Quote
dcbaQuote
tomcasagranda
Jerry Lee also had a mid-80s bad patch
And strangely he came back
en force with the "Great Balls Of Fire" soundtrack! Outtakes from these 1988 (?) sessions are among the finest things JLL has ever done (imo).
The Great Balls of Fire soundtrack is one of the best moments of The Killer. T-Bone Burnett actually knew how to produce The Killer, and he also miked the piano properly: the last two to ever do that were Huey Meaux, and Steve Rowland, for Southern Roots and The London Sessions respectively.
I always maintain that the MCA sessions had poor song choices: Circumstantial Evidence, Better Not Look Down, Candy Kisses, remain poor. The Ace Records stripped back sessions from the same era, i.e Pretty Much Country and Honky Tonk Rock'n'Roll Piano Man, were a lot better. Ron Chancey needs shooting for the poor production technique too. By that time, too, The Killer was chemically enhanced, and was blowing sessions, apparently.
However, previously, you can see a wealth of difference in the Elektra era recordings. The first album, from 1979, with Bones Howe producing, was a great album. The second two, When Two Worlds Collide, and Killer Country (not the compilation), were good, but not great Jerry Lee albums, although 39 & Holdin' and Over The Rainbow stem from Killer Country.
When you get to the Class of 55 sessions, in 1985, both Jerry Lee and Johnny Cash were at a low ebb. 16 Candles isn't too bad, but Keep My Motor Running is running on fumes. I think both The Killer and Cash were relapsing, or drugging themselves silly. Carl Perkins and Roy Orbison do come out of it fairly intact, but Class of 55 is a poor album.
Young Blood, produced by Andy pale, is over-produced and over-dubbed, although the piano sounds good, and the Jo-El Sonnier cover of One of Them Old Things is a stone cold country classic from the Killer. It also shows signs of recovery from a studio career that had, at the time, stalled.
Furthermore, a lot of stuff at the time, remains in the vaults, i.e more from T Bone Burnett, the early 80s Caribou Sessions, and some Elektra outtakes. It's pity Bear Family, or BGO, or another archive specialist, cannot license and issue what would be first rate Killer. Lately, the Knox Phillips sessions from the mid / late 1970s have been issued, so why not these ?