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DandelionPowdermanQuote
GasLightStreet
That's funny. I think the guitars sound better on SW than on DW! Not as processed. SW doesn't have the tight not enough bottom sound that DW has. SW is a bit more rounded. SW is not as bright.
It still doesn't sound very good... just a bit softer than DW. At least the SW songs are better, overall.
OK, let's check out the sound on a couple of rockers from SW and DW a bit closer. SW isn't THAT bad, but I prefer the little extra something in Keith's sound on DW. I dunno how to describe it, grit won't be the right word - "clean punch"?
Both the SW tracks here are Mick with open G, whilst Keith is playing standard on the two DW tracks.
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GasLightStreetQuote
DandelionPowdermanQuote
GasLightStreet
That's funny. I think the guitars sound better on SW than on DW! Not as processed. SW doesn't have the tight not enough bottom sound that DW has. SW is a bit more rounded. SW is not as bright.
It still doesn't sound very good... just a bit softer than DW. At least the SW songs are better, overall.
OK, let's check out the sound on a couple of rockers from SW and DW a bit closer. SW isn't THAT bad, but I prefer the little extra something in Keith's sound on DW. I dunno how to describe it, grit won't be the right word - "clean punch"?
Both the SW tracks here are Mick with open G, whilst Keith is playing standard on the two DW tracks.
Keith's in open G on One Hit from what I've always been able to tell.
Ah, I get what you mean though. DW's guitar sound has more bite to it. It's raunchy. Certainly raunchier than anything on SW.
Hold On To You Hat is so compressed and... smooth sounding. It has no bite - which is what Dirty Work and even One Hit have.
Mick's intro on Sad Sad Sad still sounds awesome though. Perhaps, ha ha, that's the high point of sound for SW!
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flacnvinyl
If Dirty Work didn't have such a crummy cover and terrible drum sound, the album would have been better received. Personally I can't get past the terrible snare sound. The U2, "long-reverb-decay", snare sound ruins One Hit.
Had It With You is criminally underrated. I only wish the entire album was mixed dry like that. One Hit To The Body always came off like a cool track that got overproduced. If it was a more raw version like It Wont Take Long off A Bigger Bang, I think I'd dig it even more.
The truth is that Dirty Work was a forced record. The company needed a record. The Stones produced a record. Now we all have the record. The promo says it all...