Re: French fanclub not that positive about new album
Posted by:
Sledge Hammer
()
Date: August 8, 2005 15:08
The original review has been updated. Here's my own translation:
Let's be frank: we don't have any copy from the album. We only listened to it once, at the Virgin French headquarters in Paris. The downloading scare makes the record companies... cautious. Going out, we had doubts: ultra-modern and messy production, several tracks sounding like rip-offs of their previous works, minimalist attempt at singing from Jagger... Then, through thinking about it, talking about it, exchanging our feelings and our notes, the tasteless has become correct, the merely acceptable superb. Here's a track by track review of the 16 titles from this "Bigger Bang" which, looking back over it, turns out to be a good record in spite of its length.
Rough Justice: the leading track is a strong rock'n'roller, in line with "Sad, Sad, Sad". Marked groove, screaming guitars, wild rhythm section. When the Stones try to imitate their grandchildren: Black Crowes, Georgia Satellites and co.
Let Me Down Slow: a country-rock ballad, with basic chords and an obviously easy tune. "Dead Flowers" for the noughties.
It Won't Take Long: close to the "Dirty Work" style. A garage band style basic rock song, quieter than the opening track, driven by Keith's guitar and nasty homemade riff. Jagger was in a lazy day when he wrote the tune and the chorus but it goes alright, it's vintage Stones.
Rain Fall Down: first misfire. Keith tries as hard as he can to prevent the song to turn into a dud and his mastery skills were useful here. His funky riff saves the song from boredom. Sort of a Sex Drive remix, with arrangements straight out of "Goddess in The Doorway"
Streets of Love: things quiet down with the first ballad and they get worse. The Stones have seldom lacked such inspiration on this kind of track. As bland as you can get, a mix between a bad Bon Jovi and a Brian Adams turd. The acoustic guitar is straight out of a Metallica ballad. Regarding electric guitars, even Aerosmith would have turned them out. The less said about the melody, the chorus, the backing vocals, the better. Yes, the less said... So, let's stop, next track because we're losing the hard on from the first three songs.
Back Of My Hand: Great! A blues. And what a blues! Not this year's blues, no, an authentic, haunting and gloomy blues. It goes all electric, like a Muddy Waters record, and reminds us of The Storm, a B track from Voodoo Lounge. Jagger screams on the harmonica, Ronnie plays a mean slide guitar while Keith and Charlie deliver a exhilarating laid-back groove. 34 years ago, this song would have belonged to the tracklisting of "Sticky Fingers" as "You Gotta Move".
She Saw Me Coming: The return to greatness is cut short by this generic funky song, with a chorus that would better suit an inspired Britney Spears.
Biggest Mistake: Happiness shines again with this pleasing song. Another track in the Dead Flowers country-rock mould. The tune is spot on even if the backing vocals, at first hearing, are somewhat corny.
This Place Is Empty: First song sung by Keith. A ballad played while the fire is burning in the chimney, very inspired, with acoustic arpeggia and tasty backing vocals. His voice goes straight to our guts, thanks to a catchy tune.
Oh No, Not You Again: Energy goes back, rocking off, with this sharp rock'n'roller, sounding a little like the first track but with syncopated verses, cut with riffs straight out of a One Hit (To The Body) remix. The solo is vintage Chcuck Berry, Charlie and Darryl send in the glu and everybody crashes in a chaotic climax! Not very original but efficient.
Dangerous Beauty: Another syncopated rock'n'roller, this one without anything special. The Stones on automatic pilot, the tune drags on, the riffs have already been used a million times... Let's forget about it.
Laugh, I Nearly Died: The album goes out of breath. A soul ballad unable to soar, r'n'b backing vocals (again!) that are clumsy, Keith lost in the middle of his riff.
Sweet Neo Con: Jagger is spot on against the Bush administration with the provocative style that suit him so well. Besides from that, Keith and Ron certainly went to the pub, Charlie preferred to spend time with his granddaughter and Darryl was snoring.
Look What The Cat Dragged In: One more time for the Stones in automatic pilot and self-parody mode. Not really bad but not really good either. You won't hear it in a club, you won't hear it on the radio and, let's hope, we won't have to suffer it on stage.
Driving Too Fast: Heavy rhythm section, boring tune, a AOR heavy metal chorus that you have already heard too many times. It's getting close to the 16 tracks and it's long, far too long.
Infamy: Richards saved the last bullet. It's groovy, funky, as Stax sounding as it can and delivered by the war horse, it a strike. Above all, Jagger is busy on the harmonica, the backing vocals have the good ol' X-Pensive Winos tribal spirit, the acoustic guitar break is splendid. To make it short, "A Bigger Bang" has a wonderful coda, sung by the soul of the Stones himself.