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Big AlQuote
GasLightStreet
A good song will chart. Period. The Rolling Stones have had good songs (singles) since Start Me Up and have charted.
What chart you want to go by?
Start Me Up got up to #2 in the US. Undercover Of The Night got up to #9. Harlem Shuffle #5. Mixed Emotions #5. Eons later, Living In A Ghost Town, #6.
It could depend on one's aspect of charting. Top 40, Top 100... US, UK, etc - is the Top 10 all there is? As in, if it's not Top Ten why bother?
The Rolling Stones haven't released a single worthy of charting in the Top Five since 1981.
That's not age. Age has zero to do with it. Competition has zero to do with it.
A great song is a great song.
The haven't released a great song since Start Me Up. That's all there is to it.
Not on the Billboard Hot 100, it didn't. The Stones haven't had a single chart on the U.S.A.'s 'main singles chart' since a Sympathy For The Devil remix in 2003.
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Spud
Is Start Me Up a truly great song ?
It's a great example of what many folks want and expect the Stones to sound like.
But is that the same thing ?
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Jalfstra
I think it's a combination of reasons. A good song is a good song. True. But to be a hitsong, there needs to be more. It has to be radio-friendly, for instance. And it has to have some kind of coolness to it. And an 80 year old rocker may be cool to us, but not for the general public nowadays.
Long story short: If start me up were released for the first time today, it wouldn't be a hit.
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GasLightStreetQuote
Rockman
What woulda happened if Keef
hadda missed that Dartford train ?????
The Black Crowes would've never formed.
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treaclefingersQuote
Spud
Is Start Me Up a truly great song ?
It's a great example of what many folks want and expect the Stones to sound like.
But is that the same thing ?
If you require that question actually answered, then I'm happy to do it for you.
Yes.
It is a truly, absolutely great song. Single-worthy.
It's the reason why it get played in stadiums during sporting events all the time. It's anthemic, it's catchy. Any other band playing this song would have been a hit, though probably not sounded as good as the Stones.
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treaclefingersQuote
Jalfstra
Long story short: If start me up were released for the first time today, it wouldn't be a hit.
I disagree.
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SpudQuote
treaclefingersQuote
Spud
Is Start Me Up a truly great song ?
It's a great example of what many folks want and expect the Stones to sound like.
But is that the same thing ?
If you require that question actually answered, then I'm happy to do it for you.
Yes.
It is a truly, absolutely great song. Single-worthy.
It's the reason why it get played in stadiums during sporting events all the time. It's anthemic, it's catchy. Any other band playing this song would have been a hit, though probably not sounded as good as the Stones.
You're right Treacle . I'll give you that
It's not GS , but in the terms you describe, it's a great song...
..and if had been released today it would be a hit .
It was, perhaps, the blueprint for what many folks [unfairly] call "Stones by numbers"
They haven't done it quite so successfully since
But in terms of "catchy anthems" , they had a good go and some nice impact with Angry.
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treaclefingersQuote
SpudQuote
treaclefingersQuote
Spud
Is Start Me Up a truly great song ?
It's a great example of what many folks want and expect the Stones to sound like.
But is that the same thing ?
If you require that question actually answered, then I'm happy to do it for you.
Yes.
It is a truly, absolutely great song. Single-worthy.
It's the reason why it get played in stadiums during sporting events all the time. It's anthemic, it's catchy. Any other band playing this song would have been a hit, though probably not sounded as good as the Stones.
You're right Treacle . I'll give you that
It's not GS , but in the terms you describe, it's a great song...
..and if had been released today it would be a hit .
It was, perhaps, the blueprint for what many folks [unfairly] call "Stones by numbers"
They haven't done it quite so successfully since
But in terms of "catchy anthems" , they had a good go and some nice impact with Angry.
Yes, I think that's good insight. I remember how disappointed I was when I heard "Don't Stop". It for me was, "Stones by numbers" perhaps the first time.
High Wire as well before then hinted at that, but I thought the track was stronger.
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RaahenTiikeri
Deegee;
I keep thinkin that way too.
Now i live in end of the year 1988.
Mick was 45,5 years old then.
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Stoneage
So, 15 years of sowing and 45 years of reaping - is that the case? Seems to me that after the break up (well, kind of) in the mid 80s the Glimmer Twins were never able to create the same song writing magic as earlier on. Maybe because they grew apart both physically (lived at different places) and mentally? I don't know...
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Stoneage
So, 15 years of sowing and 45 years of reaping - is that the case? Seems to me that after the break up (well, kind of) in the mid 80s the Glimmer Twins were never able to create the same song writing magic as earlier on. Maybe because they grew apart both physically (lived at different places) and mentally? I don't know...
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DeeGee
It's funny, but I keep catching myself thinking, "Right now, I'm the same age Keith was during the '89 tour or the '81 tour," etc.
And somehow, I always thought, "Man, he already looked 10 years older than me back then..."
If the Stones had stopped in '81, we would have missed Voodoo Lounge, which would have been a shame. Also, Keith's solo albums would have passed me by—I really liked those.
I also liked Wandering Spirit...
And Hackney Diamonds wouldn’t even exist...
So, in that sense: Good thing they didn’t stop in 1981
Cheerio,
Flo
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DoxaQuote
Stoneage
So, 15 years of sowing and 45 years of reaping - is that the case? Seems to me that after the break up (well, kind of) in the mid 80s the Glimmer Twins were never able to create the same song writing magic as earlier on. Maybe because they grew apart both physically (lived at different places) and mentally? I don't know...
This presupposes that the only thing that matters is making brilliant new 'original' music. If one not come up with a brandnew hit single every four months, like one did when was in his twenties, or an exciting new album every year, like one did in his thirties (both things to survive), you have no right to exist in this business. It is one of those funny ideas that was born when pop music in a certain historical phase reinvented itself as a serious form of an artistic expression, and as nothing else. Even though for an act like The Stones who has done all that and more there actually aren't any need for all that any longer (not by the band or its real audience). It is just an old habit some people so are used to that they cannot think anything else.
I think for a living and breathing band playing live is actually pretty essential. That's actually the original idea of this band and they are pretty loyal to that idea. That of them 'reaping' some tunes by blues masters to a club audience in Richmond or some old Jagger/Richards classics to a stadium audience in Wembley, both crowds going wild for hearing some unique noise, is pretty much what this band is all about. If one does not appreciate that, too bad. But for many people a live concert - real people playing in the front of you here and now - is actually one of the most exciting things one can experience in music.
I think this sort of criticism - that one is not entertained by some new music - brought in non-live form - blowing one's mind every now and then (as it did when one was a kid) - is based on people living in the past and not wanting to see that the world around them is changed a lot, and for a good reason.
What a drag is getting old.
- Doxa
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Big AlQuote
DeeGee
It's funny, but I keep catching myself thinking, "Right now, I'm the same age Keith was during the '89 tour or the '81 tour," etc.
And somehow, I always thought, "Man, he already looked 10 years older than me back then..."
If the Stones had stopped in '81, we would have missed Voodoo Lounge, which would have been a shame. Also, Keith's solo albums would have passed me by—I really liked those.
I also liked Wandering Spirit...
And Hackney Diamonds wouldn’t even exist...
So, in that sense: Good thing they didn’t stop in 1981
Cheerio,
Flo
Keith was only 38 at the time of the Stones’ performance at Roundhay Park in Leeds; yet, he looks a good 10+ years’ older. I suspect it was decade-long heroin addiction he was recovering from. Comparatively, he looks fabulous now!
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babyblue
Im happy they continued.
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treaclefingersQuote
DoxaQuote
Stoneage
So, 15 years of sowing and 45 years of reaping - is that the case? Seems to me that after the break up (well, kind of) in the mid 80s the Glimmer Twins were never able to create the same song writing magic as earlier on. Maybe because they grew apart both physically (lived at different places) and mentally? I don't know...
This presupposes that the only thing that matters is making brilliant new 'original' music. If one not come up with a brandnew hit single every four months, like one did when was in his twenties, or an exciting new album every year, like one did in his thirties (both things to survive), you have no right to exist in this business. It is one of those funny ideas that was born when pop music in a certain historical phase reinvented itself as a serious form of an artistic expression, and as nothing else. Even though for an act like The Stones who has done all that and more there actually aren't any need for all that any longer (not by the band or its real audience). It is just an old habit some people so are used to that they cannot think anything else.
I think for a living and breathing band playing live is actually pretty essential. That's actually the original idea of this band and they are pretty loyal to that idea. That of them 'reaping' some tunes by blues masters to a club audience in Richmond or some old Jagger/Richards classics to a stadium audience in Wembley, both crowds going wild for hearing some unique noise, is pretty much what this band is all about. If one does not appreciate that, too bad. But for many people a live concert - real people playing in the front of you here and now - is actually one of the most exciting things one can experience in music.
I think this sort of criticism - that one is not entertained by some new music - brought in non-live form - blowing one's mind every now and then (as it did when one was a kid) - is based on people living in the past and not wanting to see that the world around them is changed a lot, and for a good reason.
What a drag is getting old.
- Doxa
Well put.
I'd further add that the principal songwriters have actually been very production in the last 40 years writing material, whether it's shown up on Stones albums (most of them double albums), greatest hits additions or singles, numerous solo projects, random massive bootleg releases and a lot of material written that hasn't seen the light of day.
The issue for this particular group is that the principals relationship hasn't always been positive so getting "Stones material" finalized and packaged isn't what it was in the old days; we're lucky that they are cooperative on the live performance side of things which has been unparalleled.
Between all of that, and the huge volume of vault releases which they've actually spent additional time on, what the hell do we want?!
The bitch keeps bitchin'...
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Stoneage
Okay. Whatever. We differ there.