Live at the Max.
Now that's a solo. The guitarwork is so strong, that I don't mind the samples. And then the show made out of it, with Mick up the tower, great. Atlantic city is comparable, but misses a bit.
I'm one of the few people that think the seventies version of the song is an easy way out. Not that I don't like the guitar rhytym, but in those days a lot of songs were all too similar in my book, just banging out those guitars. Sympathy is a little more subtle though. I think the '89 version is the perfect combination of the original, extended guitar parts and show. It holds a nice middle between the stripped seventies version and the undressed post-'89 versions.