I'm quoting Mathijs here from another Sway thread to try and focus this thread exclusively on re-arrangement suggestions without the usual carping of "the song was great", "the song sucks"....
....not because I agree with his conclusions one bit, but I think his individual criticisms have some merit... ALSO it's important that this was the first time this gem was played live. It has often taken this band several arrangements and re-arrangements to get a great live version of a great studio recording.
Actually the "first shot" at Sway I think met or exceeded any reasonable expectation for the first stage version. BUT the arrangement could definitely use a little "tweaking" and Mathijs provides a good listing of some areas to improve the arrangement:
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Mathijs Wrote:
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> Of all the legendary gems that we hard core fans
> so badly wanted to play, this is the absolute
> worst ever rendition of a song.
Not remotely true. The majority of fans on this board would have carped if this was the "worst rendition"... What is so interesting about the song is how WELL it came out the first time around DESPITE the legitimate criticisms in this post... Because Mathjis does have legitimate gripes. Interesting that while each gripe has some merit, the "sum of the parts" was still quite a nice song...
This is just plain
> terrible. In my opinion, someone should take
> Wood's guitar, kick his arse and send him home.
Well Woody was PLAYING, but for about the first half of the recording it's like his guitar mike is set on overload so it just comes out as one high tone with the flow of the lines barely distinguishable. This can probably be adjusted in the studio. Towards the 2nd half of the recording Ronnies guitar is much more distinctive, quite nice I think. The "solo" should be extended about 30 to 60 seconds I think, the song ends just when Woody is really getting into it... that's more a choice of song length than guitar work which I think was quite adequate...
> Let Wood forever drink beer and paint ugly
> paintings at his house, but don't ever let him
> ruin these songs again. This version is just
> painful: terrible drumming,
The drumming is a bit "off" here... not so much off as "not well integrated"... again I would look for this to easily smooth out as they work with the arrangement a bit, but it's a fair criticism...
>Jagger sings badly,
THIS is probably the biggest area that needs improvement. It's not that Mick sings BADLY at all, his voice is great. It's the emotive feeling which is more "lighthearted"... he signs with emotion more towards "Sweet Virgina" than towards the authentic feel of studio Sway...
he needs to shift to a slightly more "mournful" emotive value AND punctuate a few searing phrases and he will nail it perfectly... again, just a slight tweak in the arrangement can have a monster payoff... I though Mick's cadence was about right...
> and then the solo.... Wood also ruined every rendition of Worried About You...
REMEMBER that Woody plays WITHIN the band... he's just not gonna jump out ahead of what the other guys are doing. It's really TWO GUITARS working together, that's just the way he and Keith have played forever... I thought Ronnie's "solo" (i.e. the last minute) was much more audible on the tape (I'm going by Drake's tape, BTW)... but getting back to the solo, the song just ends a bit too abruptly... give it another 30 to 45 seconds of musicianship at the end and they should have a really nice rendition.
> Just my two cents.
> Mathijs
So, with this initial listing of suggested re-arrangements, what are your ideas ?
"Leave it alone"... "play it exactly as it was" is a legitimate answer, of course.
Link to Drake's Sway recording post is below:
[
iorr.org]
"It's just that demon life has got me in it's sway..."
Edited 3 time(s). Last edit at 2005-09-25 22:35 by BornOnTheBayou.