i attended msg 1/20, amazing show id have to say the best stones show ive ever been to, and i just got the torrent from rocksoff, it sounds NOTHING like the show i saw- this is for all of you out there who say how bad they sound and you havnt even been to any shows on this tour
brewcrew, I thought (almost) everyone considered MSG 2006 to be awsome. Even I do, and I haven't heard it! And of course you can judge a show from a bootleg. For instance the "video-show" from Los Angeles 1975....very good sound, but I'd much rather listen to Kansas City, with WORSE sound, because the show is better
I disagree with both points of the orignal post--I have heard plenty of shows that where the boot was more then a fair representation, sometimes identical,to what it sounded like live.
Also, great playing is great playing and not so great playing is not so great. Certainly quality or lack thereof matters, but the playing is the playing.
so brewcrew87 - should we now dismiss what a great show Brussels 1973 was ? And most of the European Tour 1973, and most of the Aussie Tour 1973 and most of the US Tour 1972 ???
Rather then repeat what others have said, I want to ask this:
BREWCREW87---are you the person I spoke to before that show (1/20), who was in NYC from Milwaukee with his wife--we discussed the set list from 1/18 and the impending rise of the Brewers (well, that was your prediction).
Had to ask--cause if so--it is a freakin small world.
can someone help me with this one- i just downloaded the msg 1/20 dvd from the rocks off torrent trqcker, now what program should i use to watch it- i havnt been able to figure it out
brewcrew87 Wrote: ------------------------------------------------------- > Glass Slide > > No I was not that person- i am from cleveland
Ok--it's funny-I saw 1/18 and waiting up for some friends in a bar I ran into a married couple from Milwaukee on 1/20 going to the show--huge Stones and Brewers fan--so I thought it was worth a shot.
I see this argument from both sides.You can tell that a show was good by hearing a recording of it but,you can't say for sure that a show was bad based on a poor recording unless you can make out what,without any doubt,are mistakes.
There's no doubt that seeing the show, whether live or just on video, leads you to judge the music more generously. I don't know whether it's because you're distracted from any weaknesses, or because you have a better sense of what they're trying to do. Especially keith.
But that doesn't mean that when you listen only to the audio, you can't make a judgment of it.
And it's especially fatuous to say you can only tell if a show was good from a recording.
But you cannot tell if a show was good only by reading the setlist!
It's pretty simple.A bad or below average recording is considered bad or below average for a reason.You can tell for sure if a show was bad only if the recording was good or if you can identify that something was off.You might not be able to hear the songs the same way as they were heard at the venue.It's not just because people who were at the shows might be biased.They could probably have heard the songs more clearly than someone listening to a tape recording from some guy with bad seats.For example Pittsburgh 1989 sounds like crap to me but,the recording from Toronto earlier that week suggests a good show.Is anyone going to tell me that the Stones performance really fell off that far in just a couple of days?
A good case in point, Theif, is Wembley II from 1999. A great recording - some even think it's a soundboard (it's not) - but it's a below par (to put it mildly) show - even some of those in attendance have admitted as much.
Yes.That's part of what I'm trying to say.You can tell if a show is bad by some recordings.On the other hand,look at some of the U.S. No Security recordings.On some of those ALDs you can't hear Richards' guitar.If someone was to judge those shows on those recordings the verdict would not be very good but,many people seem to agree that was actually one of his best tours of recent years.
DC 2005 was a near riot. But the boot, while fun, doesn't capture the intensity.
Hey, the Oakland '69 boot sounds like it was recorded in a graveyard - but my uncle was there and said the show was amazing.
... But OK, I have to confess: I was at Altamont later the same year, and the boot pretty much accords with my memory: mucho insanity, and the concert went on forever.
Darn it. I guess both sides have a point in this argument.