Re: RIP Melanie Safka
Posted by:
The Sicilian
()
Date: January 25, 2024 04:52
Melanie's complete Woodstock set from Day 1: Friday, August 15, 1969, 11:00–11:30 pm
Melanie's Setlist:
1. Close to it All
2. Momma Momma
3. Beautiful People
4. Animal Crackers
5. Mr. Tambourine Man
6. Tuning My Guitar
7. Birthday of the Sun
RIP Melanie.
Melanie was ready for her big break, and it came through the efforts of Buddah co-founder Artie Ripp. The one-time-musician-turned-record-executive was a friend of Woodstock organizer Artie Kornfeld, and Ripp decided to take a risk and send Melanie to the festival on the chance that she could perform. Melanie describes the experience in an interview with Ray Shasto posted at www.classicrockhereandnow.com, “I was in England and had been asked to do a film score and been working in the studio right next door to where The Rolling Stones were. I had the London Symphony Orchestra in the studio with me and my husband was the producer and I was deciding whether I should go back and do this Woodstock thing. I had pictured…three days of peace, love, and music was going to be more like a picnic with kids, families, arts and crafts, and going shopping…I had no clue! My mother drove me to Woodstock. We went to the wrong place and then finally found the hotel and I was all by myself with my mom. So we got to the hotel and there’s Sly Stone walking by. Then surrounded by media was Janis Joplin drinking Southern Comfort and all of a sudden, now I know this was something really big. That traffic wasn’t just an accident ahead it was something really-really big and I was going to have to sing in front of it.”
She continues, saying, “We were told that we needed to go in a helicopter. I had never been in a helicopter before so I asked why can’t we just drive like everyone else. So we get into the helicopter and they stop my mother…they asked who is she and I said it’s my mother. They said no mothers, just the performers and managers. I didn’t even have the smarts to say 'oh yeah she’s my manager'. I said 'bye mom' and we were separated.”
Melanie’s unscheduled performance at Woodstock was memorable, for both her and her audience. She played without additional accompaniment—one of only three performers at Woodstock to do so, and the only woman—and the festival was certainly the largest audience of her career. She walked out onto the stage alone, wearing a loose-fitting red tunic and pants, sat down on a metal folding chair, and began playing the quiet, contemplative “Close to it All” followed by the more forceful “Momma Momma,” both from her debut album. When she began singing her next song, “Beautiful People,” there was a sprinkling of applause from the audience members who recognized the song, which was only getting radio play in the U.S. on selected FM stations. As she finished the song, she added a nervous giggle and a line in her lyrics about “beautiful, wet people, too,” referring to the sporadic rain that had started during Ravi Shankar’s set just before hers. Two more songs from the debut album followed: her campy, rather juvenile rendition of “Animal Crackers” and Bob Dylan’s “Mr. Tambourine Man.” Like Dylan himself, her arrangement of the song is almost a blend of melody and spoken word with a childlike voice full of vibrato. Melanie ended her half-hour impromptu set with two songs that would appear on her next album, Affectionately. “Tuning My Guitar,” like many of Melanie’s songs, starts out slowly and quietly and builds to an almost trance-like screaming chant. The audience showed their appreciation and she launched into a song she had only just written and had never played in public, “Birthday of the Sun.” It, too, began slowly and reached a frenzied crescendo to end her set. She walked off stage alone as she had entered it, and the audience showed her their love.
Excerpt from —Wade Lawrence & Scott Parker