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Rocky Dijon
"Sleepy City" from METAMORPHOSIS.
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meck1211
It‘s a Great Film.
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JMoisica
There is a Stones needle drop in Wim Wenders new film, Perfect Days, which has got to be in the running for the deepest Stones cut in a film, rivaled only by Scorsese using the Stripped version of Gimme Shelter in
Casino, and Keith’s cover of the Nearness of You in Basquiat (which I think takes the #1 slot). Of course Wes Anderson has used some great deep cuts (She Smiled Sweetly, I Am Waiting, 2000 Man). Anyhow, the entire Perfect Days soundtrack is phenomenal.
What other Stones deep cuts am I missing in film soundtracks?
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peoplewitheyes
What's a needle drop?
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JMoisica
Didn’t wanna spoil it for those interested, but it is indeed “Sleepy City”!
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Mathijs
It is not really a Stones song though
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ProfessorWolf
i would think that the use of there version of honest i do in the movie hope floats would count as a pretty deep cut
and the ultimate rolling stones deep cut in a film must be criss cross in the mid 70's japanese film metamorphoses nearly 50 years before the song was officially released
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DGee
"Jump On Top of Me," in the film, "Pret-a-Porter." So deep it couldn't even be called a "cut;" it never even made it onto "Voodoo Lounge." So deep it was the B-side of that album's second single, "You Got Me Rocking."
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JMoisicaQuote
ProfessorWolf
i would think that the use of there version of honest i do in the movie hope floats would count as a pretty deep cut
and the ultimate rolling stones deep cut in a film must be criss cross in the mid 70's japanese film metamorphoses nearly 50 years before the song was officially releasedQuote
DGee
"Jump On Top of Me," in the film, "Pret-a-Porter." So deep it couldn't even be called a "cut;" it never even made it onto "Voodoo Lounge." So deep it was the B-side of that album's second single, "You Got Me Rocking."
Ok, these two definitely take the cake! Haven't even heard of Metamorphoses or Pre-a-Porter. Are they worth watching?
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Mathijs
It is not really a Stones song though
But composer/lyricist are Mick Jagger & Keith Richards. Recorded in early September 1964, then originally released by The Mighty Avengers on 16-Jul-1965 - [www.Discogs.com] .