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Crossfire Hurricane documentary
Date: November 22, 2017 16:53

Could someone please help me identify who someone is in this docu?
When they are talking about hearing the news of Brian's death, Mick, Keith and Charlie are shown in a recording studio with a dark haired man (wearing a yellowy top I think)
It goes to a shot of Keith lying on the floor.
I can't find who it is and sure there is someone on iorr who can help - please?

Never again do you call me Dandy

Re: Crossfire Hurricane documentary
Posted by: GasLightStreet ()
Date: November 22, 2017 17:04

Not recalling the scene, it's either Jimmy Miller, Glyn Johns, Andy Johns, Vic Smith or, most likely, George Chkiantz.

Re: Crossfire Hurricane documentary
Posted by: Cristiano Radtke ()
Date: November 22, 2017 17:13

This one?



[www.youtube.com]

Re: Crossfire Hurricane documentary
Date: November 22, 2017 17:41

That's the man!

Never again do you call me Dandy

Re: Crossfire Hurricane documentary
Posted by: GasLightStreet ()
Date: November 22, 2017 17:48

Chris Kimsey?

Re: Crossfire Hurricane documentary
Posted by: GasLightStreet ()
Date: November 22, 2017 17:50

That timeline is wrong - they show Chris Kimsey while they were working on the overdubs for GET YER YA-YA'S OUT! while talking about Brian dying.

Re: Crossfire Hurricane documentary
Posted by: duke richardson ()
Date: November 22, 2017 17:58

Andy Johns

Re: Crossfire Hurricane documentary
Posted by: RollingFreak ()
Date: November 22, 2017 18:04

A young Roger Waters

Re: Crossfire Hurricane documentary
Posted by: duke richardson ()
Date: November 22, 2017 18:13

theyre at Muscle Shoals in that segment of CH.

Re: Crossfire Hurricane documentary
Posted by: keefriff99 ()
Date: November 22, 2017 18:19

Quote
RollingFreak
A young Roger Waters
They've definitely got similar noses.

Re: Crossfire Hurricane documentary
Posted by: Cristiano Radtke ()
Date: November 22, 2017 19:40

Quote
RollingFreak
A young Roger Waters

grinning smiley

Re: Crossfire Hurricane documentary
Posted by: Deltics ()
Date: November 22, 2017 19:48

Quote
duke richardson
theyre at Muscle Shoals in that segment of CH.

Not so, they're mixing "Little Queenie" for "Ya-Ya's" at Olympic Studios, London in early 1970. It's also included as one of the "extras" on the "Gimme Shelter" DVD.
[www.youtube.com]

It could be Andy Johns, in this interview for "Recording Engineer Producer" magazine from October 1975 he tells of his involvement with the Stones and "Ya-Ya's".




"As we say in England, it can get a bit trainspottery"



Edited 2 time(s). Last edit at 2017-11-22 21:23 by Deltics.

Re: Crossfire Hurricane documentary
Date: November 22, 2017 20:08

Have just found a photo of Andy at Nellcote and it does look like him at that age.
I had searched for him previously but not found this photo and he had changed over the years....haven't we all.

Never again do you call me Dandy

Re: Crossfire Hurricane documentary
Date: November 22, 2017 20:10

Just noticed the photo is on an Andy John's R.I.P thread from iorr!

Never again do you call me Dandy

Re: Crossfire Hurricane documentary
Posted by: runaway ()
Date: November 22, 2017 20:55

The Rolling Stones Mixing Little Queen - Olympic Sound Studios 1970, YouTube

Re: Crossfire Hurricane documentary
Posted by: 24FPS ()
Date: November 22, 2017 23:01

Quote
GasLightStreet
That timeline is wrong - they show Chris Kimsey while they were working on the overdubs for GET YER YA-YA'S OUT! while talking about Brian dying.

I always thought that was weird, how they showed some well known footage from Gimme Shelter when talking about Brian's death.

Re: Crossfire Hurricane documentary
Posted by: loog droog ()
Date: November 23, 2017 01:32

Quote
24FPS
Quote
GasLightStreet
That timeline is wrong - they show Chris Kimsey while they were working on the overdubs for GET YER YA-YA'S OUT! while talking about Brian dying.

I always thought that was weird, how they showed some well known footage from Gimme Shelter when talking about Brian's death.

As a Stones fan, I took note of that, but figured it was just a bit of artistic license. The time-frame was close enough, and it worked well to illustrate what they were talking about. Much better than filming a re-creation.



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