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1969Fan
Brussels 1973. The guitar interplay leading into the '2nd act' is incredible. Mick T and Keith were on it that night!
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1969Fan
Brussels 1973. The guitar interplay leading into the '2nd act' is incredible. Mick T and Keith were on it that night!
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Olly
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
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Olly
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
Like others, I have, and found them wanting. Not necessarily bad, just nowhere near as good as the classic performances of the early 70s.
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ShaTurd
Like LS said, there is Brussels, and then there are all the rest...
Brussels lacks the power and threat that the Nashville 2015 version has in abundance. 'Midnight Rambler' at LP Field in 2015 is one of the greatest live renditions of a song by the Stones.
I have got to seek this out. The Rolling Stones haven't been threatening since 1969; the fact that they could recapture that menace on one song at one show 46 years later sounds truly miraculous!
I can't agree with that.
I would certainly recommend listening to the Nashville 2015 rendition.
A brief aside regarding the evaluation of live performances:
Several years ago, whilst a student, I found myself in conversation with a world-renowned Professor. At one point in our discussion the Professor, an American man in his fifties, asked me, quite out of the blue, who my favourite guitarist was.
Instinctively I replied 'Probably Jimmy Page or Keith Richards.'
I noticed his top lip instantly begin to curl in derision: it was the answer he had anticipated.
Shaking his head, he replied, 'I can never understand how someone can listen to rock music that's thirty or forty years old.'
'Why?' I asked, genuinely curious as to his position.
'It just doesn't possess any relevance. It amazes me that it remains so popular.'
Our conversation ended soon after, and I never spoke to the Professor again regarding the subject.
I largely disregarded the Professor's words concerning music, concluding that he had employed a false analogy to illustrate a wider point in our discussion. However, when considering an analysis of live performance as I am here, I find his words echoing in my ears.
I can appreciate the admiration for the US shows of 1969 and the Brussels performances of 1973, but I sometimes question the relative objectivity of those responsible for that admiration.
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
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Olly
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
Like others, I have, and found them wanting. Not necessarily bad, just nowhere near as good as the classic performances of the early 70s.
Same here... for the 2012-15 shows we can either say "not very good" when they sucked or "surpisingly decent" when they shone.
Applying the "best ever" tag to any 2012-15 perfs is imo ridiculous. They still have some sparks but naturally they don't have the fire they had in the 70's.
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Rollin' StonerI question your objectivityQuote
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ShaTurd
Like LS said, there is Brussels, and then there are all the rest...
Brussels lacks the power and threat that the Nashville 2015 version has in abundance. 'Midnight Rambler' at LP Field in 2015 is one of the greatest live renditions of a song by the Stones.
I have got to seek this out. The Rolling Stones haven't been threatening since 1969; the fact that they could recapture that menace on one song at one show 46 years later sounds truly miraculous!
I can't agree with that.
I would certainly recommend listening to the Nashville 2015 rendition.
A brief aside regarding the evaluation of live performances:
Several years ago, whilst a student, I found myself in conversation with a world-renowned Professor. At one point in our discussion the Professor, an American man in his fifties, asked me, quite out of the blue, who my favourite guitarist was.
Instinctively I replied 'Probably Jimmy Page or Keith Richards.'
I noticed his top lip instantly begin to curl in derision: it was the answer he had anticipated.
Shaking his head, he replied, 'I can never understand how someone can listen to rock music that's thirty or forty years old.'
'Why?' I asked, genuinely curious as to his position.
'It just doesn't possess any relevance. It amazes me that it remains so popular.'
Our conversation ended soon after, and I never spoke to the Professor again regarding the subject.
I largely disregarded the Professor's words concerning music, concluding that he had employed a false analogy to illustrate a wider point in our discussion. However, when considering an analysis of live performance as I am here, I find his words echoing in my ears.
I can appreciate the admiration for the US shows of 1969 and the Brussels performances of 1973, but I sometimes question the relative objectivity of those responsible for that admiration.
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
to the quantum theoryQuote
OllyQuote
Rollin' StonerI question your objectivityQuote
OllyQuote
LongBeachArena72Quote
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ShaTurd
Like LS said, there is Brussels, and then there are all the rest...
Brussels lacks the power and threat that the Nashville 2015 version has in abundance. 'Midnight Rambler' at LP Field in 2015 is one of the greatest live renditions of a song by the Stones.
I have got to seek this out. The Rolling Stones haven't been threatening since 1969; the fact that they could recapture that menace on one song at one show 46 years later sounds truly miraculous!
I can't agree with that.
I would certainly recommend listening to the Nashville 2015 rendition.
A brief aside regarding the evaluation of live performances:
Several years ago, whilst a student, I found myself in conversation with a world-renowned Professor. At one point in our discussion the Professor, an American man in his fifties, asked me, quite out of the blue, who my favourite guitarist was.
Instinctively I replied 'Probably Jimmy Page or Keith Richards.'
I noticed his top lip instantly begin to curl in derision: it was the answer he had anticipated.
Shaking his head, he replied, 'I can never understand how someone can listen to rock music that's thirty or forty years old.'
'Why?' I asked, genuinely curious as to his position.
'It just doesn't possess any relevance. It amazes me that it remains so popular.'
Our conversation ended soon after, and I never spoke to the Professor again regarding the subject.
I largely disregarded the Professor's words concerning music, concluding that he had employed a false analogy to illustrate a wider point in our discussion. However, when considering an analysis of live performance as I am here, I find his words echoing in my ears.
I can appreciate the admiration for the US shows of 1969 and the Brussels performances of 1973, but I sometimes question the relative objectivity of those responsible for that admiration.
I recommend listening to more recent live performances by the Stones. You may discover, as I did, that the band peaked as a live act decades later than many would have you believe.
With regards to what?
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Olly
I can appreciate the admiration for the US shows of 1969 and the Brussels performances of 1973, but I sometimes question the relative objectivity of those responsible for that admiration.
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Thrylan
To MT's defense, it's tough to sit in the wings, then solo on demand.
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Thrylan
To MT's defense, it's tough to sit in the wings, then solo on demand.
Ain't that the truth. I could never manage it and I'm an excellent, accomplished player.
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strat72
I love the Brussels & Ya Yas versions the best. The more recent live versions I like are MSG 2003 & Hyde Park.Quote
Olly
I can appreciate the admiration for the US shows of 1969 and the Brussels performances of 1973, but I sometimes question the relative objectivity of those responsible for that admiration.
Olly, with respect..... What are you talking about? Objectivity? This is how it works for me. I listen to the Brussels version and I love it. I just listened to the Nashville 2015 version that you like, and while it's o.k, it's no more than that. It does not even come close to other recent live versions I've heard. You disagree, which is fine, but objectivity does not come into it.
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MidnightGambler
Obviously MSG 69 (Ya Ya's) and Brussels 73, and CERTAINLY NOT Nashville 2015 (I was at that concert). Ron Wood IS NOT Mick Taylor!!! if you understand that, you have the key of the Rolling Stones music...
It is a shame that the MR version of the Brussels evening show has not been released. Does somebody know the reason why?
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MidnightGambler
Obviously MSG 69 (Ya Ya's) and Brussels 73, and CERTAINLY NOT Nashville 2015 (I was at that concert). Ron Wood IS NOT Mick Taylor!!! if you understand that, you have the key of the Rolling Stones music...
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LongBeachArena72
...tough to mess up a 12-bar blues...
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kleermaker
Good choice queenie. It is currently my favourite one too.