Re: Cologne show....my first live gig on this tour
Date: July 25, 2006 14:17
My impression of the Cologne show: The day broke hot and dry. The BIGGER BANG tour rolled into an awful steel and brick arena - with all the charm of a toolbox - in the middle of Germany called Rhein-Energie Stadion. The atmosphere was friendly and festive outside the structure. The well [over]-fed burghers of the 'Ruhr' area of Germany milled around in languid anticipation. By now The Rolling Stones are an institution, so tickets will be sold. But rolling into this much-delayed European Tour without any fresh material - either newly recorded or gleamed from 'A Bigger Bang' - is, in my opinion, a mistake. No new single is on the airwaves...and no video is to be seen. This robs the band of a certain amount of 'Buzz', and makes the long hot days of Summer 2006 longer still. 'A Bigger Bang' is now nearly a year old, and in this media-saturated world, that is an eternity. For the European leg of the tour why couldn't the Stones release a new single/video to refresh the memory of their fans to excellent new material like "Laugh, I Nearly Died", or a hidden classic like "Dangerous Beauty"? Such material would also freshen their stage repertoire and add a more challenging and more contemporary atmosphere to their presentation. No...the Stones of the Europe 2006 seem to be coasting. And this is deadly.
The modus operandi of a Rolling Stones concert is rather predictable. For a band with the richest and most evocative song-catalogue in the history of rock music this is a shame and nearly unforgivable. Yet normally, if the Stones are “on” one can overlook the predictability of the set chosen for large football arenas…the “fans” in these barns are mostly musical tourists looking to relive the clichés of “Brown Sugar” and “Start Me Up”, and are not interested in being challenged with the epiphany of a “Sway”, the heartbreak of an “All About You”, or the sophistication of the long-forgotten “Fingerprint File”.
Yet when the only new material played from their supposedly best album in over 20 years are 2 interchangeable [albeit blistering] rockers like “Oh No Not You Again” and “Rough Justice” – rockers that are similar to about 75 other such songs in their songbook - and a lovely ballad [“Streets Of Love”] one must ask the question “What are the Stones thinking?…”.
I do not expect a “Some Girls”-Tour-like blitzkrieg of 8-9 new songs in the middle of the set like in 1978…but a funky “Rain Fall Down” and a bluesy “Back Of My Hand” and perhaps an evocative “This Place is Empty” would have made for a more contemporary and bracing performance. Instead we got “She’s So Cold”, “Let's Spend The Night Together”, and another perfunctory “It’s Only Rock and Roll”. Not exactly spine-tingling stuff for the Stones fan that still wants them to be relevant to TODAY…not just fodder for the nostalgists in the crowd.
And herein lies the problem…if the Stones are “on” and firing on all cylinders, then even their unadventurous football-stadium set-lists sparkle with glimmers of fire and heat. But when they are less than on their game their intellectual laziness, weaknesses [and, thankfully, strengths] are exposed for all to see.
And on this night – as on countless other nights - their fatal weakness was Ronnie Wood. As a guitarist he has been a mostly erratic and uninspiring live performer for most of his stint as wingman to Keef Riffhard. What the Stones gained in camaraderie and on-stage buoyancy when he stepped in for Mick Taylor 31 years ago, they lost in sheer power and musicianship. On some nights, when he is concentrated and sober and playing professionally – as in the Licks tour show I saw in London 3 years ago – one can almost justify the loss of a fallen blues-guitar-God like Mick Taylor because Ronnie does a passable job and his licks are tasty, if derivative. On these nights Ronnie seems to give the Stones the wingman they need to make their music soar…and one can look back and assuage the heartbreak of losing a true virtuoso like Taylor.
But on nights like last night in Cologne, a true fan is furious at the Hand Of Fate that robbed the Stones of a man that could make the music soar upward, and instead gave us Ronnie, the silly clown mugging on the side of the stage with a fag in his lips and sinking song after song with clamorous and pathetic “solos”. Is he drinking again? Is he free-basing again? Is he trying to sabotage the Stones on stage with his ridiculous stabs at finding a melody line for his forays into "solos" and then pumping his arms in the air after playing 2 chords, like a 3 year old that wiped his own ass for the first time? Whatever he is doing I wish he would go do it somewhere else, and at someone else’s expense.
I know that readers of this review section expect to read adoring and glittering reviews of the Stones as they conquer arena after arena. Well, grow up and wake up. Go write for a fanzine or something. This section should include the unvarnished truth…good or bad…about the Stones. From true fans...not slobbering sycophants. And the news from Cologne is that IT WAS NOT A GREAT CONCERT. In fact parts of it were downright depressing. Sir Jagger should do the following…walk into Ronnie’s room before the next show in Paris and say, “One more show like the one in Cologne and you’re fired…out…gone”. If Ronnie repeats his Cologne shtick in Paris the Stones will get flogged by the press, I guarantee you.
As a veteran of over 30 Stones shows – and every tour since the Tour Of The Americas in 1975 – I have seen ticket prices climb from a then-outrageous $15 to a price of over €200 [$260] on this tour…for seats on the TRIBUNE half-way up to the clouds!!! For these prices the least one can expect is a professional guitarist to step on stage and deliver the necessary licks to make the Stones groove and swing. Either get it together fast…or you’re fired, Ronnie. You’re no longer reliable…and at these prices that is not acceptable. Not any more.
And the strengths of the Stones? Many. Keef is still the best rhythm guitarist in the world. Though his solos on some rock numbers have all the grace of a drunken bird attempting flight [he is not nor has ever been a true lead guitarist, and his weakness in this area is amplified on this tour because his cohort Mr. Wood provides little to no assistance], his guitar licks on the slow ballads and blues numbers are perfect and wonderful. And on the rock numbers his rhythm guitar attack simply defines all that is Sacred and Profane in Rock music. And his voice was terrific on his songs…amazing. He is a God. Charlie Watts is the Rock Upon Which The Stones Are Built. Enough said. Darryl is a terrific bassist. And the rest of the crew are top professionals. And what Chick Leavell lacks in funky swagger he makes up for in organization and perfectionism.
Lastly...and most importantly, Sir Mick Jagger remains the most amazing performer in rock history. His voice has IMPROVED dramatically at this late stage of his amazing career. Gone is the arena-rock-bullfrog-roar of many tours past. His singing on “As Tears Go By” and “Streets Of Love” was a revelation. His clarity of tone and phrasing are a miracle…and he carried the band the entire show in Cologne. I actually felt sorry for Everybody’s Lucifer as he danced and sang and attempted to make the songs soar…and had to watch as Ronnie Wood sank them into the murky crowd whenever the guitar breaks came. I never thought I would feel compassion for Mick Jagger. On this night I did. He embodies professionalism and transcendent charisma and talent. He deserved better. So did I. So did everybody who paid hard-earned money on this show. The clock is ticking. Is anyone listening?
Diamond rings, Vaseline, you gave me disease, well, I lost a lot of love over you.