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Doxa
Unfortunately, the limits of fresh ideas, using very simple and catchy components, had been seen for a long time in their most typical, Stones-kind of rocker material as well (you know, the riffs, structural choices, melody patterns). The lack of their input during the last decade/s partly is - I think - a reflection of that. They simply just perfected the idiom and said probably anything that can been said within it, a long time ago, and I can understand why it can be artistically frustrating just to circulate and re-warm old ideas - ideas that had been utilized to death already - if there is no longer the inner muse naturally giving new ones. So, in a way, I see their unproductivity also as a kind of sign of artistic honesty. Why to say anything, if there is nothing to say?
- Doxa
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treaclefingers
so absolutely authentic sounding, it makes you realize how good they are at what they do.
think of every 'great band', Beatles, Led Zeppelin, the Who, The Kinks, not one of them could come up with a song like this, never mind do a song like this.
It makes you realize that observations like, the Beatles are better than the Stones are completely meaningless. Better at what?
There are other bands that could probably do this song, and make it sound as authentic, but could they also do Miss You, Let's Spend The Night Together, Undercover Of The Night, and Sympathy For The Devil?
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Come On
This is a masterpiece in the same class as 'Factory Girl' and 'Dead Flowers'..
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Silver Dagger
everything about it suggests that both the lyrics and music were written by Keith.
But I recall that Mick had Sweet Virginia prepared and ready to go.
- Keith Richards, 2010
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LeonidP
Not much to add that hasn't been said ... except:Quote
Come On
This is a masterpiece in the same class as 'Factory Girl' and 'Dead Flowers'..
Sorry but Sweet Virginia is significantly better than both of those ... and I love both of those.
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LeonidP
Not much to add that hasn't been said ... except:Quote
Come On
This is a masterpiece in the same class as 'Factory Girl' and 'Dead Flowers'..
Sorry but Sweet Virginia is significantly better than both of those ... and I love both of those.
true.
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DoxaQuote
BowieStoneQuote
Silver Dagger
everything about it suggests that both the lyrics and music were written by Keith.
But I recall that Mick had Sweet Virginia prepared and ready to go.
- Keith Richards, 2010
Things like that keep surprising me... Knowing how much Keith was hanging with Gram Parsons at the time, and probably going rather deep in his country 'studies', it is in the end Jagger who comes up with a pure country song... (possibly "Dead Flowers" was also written by him). "Hi guys, whatcha ya doin'? Aah, that country thing, give me a try as well...?" A bit like him in trying to recover his arm in Australia, he is picking up a guitar, and playing it with a tuning Keith had just learned from Ry Cooder and recorded "Honky Tonk Women" with... "Hmm.. this sounds nice, let's strum some chords here and there.. hmm..yeah...nice. I think I call this "Brown Sugar""...
- Doxa
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DoomandGloomQuote
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LeonidP
Not much to add that hasn't been said ... except:Quote
Come On
This is a masterpiece in the same class as 'Factory Girl' and 'Dead Flowers'..
Sorry but Sweet Virginia is significantly better than both of those ... and I love both of those.
true.
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with sssoul
... Who said anything about "politically correct" or "radio-friendly"??
The lyrics are semi-coherent and don't seem very finished, that's all - and the track is perfect anyway.
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FeelTheFire
The Stones have written greater songs than this, but nothing better.
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FeelTheFire
The Stones have written greater songs than this, but nothing better.
Is this sentence correct.............
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GasLightStreet
I liked how Keith changed it a tiny bit on STRIPPED by throwing in that G minor.
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Naturalust
Reagan mentioned the lyrics should have been worked better so suitable for radio, I added the politically correct part.
Wasn't responding to "flip city" although the term brought a smile to my face.peace
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NaturalustQuote
GasLightStreet
I liked how Keith changed it a tiny bit on STRIPPED by throwing in that G minor., What G minor?
peace
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DandelionPowdermanQuote
NaturalustQuote
GasLightStreet
I liked how Keith changed it a tiny bit on STRIPPED by throwing in that G minor., What G minor?
peace
I assume he's talking about the country licks he's doing in there, where he's going in and out of minor/major scales - but I'm not sure..
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Naturalust
Reagan mentioned the lyrics should have been worked better so suitable for radio, I added the politically correct part.
Wasn't responding to "flip city" although the term brought a smile to my face.peace
Well but what difference does it make what ... wait ... ohhh a POSTER named Reagan? It's all falling into place now :E
Keith did suggest this should be the first single, sweetly feeling the sh1t wouldn't matter to anyone.
I forget which book I read that in, though. Bill's?
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ReaganQuote
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Naturalust
Reagan mentioned the lyrics should have been worked better so suitable for radio, I added the politically correct part.
Wasn't responding to "flip city" although the term brought a smile to my face.peace
Well but what difference does it make what ... wait ... ohhh a POSTER named Reagan? It's all falling into place now :E
Keith did suggest this should be the first single, sweetly feeling the sh1t wouldn't matter to anyone.
I forget which book I read that in, though. Bill's?
For the record, I like the lyrics. I like them in spite of their sloppiness, but the chorus prevented the song from being a single. And I think it could have been a radio hit had it been released. That's all.
-Reagan