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Aquamarine
Yes, I know, it's just that I've never been convinced that "Berber" was what he was singing (there's something about it that just doesn't sound right), even though I can't provide an alternative! Pointless observation on my part, I admit it.
good observation. Clearly the two Micks are experimenting with song form. Taylor is irreverent when it comes to rock 'n' roll, He was all about spontaneity and free expression in his time with the band. Now many of us are becoming aware that his contributions on stage had a creative counterpart in the studio, clearly the tensions between he and Keith were beyond him blowing Richards away at concerts but included great tracks such as MM and Winter that Richards did not play on. "Shine" is proof that EOM is as much Taylor's record as any of the Rolling Stones.Quote
bitusa2012
This, and Let it Loose, amongst the very VERY best EOMS songs. And certainly up there in the band's 'ballad' catalog.
Just beautifully, AND strangely (for the Stones) constructed songs IMHO. Love the acoustic guitar and Charlie's just brilliant drumming - his timing in this is simply incomparable.
Cheap shot. This is a great performance from all..Quote
kleermakerQuote
kowalski
Great live version from Stripped :
Such a poor version. But maybe someone would put Ronnie's solo in the thread Greatest Ron Wood solos.
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DoomandGloomgood observation. Clearly the two Micks are experimenting with song form. Taylor is irreverent when it comes to rock 'n' roll, He was all about spontaneity and free expression in his time with the band. Now many of us are becoming aware that his contributions on stage had a creative counterpart in the studio, clearly the tensions between he and Keith were beyond him blowing Richards away at concerts but included great tracks such as MM and Winter that Richards did not play on. "Shine" is proof that EOM is as much Taylor's record as any of the Rolling Stones.Quote
bitusa2012
This, and Let it Loose, amongst the very VERY best EOMS songs. And certainly up there in the band's 'ballad' catalog.
Just beautifully, AND strangely (for the Stones) constructed songs IMHO. Love the acoustic guitar and Charlie's just brilliant drumming - his timing in this is simply incomparable.
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DoomandGloomgood observation. Clearly the two Micks are experimenting with song form. Taylor is irreverent when it comes to rock 'n' roll, He was all about spontaneity and free expression in his time with the band. Now many of us are becoming aware that his contributions on stage had a creative counterpart in the studio, clearly the tensions between he and Keith were beyond him blowing Richards away at concerts but included great tracks such as MM and Winter that Richards did not play on. "Shine" is proof that EOM is as much Taylor's record as any of the Rolling Stones.Quote
bitusa2012
This, and Let it Loose, amongst the very VERY best EOMS songs. And certainly up there in the band's 'ballad' catalog.
Just beautifully, AND strangely (for the Stones) constructed songs IMHO. Love the acoustic guitar and Charlie's just brilliant drumming - his timing in this is simply incomparable.
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DandelionPowdermanQuote
DoomandGloomgood observation. Clearly the two Micks are experimenting with song form. Taylor is irreverent when it comes to rock 'n' roll, He was all about spontaneity and free expression in his time with the band. Now many of us are becoming aware that his contributions on stage had a creative counterpart in the studio, clearly the tensions between he and Keith were beyond him blowing Richards away at concerts but included great tracks such as MM and Winter that Richards did not play on. "Shine" is proof that EOM is as much Taylor's record as any of the Rolling Stones.Quote
bitusa2012
This, and Let it Loose, amongst the very VERY best EOMS songs. And certainly up there in the band's 'ballad' catalog.
Just beautifully, AND strangely (for the Stones) constructed songs IMHO. Love the acoustic guitar and Charlie's just brilliant drumming - his timing in this is simply incomparable.
Really? He plays a good solo and(probably)bass on it, but had nothing to do with creating this song. Are you exaggerating a little here, perhaps?
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kleermakerQuote
DandelionPowderman
I'm kleerly aware of the latter.
Maybe you have a little problem with the fact that only the two Micks play on this one as RS members and not your idol Keith, and that the younger Mick also plays great bass here, besides fantastic guitar.
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DandelionPowderman
It's absolutely fantastic, no matter who plays on it.
But this song goes way back, kleerie.
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His MajestyQuote
DandelionPowderman
It's absolutely fantastic, no matter who plays on it.
But this song goes way back, kleerie.
How far back?
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His MajestyQuote
DandelionPowderman
It's absolutely fantastic, no matter who plays on it.
But this song goes way back, kleerie.
How far back?
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DandelionPowderman
You should know...
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René
Comments, input and alterations are very welcome!
_______________________________________________________________________________
Shine A Light
(Mick Jagger / Keith Richards)
Olympic Sound Studios, London, UK, July 23, 1970, Sunset Sound Studios,
Hollywood, Los Angeles, California, US, December 4 - 19, 1971 & January -
March 1972 and Wally Heider Studios, Los Angeles, California, US, March 24 & 25, 1972
Mick Jagger - lead vocals
Mick Taylor - electric guitar, bass
Jimmy Miller - drums
Billy Preston - piano, organ
Clydie King - backing vocals
Venetta Fields - backing vocals
Jesse Kirkland - backing vocals
Joe Green - backing vocals
Saw you stretched out in Room Ten O Nine
With a smile on your face and a tear right in your eye
Oh, couldn't seem to get a line on you, my sweet honey love
Berber jewelry jangling down the street
Making bloodshot eyes at ev'ry woman that you meet
Could not seem to get high on you, my sweet honey love
May the good Lord shine a light on you, make every song your favorite tune
May the good Lord shine a light on you, warm like the evening sun
Well, you're drunk in the alley, baby, with your clothes all torn
And your late night friends leave you in the cold grey dawn
Oh, just seemed too many flies on you, I just can't brush them off
Angels beating all their wings in time
With smiles on their faces and a gleam right in their eyes
Oh, thought I heard one sigh for you
Come on up now, come on up now, come on up now
May the good Lord shine a light on you, make every song you sing your favorite tune
May the good Lord shine a light on you, yeah, warm like the evening sun
Come on up now, come on up now, come on up now
May the good Lord shine a light on you, make every song you sing your favorite tune
May the good Lord shine a light on you, warm like the evening sun
Produced by Jimmy Miller
First released on:
The Rolling Stones - “Exile On Main Street” 2LP
(Rolling Stones Records COC 69100) UK, May 12, 1972
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His MajestyQuote
DandelionPowderman
You should know...
I don't.
Does it pre-date Michael Kevin Taylor playing with The Rolling Stones on 31st May 1969?
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DandelionPowderman
It sure does. Supposedly, Mick started writing it (about Brian) in 1968. The first Get A line on you-version was recorded in March 1968. Second take in March 1969.
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24FPSQuote
Silver Dagger
Looking at Rene's line up of musicians I'm staggered that the two Micks are the only Rolling Stones on this track. I never knew that. Does that make it the Stones' song with the least members ever on it? I guess so.
'Play With Fire' only has Mick & Keith on it.
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TravelinMan
“Shine A Light” is an excellent song that sits perfectly on the track listing. I’ve heard two outtake versions, the one with Leon Russell where somebody plays slide (sounds like Richards or somebody other than Taylor). The other one sounds like an alternate take of the released version although it claims to be from 1970 at Olympic.
The alternate version has what sounds to be the same line-up as the released version, right? I read Billy Preston was in LA overdubbing his parts on Exile. Were the basics recorded at Olympic? Is the bass different on the alternate than the official? This could be where Taylor re-recorded bass in LA perhaps and Wyman just assumed it was his “old” part. Food for thought.