Re: Review of The Rolling Stones in Stuttgart 3.8.2006
Date: August 6, 2006 22:52
That would have been exactly the review I could have given about Cologne... horrible sound as well as a band out of focus.
However, my account on Stuttgart is different, in so far as I thought the music was more accurate and the sound better. Yes, much better, and I was in the upper ring back in the stadium in one of the cells where the visitor supporters tend to be. My back still hurts from the 'seats' they put in those sections by the way.
Indeed the difference in sound quality is huge. And I have the odd feeling it even matters when you pick a spot 10 meters further down the field, or halve a meter further up in height.
On Ronnie
This time I could actually hear his riff in Jumping Jack Flash, the classic sitar part. He does these repetitions very accurately, and is of great value when in this role. The same goes for Miss You by the way, where his line during "everybody waits so long" was more accented than before. In Sympathy he also has this little line, which marks a classic line from the album version and is played by Ronnie. Although it was originally done by Keith, Ronnie takes this signature and adds a recognisable feeling to the song.
He is better at this kind of repetitive playing than at getting attention. Start Me Up on the b-stage doesn't do him much good. They're moving back to the stage while being cheered at by the crowd, when he has to give away his solo. I agree, not much came of it.
However, the Tubling Dice solo was rather good. It was different than the usual album imititions, with some added notes at the end that were actually on tune. Alas, I must have been the only who noticed this, since I paid special attention. He was turned back low in favour of Mick again before he finished this solo.
On Keith
He was stronger than the other night I saw them. It's a pity he hasn't got much to show it on, since he's turned most of his work into the same thing. The solos on IORR and ONNYA, in the second and third slot, are the same. The HTW solo is going the same way. Of course this is a classical rock and roll or Chuck Berry solo, but there used to be a little more variation in them... His strength he can show on Rambler. Good lord, what a fantastic potporry of guitars and harp this still is. Ovations by the crowd. Even though I'm sure 80% of it didn't know MR (too young and distinct), noone seemed to be unhappy or bored with this ten minute masterpiece.
Sympathy was a bit weird in Stuttgart. Keith soloed three times, and usually there are just two distinctive ones. For some reason, I thought something pissed him off during the song. Your account is that he went down the little stairs to the walkway to pose a bit, and get back. Might be. I should have followed everything on the screen but I decided on a little live action as well, so I missed some facial impressions.
As far as I remember, it was the second solo, when all the verses have been sung. The first was remarkable since he actually started it on time without missing some bars. For the second solo, he headed down the stairs for the walkway, stood, raised his arms to get them back to the guitar fiercefully, hit two or three strings, aborted his playing, lifted both his hands towards his head, turned, and got up the stairs again. He then walked to Charlie and only resumed some solo playing after he arrived there. Some moments later he made his way all the way to the end of the right wing and did some standard solobars right there. Meanwhile Mick wanted to call it quits but realised Keith was still gone: it kept going. Keith decided on a third solo and headed back for the center. So I had the impression the song lasted longer than usual.
And I thought: "Something hit him on the head on his (rather rare) trip down those steps that pissed him of. To show this he touched his head and returned. This made him decide to be a rebel and determine the song's lenght." But it might have been just my imagination...
Oh, he did backing vocals on Ruby Tuesday I think. Good, because he's given up on HTW. Can't remember if he also did BU on Let's spend the night together. I'm thinking he did, but then again I may be confused because I just watched the dvd of the same name.
All in all
Very pleased with the sound and the distinction of the guitars this time. Very pleased with the performance of especially Midnight Rambler, ONNYA and Streets of Love. The latter they've turned into a great singalong with a perfect buildup. I noticed Jagger giving an extra pause before his last falsetto chorus, to allow people to start it first. That's the way to work them! And very pleased the farts behind me at least allowed me to stand up for Satisfaction... because after some dancing during Rough Justice I wisely decided on sitting down again.