1. Start Me Up (Atlantic City 1989)
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1989 was simply the best tour for this song, the last time it had a real swing to it thanks to Bill and Charlie. The guitars sound rich and crunchy and Keith is on his game.
2. All Down the Line (Shine a Light)
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The second song needs to be something that keeps the momentum going, and I always love ADTL in this spot. For me, it's one of the few I prefer post-Wyman, I like the less frantic tempo compared to the Taylor and early Wood versions. The SAL version is as good as any.
3. Bitch (Leeds 1971)
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Another groover to keep this brings brisk. I really love this early live version, later versions have various flaws (too fast or slow, not enough emphasis on the guitars).
4. Rocks Off (Los Angeles 1 2021)
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I know, it's blasphemous to include a version without Bill or Charlie. Truth be told, Rocks Off has always been a sort of white wale in terms of being nailed live, and often went off the rails when performed. This 2021 version amazes me: Keith and Jordan take off at the original tempo and the whole performance is as good as can be, maybe better considering the band was nearing 80 and churning out such a fast, energized performance.
5. Tumbling Dice (Ladies and Gentlemen...The Rolling Stones)
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Of all the warhorses, this is the one I feel really lost the plot in the transition between Taylor and Wood. The Brussels version captures the perfect groove, tempo, vocals, etc. It's a 10/10 version. Mick delivers a passionate and deliberate vocals. There's no slogging reggae tempo or weird vocal affectations here.
6. Beast of Burdem (Some Girls Live in Texas)
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Mick's best and most soulful live vocal. A must for any playlist.
7. Ruby Tuesday (Sweet Summer Sun)
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Something about this version being done on the band's home turf makes this one bristle with the melancholy and anthemtic power it needs. I know I'm already overloading on Vegas era picks, but bare with me, that's my Stones era.
8. Can't You Hear Me Knocking (MSG 2003)
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I needed a performance from my first show. Some might scoff at picking a Ronnie version over the ones with Taylor, but Keith plays much cleaner than he did in 2013 and Ronnie is no slouch on the solo.
9. You Can't Always Get What You Want (Glastonbury 2013)
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I love the faithful versions with the choir from this period, and Glastonbury is the most fun and powerful performance I've seen of it. Just a really great version with an enthusiastic crowd.
10. Slipping Away (Totally Stripped)
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There are no bad versions of Slipping Away. Keith always lays it on the line and imbues it with great soul and depth. The 1995 versions are as good as any.
11. Happy (Brussels 1973)
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Another song that peaked at Brussels and never sounded this good again. A truly exhilerating performance.
12. Midnight Rambler (Roundhouse 1971)
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The best version, accept no substitute. The band sails through the changes with ease and Charlie is especially in control. I love the little prelude Mick gives. His vocals are terrific.
13. Honky Tonk Women (Roundhouse 1971)
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Pure relaxed swagger. The band at their coolest. Just exactly perfect.
14. Street Fighting Man (Twickenham 2003)
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This version combines the speed and energy of the Taylor versions with the polish and professionalism of the Licks era. The result is powerful, pulverizing performance. Charlie is again the MVP.
15. Gimme Shelter (Paradiso 1995)
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My favorite song in my favorite version. This is how the song needs to be played: slow, lurching, slithery, sexy. Lisa is dynamite and the guitars are fantastic. Amazing version.
16. Paint It Black (MetLife 2024)
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Needed to include something from the most recent and best Stones show I've ever seen. This a fantastic version of Paint It Black. Mick is completely wrapped up in the vocal and Keith is on fire. I wish there were more peak era versions to choose from, but this is one of their most immortal numbers and has lost none of its power or accuracy live.
17. Sympathy for the Devil (St. Louis 1997)
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The show that introduced me to the Stones. It needs to be represented. The theatricality is amazing, Mick is fully invested and Keith was still capable of ripping up a pretty mean solo at this point in time. Love it, love it, love it. Plus, I love the Babylon versions for including the Kennedys verse. I'm a stickler for things ike that.
18. Jumping Jack Flash (SoFi 1 2021)
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I know, yet ANOTHER post-Charlie performance, but indulge for a minute, as this is a fantastic performance. That first half of 2021 was notable for the kick in the ass Steve gave Keith especially, and while the Human Riff fell off by the end, he was kicking ass at the beginning of this tour. This performance of JJF is absolutely inspired: Keith is focused, barely posing and really hammering out the riff like it's meant to be head, Ronnie is juiced up and Mick is Mick. The outro goes on forever, and Keith is so proud of his work that he signals the song's only double ending since 1978. It's a real gem amongst modern day Stones performances.
Encore:
19. Brown Sugar (Brussels 1973)
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Where it's at. The best of the best. Quick, brisk, kicks ass, takes names, and doesn't overstay its welcome. Rock and roll at its finest.
20. Satisfaction (Tokyo 1990)
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The most vibrant and bombastic live version of the song. It's triumphant, dirty, corny, long, simmering, dynamic and an all around excellent version of their definitive anthem. A fitting coda for the Wyman era.