rave reviews that even Lou Reed hates it, because a lot of people started panning him because of his singing, and I thought that was kind of unfair. Lou Reed has his own style - great lyricist - and people shouldn't judge him on his ability to sing. Nobody said he had to be Al Green or Frank Sinatra. He's Lou Reed. He can sing in that monotone voice, and if he didn't, it would sound silly. Anyway, Lou doesn't acknowledge that album, but that is a famous album, and everywhere in Europe, they'd play it.
People still e-mail me about that album. The president of the Jack Bruce fan club finally got a hold of me a couple years ago. He'd been looking for me because was such a fan of Jack Bruce, but he was also a fan of Chris Squire and, oddly enough, me. He was telling me how influential that album was to a lot of people in Australia. Get it, play it full blast, and think of yourself at the Academy of Music in New York. Steve Katz, the guitar player for Blood, Sweat, and Tears, produced that album... the most unusual guy to produce that album, but nevertheless, the best guy, because he left it alone.
That's probably my favorite album of all the albums I've done. I've done stuff that's maybe technically better, but every time that album is played, it sounds just like the way we recorded it. There's Lou reed coming in a bar early, two bars late... but that's how he is. You would be surprised at how many people talk about "Sweet Jane" alone. People just go mental when they find out that I played on it or they've been looking for me.
Outtakes of that album actually ended up on an album called Lou Reed Live. That's a prime example of RCA Records ripping off the bloody musicians. They have two albums, they pay us for one, but they can get away with it, because it was outtakes of the previous album. You couldn't give each musician a couple grand in the early '70s? That's the stuff that really irks me about the business. Once in a while I may think of it in a conversation like this, but really, the overriding factor is the music."
P.S. Bush were a very underrated band. Incredible musicians, including my favourite drummer of all time, Pentti "Whitey" Glan (RIP).